For 7,776 reviews, this publication has graded:
-
33% higher than the average critic
-
3% same as the average critic
-
64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
-
Positive: 4,350 out of 7776
-
Mixed: 1,493 out of 7776
-
Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Eric Henderson
A devout political documentary that insists that community, dignity, and solidarity are sustaining, but not the baseline by which one should settle.- Slant Magazine
- Posted Sep 28, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Heath Jr.
People matter in Matthew Lillard's film; genre not so much.- Slant Magazine
- Posted Oct 1, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Chris Cabin
The film exudes an elemental, intriguing mysteriousness, a reminder that things remain unseen and in a state of unrest.- Slant Magazine
- Posted Oct 1, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Joseph Jon Lanthier
Though relentlessly and admirably logical, the movie constantly glosses over the buried human element.- Slant Magazine
- Posted Nov 16, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Eric Henderson
Tom Cruise's participation transmutes, as it always does, everything around him, turning the movie's series of false starts, dead ends, and hard lessons into a working metaphor for his own career.- Slant Magazine
- Posted Jun 4, 2014
- Read full review
-
Reviewed by
-
-
Reviewed by
Steve Macfarlane
A dazzling heist film that can't help but come off as duly influenced by Steven Soderbergh's Ocean's trilogy, South Korea's number one box-office champ of all time is never less than clever.- Slant Magazine
- Posted Oct 12, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Joseph Jon Lanthier
Accusation is the rhetoric of outrage, and Arnon Goldfinger can't bring himself to experience even conservative anger, regardless of its appropriateness.- Slant Magazine
- Posted Oct 15, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Ed Gonzalez
Possibly year's most immaculate-looking drivel, a prismatically shot whodunit abundant in red herrings, but lacking in moral contemplation.- Slant Magazine
- Posted Sep 15, 2013
- Read full review
-
Reviewed by
-
- Critic Score
As an election-season reminder that our democratic system isn't functioning, it serves as a welcome wake-up call- Slant Magazine
- Posted Oct 12, 2012
- Read full review
-
- Critic Score
It pays to consider even the small details of society's greatest investment in the future: our future generations.- Slant Magazine
- Posted Oct 18, 2012
- Read full review
-
-
Reviewed by
Nick McCarthy
What the documentary lacks in the way of sophisticated filmmaking it compensates for with an earnest insistence on open dialogue.- Slant Magazine
- Posted Oct 16, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Jake Cole
Half-assed mentions of the Avengers, as well as a few cameo appearances sprinkled both within the feature and in its credits stingers, exude less shame than a crowd-pandering politico.- Slant Magazine
- Posted Jul 14, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Ed Gonzalez
The states get higher with every breadcrumb Luis Tosar's creep lays down, and the film derives sometimes remarkable corkscrew tension from watching him being backed into a corner.- Slant Magazine
- Posted Oct 23, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Joseph Jon Lanthier
Its episodic nature poses a narrative challenge that director Josh Aronson's just barely feature-length documentary can't quite surmount.- Slant Magazine
- Posted Oct 23, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrew Schenker
This decision to avoid treating the dinosaurs as surrogate people for easy identification is both the film's boldest move and the source of much of its problems.- Slant Magazine
- Posted Oct 23, 2012
- Read full review
-
Reviewed by
-
- Critic Score
The film spends its first act establishing a flimsy emotional groundwork before gleefully taking a sledgehammer to it just seconds into act two.- Slant Magazine
- Posted Mar 19, 2013
- Read full review
-
- Critic Score
While the film succeeds in creating a beautiful setting and portends of things to come from Defurne, it ultimately fails to give life to its main character - and no tale of pent-up teenage frustration should be as subdued and pretty as this.- Slant Magazine
- Posted Oct 31, 2012
- Read full review
-
-
Reviewed by
Tomas Hachard
Robert Carlyle's performance compensates for the film's less successful elements and even makes you wonder if they might be strengths.- Slant Magazine
- Posted Nov 24, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrew Schenker
Peter Ho-Sun Chan and Deonnie Yen Chan are too resourceful to let things remain dull for long.- Slant Magazine
- Posted Nov 21, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenji Fujishima
The film is incredibly cynical, but the experience of watching it is occasionally joyful in its sense of freedom.- Slant Magazine
- Posted Nov 8, 2012
- Read full review
-
Reviewed by
-
- Critic Score
Sentimentality may make the movie's agony more digestible, but its darkness resists any glossing over of what isn't only France's, but Europe's painful legacy.- Slant Magazine
- Posted Nov 11, 2012
- Read full review
-
-
Reviewed by
Tomas Hachard
Alex Gibney's latest lacks a certain cinematic depth, but that doesn't take away from its admirable reporting.- Slant Magazine
- Posted Nov 11, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
R. Kurt Osenlund
The script is teeming with informed jargon about the business of supermarket pricing, and with actors like Posey as its vessel, the dialogue rings with an unlikely blend of fascination and farce.- Slant Magazine
- Posted Nov 12, 2012
- Read full review
-
Reviewed by
-
- Critic Score
Tellingly, this horror anthology's finest entries convey how real horror comes in more than shades of red, and how it lives inside us all.- Slant Magazine
- Posted Mar 2, 2013
- Read full review
-
- Critic Score
Even when the so-called Gatekeepers offer up damning testimony against their organization, there's no real threat that they'll ever be held accountable for it.- Slant Magazine
- Posted Nov 26, 2012
- Read full review
-
- Critic Score
A nose-to-the-ground portrait of two believably aspirational protagonists and their constant hustle to make good on the movie's eponymous demand.- Slant Magazine
- Posted Mar 8, 2013
- Read full review
-
- Critic Score
Plays out as a city-mouse rejoinder to the rustic, open-air daydream of Certified Copy, a snarl of thorny free jazz to that film's graceful aria.- Slant Magazine
- Posted Jan 18, 2013
- Read full review
-
- Critic Score
The film's unlikely combination of didacticism and sexy teen slaughter signals a booming trend: the Occupy horror flick.- Slant Magazine
- Posted Dec 4, 2012
- Read full review
-
-
Reviewed by
Joseph Jon Lanthier
Even when Wagner & Me seems uneven as an art historical study, it's fairly successful as a travelogue.- Slant Magazine
- Posted Dec 4, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Ed Gonzalez
Despite its flaws, the film is at least a consistent vision, attesting through both its story and animation to the rabbi's right to be different while also striving for human solidarity.- Slant Magazine
- Posted Dec 6, 2012
- Read full review
-
Reviewed by