For 7,768 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,345 out of 7768
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Mixed: 1,490 out of 7768
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Negative: 1,933 out of 7768
7768
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Clayton Dillard
The peculiar circumstances of the documentary necessitate more transparency than the filmmaker is willing to offer.- Slant Magazine
- Posted May 22, 2016
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Reviewed by
Chuck Bowen
Even the film's lapses inform it with a free-associative sense of portent, evoking the stupid things we inexplicably do in our most personal nightmares.- Slant Magazine
- Posted May 20, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
It hopes to jolt audiences with OMGs instead of edifying them about the empty lure of Buddhafield's cult mentality.- Slant Magazine
- Posted May 20, 2016
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Reviewed by
Clayton Dillard
The problem here isn't necessarily the tension between emotion and rationality, but that the doc does little to explore these dimensions as they arise.- Slant Magazine
- Posted May 20, 2016
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Reviewed by
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Reviewed by
Christopher Gray
The film's expected rehash of recent pop-culture totems is accompanied by a novel attention to millennial-centric debates about entitlement and identity politics.- Slant Magazine
- Posted May 18, 2016
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Reviewed by
Eric Henderson
The Angry Birds Movie is a lot of things, but none of them true to the app's appeal.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Jake Cole
Shane Black's The Nice Guys doesn't want for great exchanges, and even disposable conversations brim with acidic wit.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Jesse Cataldo
Kurosawa allows for a few brief flights of fancy, further abandoning realism for whimsical bursts of glowing color, but otherwise it's a humdrum slog of a voyage.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Carson Lund
Roberto Minervini's documentary is as quintessentially American a text as one could hope for in today's divided union.- Slant Magazine
- Posted May 17, 2016
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- Critic Score
Bi Gan's film is a soulful depiction of China's increasingly rapid pace of cultural and economic transformation.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Chuck Bowen
Steve Hoover's documentary affords one an unusually intimate glance at the collapsed infrastructure of the former Soviet Union.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Clayton Dillard
The final note of optimism is consistent with the documentary's overall tone and interest in perseverance.- Slant Magazine
- Posted May 16, 2016
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Reviewed by
Chuck Bowen
This enterprise is so listless that one can't even work up a proper head of self-righteous steam over the spooky Native American clichés that drive the plot.- Slant Magazine
- Posted May 13, 2016
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Reviewed by
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Reviewed by
Christopher Gray
Jodie Foster manages the interlocking tones of outrage and low humor with an unfailing rhythm and an engagingly casual cynicism.- Slant Magazine
- Posted May 12, 2016
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Reviewed by
Jake Cole
No Austen adaptation, even the most revisionist ones, have ever felt as vicious as Whit Stillman's Love & Friendship.- Slant Magazine
- Posted May 10, 2016
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Reviewed by
Chuck Bowen
Throughout Alex and Benjamin Brewer's film, Nicolas Cage holds the screen with his distinct timing and expressive force of being.- Slant Magazine
- Posted May 10, 2016
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Reviewed by
Ed Gonzalez
The Drake Doremus film all comes down, simplistically and repeatedly, to “feelings make us feel alive.”- Slant Magazine
- Posted May 10, 2016
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Reviewed by
Sam C. Mac
The issue with X-Men: Apocalypse is that Bryan Singer suggests so many possible directions to go in and still chooses the least interesting one.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
The politics of the film are consistently muddled by director Rodrigo Plá's conspicuous formal choices.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
Diego Semerene
The ingenuity of writer-director Jeremy LaLonde's film ends with its title.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
Nick Prigge
Zhang Yang achieves an astonishing immediacy by simply allowing the prostration process to play out over and over with minimal aesthetic interference.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
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Reviewed by
Chuck Bowen
When Bo Mikkelsen springs his traditional yet cathartic climax, it's earned because the violence matters truly as violation.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
Kenji Fujishima
It's never made clear how witnessing a family deal with their specific issues affects Jesus's own perspective on his destiny.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
James Lattimer
Terence Davies's sheer talent for creating sensuous images conveniently masks how little of this feeling actually emerges from the plot these images illustrate.- Slant Magazine
- Posted May 9, 2016
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Reviewed by
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Reviewed by
Jake Cole
The undeniable fun of Civil War's action scenes only exacerbates the failure of the narrative to adequately contend with its own themes.- Slant Magazine
- Posted May 3, 2016
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Reviewed by
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Reviewed by
Jesse Cataldo
Jacques Audiard's film struggles to overcome the burden of its over-simplified, moralizing setup.- Slant Magazine
- Posted May 3, 2016
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Reviewed by
Steve Macfarlane
What intrigues, if in a lurid sort of way, is the film's fudging of projected viewer desires with its characters'.- Slant Magazine
- Posted May 2, 2016
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Reviewed by
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Reviewed by
Nick Prigge
It too often fails to examine how the long shadow cast by Star Wars affected its its background actors' lives.- Slant Magazine
- Posted May 2, 2016
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Reviewed by
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Reviewed by
Chuck Bowen
Chad Archibald doesn't quite land Bite's transition over from claustrophobic character study into full-blown monster movie.- Slant Magazine
- Posted May 2, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
The film's Cuban specificity comes to seem like an opportunistic locale for reenacting a decidedly art-cinematic legacy.- Slant Magazine
- Posted May 2, 2016
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Reviewed by