For 7,769 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,345 out of 7769
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Mixed: 1,491 out of 7769
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Negative: 1,933 out of 7769
7769
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Chuck Bowen
Theo Anthony’s film is a playful, enraging, free-associative cine-essay that both expands and eats itself alive as it proceeds.- Slant Magazine
- Posted May 10, 2021
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Carson Lund
The film’s tonal and situational shapeshifting doesn’t go to the surrealist lengths of Luis Buñuel’s The Discreet Charm of the Bourgeoisie, but James Vaughan similarly indulges in burlesquing upper-middle-class complacency.- Slant Magazine
- Posted May 10, 2021
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Reviewed by
Chuck Bowen
Ultimately, Anders Thomas Jensen cannot reconcile the fact that a mature story of men in crisis doesn’t coherently mesh with suspense scenes in which his protagonist viscerally annihilates a violent gang.- Slant Magazine
- Posted May 10, 2021
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Reviewed by
Chuck Bowen
Cacophony eventually takes over Wrath of Man, stranding the actors in the process. Except, that is, for Jason Statham, who’s by now a master of presiding over Guy Ritchie’s gleeful chaos.- Slant Magazine
- Posted May 6, 2021
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Reviewed by
Steven Scaife
The film has the knowing swagger of something on the cutting edge but none of the self-awareness to realize it’s late to the party.- Slant Magazine
- Posted May 5, 2021
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Reviewed by
Wes Greene
The film’s cramped compositions hauntingly underline the claustrophobic nature of its protagonist’s life.- Slant Magazine
- Posted May 5, 2021
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Reviewed by
Mark Hanson
Throughout, Jane Schoenbrun reveals themself to be adroitly plugged into both the current technological and sociological landscape.- Slant Magazine
- Posted May 3, 2021
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Reviewed by
Jake Cole
The film, lacking in conflict and danger, is guided by the poignant belief that there’s no end to the world.- Slant Magazine
- Posted May 3, 2021
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Reviewed by
Chuck Bowen
At its best, Oxygen successfully approximates the feel of an escape room.- Slant Magazine
- Posted May 3, 2021
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Chris Barsanti
Ultimately, the film’s most impactful terrors have nothing to do with things that go bump in the night.- Slant Magazine
- Posted Apr 29, 2021
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Carson Lund
Rather than eliciting surprise and wonder, Roy Andersson channels his full stylistic arsenal in search of something far more delicate: a recognition of the sublime in the prosaic.- Slant Magazine
- Posted Apr 28, 2021
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Reviewed by
Keith Watson
The film's rendering of the interplay of memory, identity, and grief is disappointingly vague.- Slant Magazine
- Posted Apr 28, 2021
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Reviewed by
Mark Hanson
The film is a disastrous amalgamation of modern-day tech-savvy thrills and Clancy’s conservative expressions of patriotism.- Slant Magazine
- Posted Apr 28, 2021
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Reviewed by
Keith Watson
Amalia Ulman’s film is a bittersweet comedy of human behavior observed with a relaxed yet intently focused eye.- Slant Magazine
- Posted Apr 26, 2021
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Reviewed by
Jake Cole
The documentary’s aesthetics strikingly channel the euphoric feelings induced by Ethopia’s top cash crop.- Slant Magazine
- Posted Apr 26, 2021
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Reviewed by
Derek Smith
Ed Helms and Patti Harrison’s wonderful rapport helps to keep the film grounded in the recognizably real.- Slant Magazine
- Posted Apr 26, 2021
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Reviewed by
Wes Greene
Much of the film’s power comes from a series of deft, often wry juxtapositions between video and audio.- Slant Magazine
- Posted Apr 26, 2021
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Reviewed by
Chuck Bowen
A comedy about the migrant crisis is more daring than a coming-of-age story, and Limbo, wanting it both ways, dilutes its best instincts with sops to formula.- Slant Magazine
- Posted Apr 26, 2021
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Reviewed by
Jake Cole
Lois Patiño’s Red Moon Tide is a work of unmistakable horror, one predicated on such ineffable dread that the impact of climate change becomes a sort of Lovecraftian force.- Slant Magazine
- Posted Apr 23, 2021
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Reviewed by
Jake Cole
In spite of its occasionally engaging displays of gnarly brutality, the film too often feels like an adaptation of a player select screen.- Slant Magazine
- Posted Apr 22, 2021
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Reviewed by
Chris Barsanti
By paring their story down so much, the filmmakers only end up highlighting just how little it contains.- Slant Magazine
- Posted Apr 22, 2021
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Diego Semerene
While Ulrike Ottinger accesses the most consequential of decades through nostalgia, she does so with humility.- Slant Magazine
- Posted Apr 21, 2021
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Reviewed by
Derek Smith
While the film certainly lays out the dangers of technology run amok, it also sees its power to connect people.- Slant Magazine
- Posted Apr 21, 2021
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Reviewed by
Chuck Bowen
Jeffrey Wolf’s documentary is a spry and inventive account of extraordinary transcendence.- Slant Magazine
- Posted Apr 13, 2021
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Reviewed by
William Repass
Christopher Smith’s film applies the haunted house trope in unfamiliar ways.- Slant Magazine
- Posted Apr 12, 2021
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Reviewed by
Steven Scaife
Travis Stevens’s film is psychologically astute, until it gives itself over to turning subtext into extremely legible text.- Slant Magazine
- Posted Apr 12, 2021
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- Critic Score
Ultimately, the film is unable to overcome the mundanity of its simple, overly familiar scenario.- Slant Magazine
- Posted Apr 12, 2021
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Reviewed by
Derek Smith
Maria Sødahl’s considers the extreme emotions provoked by a medical emergency with an impressive force of clarity.- Slant Magazine
- Posted Apr 12, 2021
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Reviewed by
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Reviewed by
William Repass
Oliver Hermanus’s film is a rumination on the consequences of apartheid on those who benefit from it most.- Slant Magazine
- Posted Apr 6, 2021
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Reviewed by
Mark Hanson
The film lacks for the methodically escalating stakes that makes the best examples of the genre so entertaining.- Slant Magazine
- Posted Apr 6, 2021
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Reviewed by