For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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- Critic Score
As thorough as the filmmakers are in providing a political context for Fishbone, they're often reduced to tunnel vision in an attempt to lift the unheralded band to its rightful place in music history.- Slant Magazine
- Posted Oct 3, 2011
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Reviewed by
Glenn Heath Jr.
This arc may sound particularly familiar on paper, but To Be Heard finds the unique passions and heartaches in all three stories, allowing the viewer to become invested in whatever outcome befalls each subject.- Slant Magazine
- Posted Oct 10, 2011
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Reviewed by
Andrew Schenker
Oliver Laxe goes full-on meta by casting himself in the role of a visiting moviemaker who travels to Morocco to shoot footage with disadvantaged children living in a shelter.- Slant Magazine
- Posted Oct 17, 2011
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This is a film which takes classic source material and imbues it on screen with a sense of wonder commensurate to its prior form, perhaps offering an even more visceral impression of the possibilities inherent to this beautiful, tragic world.- Slant Magazine
- Posted May 8, 2013
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Reviewed by
Andrew Schenker
The movie's understanding of how the group taps into people's deep need to believe ensures that the film remains not only fair-minded, but sensitive to the tortured emotions of its conflicted central characters.- Slant Magazine
- Posted Oct 24, 2011
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Reviewed by
Michael Nordine
Retreat's wheels are constantly spinning, but they're not always taking us anywhere.- Slant Magazine
- Posted Oct 24, 2011
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It's as if Soderbergh expects the film to mostly resolve itself, rounded out by the asses-in-the-seats appeal of the material, rote thematic underpinning, and ample charms of the cast.- Slant Magazine
- Posted Jun 28, 2012
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Reviewed by
Glenn Heath Jr.
Watching Dennis Farina dominate every scene is a joy, and thankfully the actor makes the most of this opportunity.- Slant Magazine
- Posted Oct 31, 2011
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The Assault raises many more questions than it answers, and its overall objective is puzzling and remains shrouded in political agenda.- Slant Magazine
- Posted Feb 26, 2012
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Reviewed by
Andrew Schenker
Even as it takes pleasure in imagining the wheeling and dealing that politicos make when no one is looking, it never offers as much insight into the process by which a president is made as its premise would seem to promise.- Slant Magazine
- Posted Nov 5, 2011
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Reviewed by
Chuck Bowen
The Love We Make is mostly about placing viewers in an icon's shoes as he makes a rehabilitative gesture toward a city with which he's grown considerable roots.- Slant Magazine
- Posted Nov 7, 2011
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Bill Weber
With six protagonists serving as a cross-section of Tehran's youthful population, director Hossein Keshavarz's Dog Sweat is a somber, minor-keyed debut feature about the daily manifestations of oppression in contemporary Iran.- Slant Magazine
- Posted Nov 9, 2011
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Reviewed by
Glenn Heath Jr.
Using a whirlwind of archival footage, maps, and split screens, Edmon Roch conveys Juan Pujol Garcia's reign as Europe's premiere spy in a constantly fluid fashion, aesthetically mimicking his crafty and cagey nature.- Slant Magazine
- Posted Nov 13, 2011
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Joseph Jon Lanthier
The most dramatic material, such as Victor DeNoble's much-applauded congressional testimony, more or less traffics common knowledge without bothering to provide fresh emotional context.- Slant Magazine
- Posted Dec 12, 2011
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Andrew Schenker
The surest sign that a filmmaker recognizes the insularity of his or her project is the presence of perfunctory attempts to hint at a wider political context.- Slant Magazine
- Posted Jan 22, 2012
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Half-formed expressions of disappointment, hope, struggle, confusion, and boyish playfulness on faces otherwise marked by youth's inexperience, and a self-consciousness brought on by the curiosity of being filmed, constitute the most memorable moments of Lads & Jockeys, a documentary on 14-year-old aspiring jockeys in France.- Slant Magazine
- Posted Dec 3, 2011
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R. Kurt Osenlund
It works too hard to keep matters on an even, we're-all-more-alike-than-different keel, which is just one part of its chief problem of forcefully conveying information and intent.- Slant Magazine
- Posted Sep 29, 2013
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Even if this Haruki Murakami adaptation amounts to a gorgeous but lethargic emo ballad, there's no denying the stately lyricism of its melancholy.- Slant Magazine
- Posted Jan 2, 2012
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Reviewed by
Diego Semerene
At the very least, The Pill could have been a pleasant exercise in screenwriting sharpness if Fred and Mindy's situation had been confined and (un-)resolved within the confines of its very promising first scene.- Slant Magazine
- Posted Dec 13, 2011
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Reviewed by
Bill Weber
A freeform, New York-based variation on the Arabian Nights tales by Jonas Mekas is both a pan-narrative and a disarming portrait of its sweetly curious maker.- Slant Magazine
- Posted Dec 13, 2011
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When its third act erupts into full-blown theatrical maximalism, Tyler Perry's Temptation practically turns into Brian De Palma's Temptation.- Slant Magazine
- Posted Mar 30, 2013
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Reviewed by
Jesse Cataldo
There's great potential for the kind of issues that are taken on, but nothing is resolved, and the biggest questions, of guilt and shame, the gulf of understanding between the first world and the third, remain unengaged.- Slant Magazine
- Posted Apr 8, 2012
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Andrew Schenker
Nothing here is wrong, but beyond pointing out that sexually charged teenage girls are likely to be misunderstood in an oppressive small town, there's nothing that's especially insightful here either.- Slant Magazine
- Posted Mar 25, 2012
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Reviewed by
Kenji Fujishima
A reasonably sensitive and occasionally insightful look into the mind and psyche of an impassioned and deeply troubled artist.- Slant Magazine
- Posted Feb 26, 2012
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Reviewed by
Bill Weber
Gambling on the unlikely redemption of a doom metal fuck-up, this potential rock-doc tragedy reveals a bromance of idol and idolator.- Slant Magazine
- Posted Feb 29, 2012
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R. Kurt Osenlund
One of its strengths is a knowledge of when to unfurl information, particularly for the strongest emotional effect.- Slant Magazine
- Posted Sep 26, 2012
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- Critic Score
It's likely, then, that the film was directed by Susanne Rostock the same way Belfonte's new memoir, My Song, was written with Vanity Fair's Michael Shnayerson: to articulate, polish, and edit what the vociferous and at times alarmingly honest Belfonte wants to tell us without injuring his credibility outside of the left any further.- Slant Magazine
- Posted Jan 12, 2012
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Reviewed by
Kenji Fujishima
Whatever one ends up thinking about The Snowtown Murders, it's difficult to deny that it's a deeply impressive work.- Slant Magazine
- Posted Feb 26, 2012
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The film recognizes how resolutely derivative it is, and it deigns to relish rather than efface that quality. The result is a trifle, but a fairly amusing one.- Slant Magazine
- Posted Mar 6, 2012
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Reviewed by
Andrew Schenker
Nanni Moretti's latest is a mixed bag that too often settles for easy, superficial laughs.- Slant Magazine
- Posted Apr 1, 2012
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