For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
William Repass
The film metatextually insists that we not be taken in by new, more sophisticated methods of obfuscation.- Slant Magazine
- Posted Nov 8, 2021
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Reviewed by
Chuck Bowen
Mazursky finds the politics in the wrinkles of human behavior, rather than contriving behavior to suit his politics.- Slant Magazine
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Reviewed by
Wes Greene
With its pulpy thrills, hyperbolic dialogue, charismatic scumbags, and a score heavy in electronic effects and percussion, the film effortlessly coasts on a gnarly old-school vibe.- Slant Magazine
- Posted Sep 14, 2021
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Reviewed by
Wes Greene
Formally, Huda’s Salon is nothing if not effective, sustaining the unrelenting tension of its opening scene for the duration of its runtime.- Slant Magazine
- Posted Feb 28, 2022
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Reviewed by
Josh Wise
The Wonder coheres as a powerful study of the way in which people are cloistered by their own stories.- Slant Magazine
- Posted Nov 10, 2022
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Reviewed by
Chuck Bowen
Jacob Gentry’s film punches through all the layers of homage to arrive at a place of true horror.- Slant Magazine
- Posted Oct 21, 2021
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Reviewed by
Chuck Bowen
Mad God offers a dense cornucopia of genre-fueled outrageousness that’s gradually united by a concern with cycles of warfare.- Slant Magazine
- Posted Jun 6, 2022
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Reviewed by
William Repass
Memory House, much like Kleber Mendonça Filho and Juliano Donnelles’s recent Bacarau, makes no secret of its disgust for neocolonialism, capitalism, or fascism, though it’s more skeptical of violent resistance even when exercised in self-defense.- Slant Magazine
- Posted Aug 31, 2021
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Reviewed by
Derek Smith
Dean Fleischer-Camp’s Marcel the Shell with Shoes On convincingly proves that bigger sometimes is better.- Slant Magazine
- Posted Jun 20, 2022
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Christopher Gray
Întregalde is a sharply drawn and subtle fable about the meaning of charity and the limits of altruism.- Slant Magazine
- Posted Sep 9, 2021
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Reviewed by
Jake Cole
The film thrillingly captures the social, economic, political, and material character of Rwanda in the age of global communication.- Slant Magazine
- Posted Sep 9, 2021
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Reviewed by
Keith Watson
Throughout The Humans, Stephen Karam orchestrates the highs and lows of a family reunion with Chekhovian subtlety.- Slant Magazine
- Posted Nov 22, 2021
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Reviewed by
Diego Semerene
Pietro Marcello, Francesco Munzi, and Alice Rohrwacher’s documentary rather faithfully captures the spirit of our times.- Slant Magazine
- Posted Sep 16, 2021
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Reviewed by
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Reviewed by
Chuck Bowen
Robert Greene’s gaze is an attempt to accord his subjects the dignity of attention, utilizing cinema as a form of emotional due process.- Slant Magazine
- Posted Sep 18, 2021
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Reviewed by
Jake Cole
With expert visual precision, the film flows into each new, wild narrative wrinkle as if it were the most logical thing in the world.- Slant Magazine
- Posted Aug 31, 2022
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Carson Lund
A film that so clearly takes delight in the unfolding of a story and the unpacking of an enigmatic character is refreshing in an arthouse landscape where such narrative qualities are often relegated to secondary concerns.- Slant Magazine
- Posted Apr 19, 2022
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Reviewed by
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Reviewed by
William Repass
Writer-director Kiro Rosso’s sociological, pseudo-documentary film suggests a mosaic resolving out of innumerable shards.- Slant Magazine
- Posted Aug 9, 2022
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Reviewed by
Chris Barsanti
Matthew Heineman’s documentary successfully emphasizes how people’s emotions were whipsawed by an unprecedented crisis.- Slant Magazine
- Posted Nov 16, 2021
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Reviewed by
Jeremiah Kipp
This strange time capsule of late 1960s dementia more or less lives up to its oddball reputation—too unnerving to fall into the category of horror comedies but too cutesy to be labeled as a straight-up shocker a la The Texas Chainsaw Massacre. In other words, it’s unclassifiable, which has amplified its cult appeal.- Slant Magazine
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Reviewed by
Pat Brown
The Tsugua Diaries is something like Memento for an age of isolation and listlessness.- Slant Magazine
- Posted May 25, 2022
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Reviewed by
Wes Greene
The film’s quietly uncanny narrative wondrously depicts not only a dying man’s reflection on his life, but also the very nature of Hawaii itself.- Slant Magazine
- Posted Nov 16, 2021
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Reviewed by
Steven Scaife
The film is a thoughtful examination of the human desire for it and the accompanying hope that it may exorcise the emptiness we feel.- Slant Magazine
- Posted Dec 5, 2021
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- Critic Score
The Quiet Man remains one of the purest distillations of this charismatic filmmaker’s diverse artistic nature.- Slant Magazine
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Reviewed by
Clayton Dillard
Even if the narrative threads aren’t as tightly focused on exploring a complex theme as one might hope, The Body Snatcher nevertheless manages to still send chills, and predominately through Wise’s fleet direction and Karloff’s unflinching embodiment of a real-world monster.- Slant Magazine
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Reviewed by
Mark Hanson
Though often abstract in its imagery, the film’s blistering commentary remains firmly rooted in our present reality.- Slant Magazine
- Posted Nov 30, 2021
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Reviewed by
Derek Smith
Throughout You Won’t Be Alone, writer-director Goran Stolevski rejects the slickness that defines so-called elevated horror.- Slant Magazine
- Posted Jan 26, 2022
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Reviewed by
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Reviewed by
William Repass
The film is a vivid rumination on the fuzzy border between fantasy and reality.- Slant Magazine
- Posted Jan 11, 2022
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Reviewed by
Jake Cole
Marco Bellocchio uses his film, a delicate mix of biography and autobiography, as the catalyst for long-delayed therapy.- Slant Magazine
- Posted Jul 7, 2022
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Reviewed by