Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. The film deals forthrightly with the question of purpose and whether or not it can be found in a career.
  2. Diverging from romances in which lovers are expected to move heaven, earth, and themselves in order to make a moment of love last forever, Past Lives asks us to embrace the changes that come with time.
  3. Birth/Rebirth serves as a perverse correction, recalibrating decades of dilution to reemphasize the moral weight and emotional anguish at the heart of Shelley’s novel.
  4. Shortcomings is a mostly comedic but fitfully insightful examination of a character type familiar to indie cinema: the solipsistic guy who fills the gap left by emotional underdevelopment with intense opinions delivered at bad times.
  5. The film has a free-floating, nearly intangible sense of unease that greatly serves it.
  6. Erica Tremblay’s granular attention to place makes sure that you take note of the root causes of the defeat felt by the Native characters.
  7. The searing images of various gulags, public executions, and private beatings will not be easily forgotten.
  8. With its determination to retrace the largely forgotten steps of a feminist trailblazer, The Disappearance of Shere Hite is an essential work of archival savvy, blending popular and academic conversations with ease and precision.
  9. The film’s unique blend of deadpan and absurdist humor, and its tendency to occasionally push the boundaries of good taste, shows that Emma Seligman is comfortable working on both ends of the comic spectrum.
    • 80 Metascore
    • 75 Critic Score
    The offhand wryness of Elmore Leonard’s original story is nicely captured in Halsted Welles’s adaptation.
  10. Mel Eslyn’s film is a thoughtful drama about life, gender, and male friendship.
  11. Air
    Air is shot through with an infectious energy, but it’s more poignant for the way that it rhymes the histories of its actors in the public eye with all that Nike’s creatives were struggling to reconcile when they were chasing after Jordan.
  12. For devotees of the franchise, Nia Vardalos's film will be a surprisingly emotional trip home.
  13. By emphasizing the people in its tech tale, and the comedic possibilities in their mismatch, rather than the gee-whiz factor, Matt Johnson frees BlackBerry from the need to convince its audience how important the invention at its center was.
  14. While John Trengrove’s skill is apparent in the slow build of tension, it also stands out in the arguably more impressive way that he holds Ralphie’s view of the world separate from that of the film’s.
  15. The film interrogates both the state of our world and the lines between fiction and document.
  16. An epic adventure in the guise of an arthouse flick, The Survival of Kindness makes up in visual power and moral clarity what it lacks in subtext.
  17. By stripping the story back to its most elemental form, Benjamin Millepied makes it feel mythic, poetic, and captivatingly romantic.
  18. David Fincher dabbles in the pleasures of genre without ever allowing the outlandish scenario to be treated with more respect than it deserves.
  19. Stonewalling is an attentive, engaged character study, an uncommonly candid (for China) women’s picture, and a film of dense and considered sociopolitical implications.
  20. The cinematography solidifies the film’s status as a noir grappling with corruption and probing moral grey areas, while at the same time echoing visually the stark divisions between white and Indigenous people in Australian society.
  21. Kumakiri Kazuyoshi counters the comic absurdity with a genuinely discomfiting sense of the manhole’s atmosphere, and threads of intrigue that are already mostly spun by the time you see them.
  22. Initially, more than mere fun, Angela Schanelec’s approach to storytelling is surprisingly affecting, but once you’ve figured out how to play, the game begins to feel a bit, well, ancient.
  23. The characters’ generational angst humanizes the film’s view of a nation at a crossroads.
  24. Alan J. Pakula’s directorial debut takes a done-to-death story template and revitalizes it with intelligence, maturity, and tenderness.
  25. While Ilker Çatak’s The Teacher’s Lounge makes full use of the dramatic possibilities inherent in its setting, it doesn’t exceed its remit by turning the story into a referendum on society.
  26. Connoisseurs of Hong Sang-soo’s cinema will no doubt be fascinated by the transcendent minimalism of the film, which suggests Picasso knocking off a sketch on a piece of paper in a matter of seconds.
  27. The innocent, it turns out, isn’t a single character but the person inside us all, playing at the version of ourselves we’d rather be.
  28. Though Under Capricorn’s dark and twisty narrative eventually unearths everyone’s secrets, it’s the swooning camera that most fully taps into the class and sexual tensions that consume the characters.
  29. Orlando, My Political Biography languishes in an undefinable interstitial space, floating between fiction and essay film.

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