For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Keith Watson
Candyman doesn’t merely note the connection between fear and remembrance, it also interrogates it from every possible angle.- Slant Magazine
- Posted Aug 25, 2021
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Reviewed by
Chuck Bowen
The film's most haunting sequences are self-contained arias in which characters grapple with their powerlessness.- Slant Magazine
- Posted Nov 6, 2020
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Reviewed by
Chuck Bowen
Every scene in Josephine Decker’s film operates at a maximum frenzy fraught with subtext.- Slant Magazine
- Posted Jun 1, 2020
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Reviewed by
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Reviewed by
Chris Barsanti
The film smuggles some surprisingly bleak existential questioning inside a brightly comedic vehicle.- Slant Magazine
- Posted Jul 1, 2020
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Reviewed by
Chuck Bowen
Though Possessor favors nihilist spectacle to existentialism, Brandon Cronenberg is more interested in exploring emotional dislocation than Christopher Nolan.- Slant Magazine
- Posted Sep 28, 2020
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Reviewed by
Derek Smith
The film upends the clichés that practically define the ghost story in surprising and intriguing ways.- Slant Magazine
- Posted Aug 19, 2021
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Reviewed by
Keith Watson
Dick Johnson Is Dead is very much a film about its own making, one which repeatedly exposes its artifice.- Slant Magazine
- Posted Sep 28, 2020
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Reviewed by
David Robb
The precarity and itinerant lifestyle of the central figures in Kajillionaire can be seen as a logical next step in Miranda July’s filmmaking trajectory.- Slant Magazine
- Posted Sep 22, 2020
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Reviewed by
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Reviewed by
Pat Brown
Russell Simmons’ victims’ sense of their own complex relations to historical power structures emerges from the film’s lucid recounting of the sexual assault allegations against him.- Slant Magazine
- Posted May 26, 2020
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Reviewed by
Chuck Bowen
Throughout the documentary, Benjamin Ree upsets conventions, offering a moving portrait of two lost souls.- Slant Magazine
- Posted May 19, 2020
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Reviewed by
Pat Brown
Maïmouna Doucouré has a remarkable grasp of the irrationality and volatility of middle-school social dynamics.- Slant Magazine
- Posted Sep 3, 2020
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Reviewed by
Chuck Bowen
Shot through with darkly existentialist humor, the film finds Aubrey Plaza throwing a gauntlet to filmmakers who have typecast her in the past.- Slant Magazine
- Posted Nov 29, 2020
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Reviewed by
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Reviewed by
Chuck Bowen
The film’s awkwardness is expressive of the pain and confusion of wrestling with truths that shake one’s conception of identity.- Slant Magazine
- Posted Feb 4, 2020
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Reviewed by
Pat Brown
Radha’s remaking of herself contains an uplifting, unpretentious truth about aging: It’s never too late to make a new start.- Slant Magazine
- Posted Oct 7, 2020
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Reviewed by
Pat Brown
The film suggests that our political system is a popularity contest that functions for no one but those jockeying for power.- Slant Magazine
- Posted Aug 9, 2020
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Reviewed by
Diego Semerene
David France’s most remarkable accomplishment emerges from an aesthetic commitment of a very particular kind.- Slant Magazine
- Posted Mar 6, 2020
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Reviewed by
Derek Smith
Throughout, Remi Weekes forcefully, resonantly ties the film’s terror to the inner turmoil of his characters.- Slant Magazine
- Posted Oct 26, 2020
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Reviewed by
Carson Lund
Thomas Heise’s documentary seeks to excavate real human thought and feeling beneath the haze of larger political structures.- Slant Magazine
- Posted Mar 10, 2020
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Reviewed by
Chris Barsanti
The film approximates the dislocation of its main character’s mind with a frighteningly slippery ease.- Slant Magazine
- Posted Dec 13, 2020
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Reviewed by
Dan Rubins
The film weaves its refreshingly unpredictable web as the strands of Steinem’s life spiral around each other through snippets of scenes that work efficiently and never preachily.- Slant Magazine
- Posted Sep 28, 2020
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Reviewed by
Chuck Bowen
A profound sense of restlessness and loneliness haunts Michael Almereyda’s film, which reinvigorates the biopic genre.- Slant Magazine
- Posted Aug 14, 2020
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Reviewed by
Keith Watson
Throughout the film, the quick-hit jokes from the show’s rich cast of oddballs serves to suggest a vibrant world outside of the Belchers.- Slant Magazine
- Posted May 23, 2022
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Reviewed by
Pat Brown
The film translates the often difficult realities of a specific kind of marginalized love into a story with broad appeal.- Slant Magazine
- Posted Nov 19, 2020
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Reviewed by
Pat Brown
Throughout Benedetta, Paul Verhoeven builds up a heady, campy mix of religious imagery, corporeal abjectness, and masochism.- Slant Magazine
- Posted Jul 9, 2021
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Glenn Heath Jr.
My Life as a Dog and its sublime vision of childhood will always be there to remind us of the filmmaker Hallström once was, and potentially could be again.- Slant Magazine
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Reviewed by
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Reviewed by
Chris Barsanti
Tim Sutton is a deft cartographer of how environments can shape its inhabitants.- Slant Magazine
- Posted Mar 30, 2021
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Reviewed by
William Repass
Mariusz Wilczyński’s animation style strikes an unlikely balance between the childlike and the proficient.- Slant Magazine
- Posted Nov 30, 2020
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Reviewed by
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Reviewed by
William Repass
The push and pull between gradual buildup and apocalyptic rupture allows the film to infiltrate the mind and recalibrate our sensitivity to time.- Slant Magazine
- Posted Dec 13, 2021
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Reviewed by
Wes Greene
The film’s poignancy derives from its profound understanding of its main character’s identity crisis.- Slant Magazine
- Posted Aug 30, 2021
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Reviewed by
Chuck Bowen
Hong Sang-soo invests the ironic, despairing theme of the film with humor and empathy—an empathy that he suggests he cannot extend to the women of his life.- Slant Magazine
- Posted Sep 13, 2020
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Reviewed by