Slant Magazine's Scores

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For 7,769 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7769
  2. Mixed: 1,491 out of 7769
  3. Negative: 1,933 out of 7769
7769 movie reviews
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  1. Shadow in the Cloud
    Roseanne Liang leverages the absolute implausibility of the film’s later scenes into something brisk and exciting right to the very end.
  2. Herself
    Phyllida Lloyd’s film cannot escape its own somewhat mundane self-set contours.
  3. We Can Be Heroes
    Robert Rodriguez’s film, like The Adventures of Sharkboy and Lavagirl in 3-D, fundamentally lacks a sense of wonder.
  4. Sylvie's Love
    The film never finds the spark that would imbue the love affair at its center with a sense of passion or urgency.
  5. Wonder Woman 1984
    The film shows a preference for forgiveness over vengeance, which feels like an okay way to end this particular year.
  6. Pinocchio
    Matteo Garrone’s adaptation of Carlo Collodi’s story trembles with corporeal strangeness and unpredictability.
  7. Monster Hunter
    Paul W.S. Anderson has simply combined the established iconography of the popular Capcom game franchise with prefab movie moments.
  8. The Father
    The film approximates the dislocation of its main character’s mind with a frighteningly slippery ease.
  9. Hunter Hunter
    Writer-director Shawn Linden skillfully draws us into the narrative before springing a series of startling traps—of both the narrative and literal variety.
  10. Greenland
    There are enough left turns here to allow us to shake the impression that we’ve been to this rodeo before.
  11. Promising Young Woman
    The film’s empowerment fantasy of a woman who steamrolls male egos is as stylish and fun as its portrait of gender relations is dire.
  12. News of the World
    The film sanctimoniously suggests that ignorance or distrust of the news is nothing new, but rather the bedrock of America’s formation.
  13. The Midnight Sky
    The film minimizes the tragedy of the human race’s near-complete annihilation by positioning it as the backdrop for the world’s most grandiose deadbeat-dad redemption arc.
  14. Wild Mountain Thyme
    Jamie Dornan is a stiff whom Jon Hamm immediately upstages, and this dynamic underscores why the film is so tedious and unsatisfying.
  15. The Stand In
    The film allows the scion of one of Hollywood’s most notable families to interrogate her relationship with celebrity in self-aware fashion.
    • 66 Metascore
    • 38 Critic Score
    Wander Darkly
    What could have been a profound study of grief and psychological trauma is diluted with needless structural and stylistic obfuscation.
  17. Minari
    The film’s orderliness of plot somewhat undermines the sense that the family at its center is steeped in a truly messy situation.
  18. Let Them All Talk
    Steven Soderbergh’s signature formal gamesmanship enlivens what could have been a stodgy scenario.
  19. The Prom
    Ryan Murphy’s vibrant film adaptation makes a closer-to-seamless whole of the story’s disparate parts.
  20. Kill It and Leave This Town
    Mariusz Wilczyński’s animation style strikes an unlikely balance between the childlike and the proficient.
  21. 76 Days
    The documentary may be the defining portrait of the dawning of the Covid-19 pandemic.
  22. Soul
    While most Pixar films pride themselves on presenting rich, fantastical responses to real-world wonderings, Soul keeps conjuring up visions that don’t correspond precisely enough to anything in the real world.
  23. I'm Your Woman
    Julia Hart drains the crime film genre of its macho bluster without replacing it with anything.
  24. Black Bear
    Shot through with darkly existentialist humor, the film finds Aubrey Plaza throwing a gauntlet to filmmakers who have typecast her in the past.
  25. Superintelligence
    The big disappointment of the film is that Melissa McCarthy’s performance is all Jekyll and no Hyde.
  26. My Psychedelic Love Story
    In Morris’s best films, such as The B-Side: Elsa Dorfman’s Portrait Photography, there’s a sense that the director is truly simpatico with his subjects. In My Psychedelic Love Story, though, Morris lets a fading never-quite-legend blather her way into a trap.
  27. Crock of Gold: A Few Rounds with Shane MacGowan
    The film is affectingly poignant in its frequently uncomfortable presentation of Shane MacGowan’s physical ruination.
  28. Uncle Frank
    When the distance between uncle and niece shortens, Uncle Frank ceases to be a tender portrait of outsider kinship and transforms into a histrionic road movie with screwball intentions.
  29. The Croods: A New Age
    The film is brightly colored, inventively designed, and constantly flirting with the outright psychedelic, but it's so packed full of incident that it rarely gives its jokes the space to land.
  30. Ma Rainey's Black Bottom
    In his final role, Chadwick Boseman meticulously charts the breakdown of a man discovering, within the mirages of 1920s blackness, that pursuit and escape, fleeing from and running toward, are inextricably intertwined.
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