For 7,772 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,346 out of 7772
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Mixed: 1,493 out of 7772
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Negative: 1,933 out of 7772
7772
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Pat Brown
The film translates the often difficult realities of a specific kind of marginalized love into a story with broad appeal.- Slant Magazine
- Posted Nov 19, 2020
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Reviewed by
Diego Semerene
The film reminds us that without investigative reporting there’s no democracy, and that traditional expectations around impartiality and objectivity may be untenable in the face of horror.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Steven Scaife
Nicolas Cage’s amusing turn as a kooky hermit with an affinity for newspaper hats often feels awkwardly spliced into the film.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Derek Smith
The film muddies its sense of moral righteousness by suggesting that violence and vengeance can only be defeated by more of the same.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Pat Brown
The film is an uncanny reflection of the jingoism that Hollywood has been wrapping in glossy spectacle and exporting to foreign markets for decades.- Slant Magazine
- Posted Nov 16, 2020
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Reviewed by
Dan Rubins
The film can’t seem to decide whether it’s fantasy or allegory and whether its characters are fan fiction or flesh and blood.- Slant Magazine
- Posted Nov 12, 2020
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Reviewed by
Chris Barsanti
Hillbilly Elegy feels like a bland feel-good story rather than one part of a longer tragedy with no clear end.- Slant Magazine
- Posted Nov 10, 2020
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Reviewed by
Dan Rubins
The greatest gift offered by the film is an empowering world that looks less like invention and more like real life.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
David Robb
Francis Lee’s compulsion to make Mary Anning stand in for something broader than herself keeps tripping up the film.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
Chris Barsanti
With its tough-minded characters from divergent cultures finding a common bond despite their differences, the film doesn’t deliver much in the way of surprises, but it turns out to be a starker and more honest piece of work than it might initially seem.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
Chris Barsanti
The documentary is determined not to be a typical rock-god story with predictable rise-and-fall arcs.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
Chuck Bowen
If it weren’t so airless, it’d be easier to appreciate Fatman a character study of Santa’s midlife woes.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
Pat Brown
Even though it’s about a person who speaks with courage about the urgency of the global crisis, I Am Greta itself doesn’t possess enough of that urgency.- Slant Magazine
Posted Nov 9, 2020 -
Reviewed by
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Reviewed by
Pat Brown
Freaky doesn’t reach for any arch commentary beyond the suggestion that, hey, Freaky Friday the 13th is a pretty funny idea.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
Derek Smith
The documentary dives down the rabbit hole to chillingly, comprehensively expose how algorithms can perpetuate bias in often unforeseen and unjust ways.- Slant Magazine
- Posted Nov 7, 2020
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Reviewed by
Pat Brown
The film slides seamlessly between empathizing with its clueless bros and making them objects of unsparing derision.- Slant Magazine
- Posted Nov 7, 2020
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Reviewed by
Chuck Bowen
The film's most haunting sequences are self-contained arias in which characters grapple with their powerlessness.- Slant Magazine
- Posted Nov 6, 2020
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Reviewed by
Chuck Bowen
This supernatural fable elevates the subtext of Bryan Bertino’s earlier work to the level of text.- Slant Magazine
- Posted Nov 2, 2020
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Reviewed by
Dan Rubins
Despite a searing performance from Diane Lane, writer-director Thomas Bezucha’s film ultimately self-immolates.- Slant Magazine
- Posted Nov 2, 2020
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Reviewed by
Mark Hanson
Once you get past the faux-provocation of the film’s title, it’s difficult to tell what ideologies the filmmakers are trying to skewer.- Slant Magazine
- Posted Nov 1, 2020
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Reviewed by
Pat Brown
It’s difficult to shake that the film finishes saying what it has to say long before it staggers to the end.- Slant Magazine
- Posted Nov 1, 2020
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Reviewed by
Chuck Bowen
Director Max Winkler truly seems to believe that he’s cutting to the heart of the boulevard of broken dreams.- Slant Magazine
- Posted Nov 1, 2020
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Reviewed by
Pat Brown
While it can be expected that high-concept horror movies will often be sewn together from the premises of recent genre successes, it’s much too easy to see the stitches in writer-director Jacob Chase’s Come Play.- Slant Magazine
- Posted Oct 28, 2020
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Reviewed by
William Repass
Rodrigo Sorogoyen’s feature-length Madre contemplates how memories of loss linger and distort the present.- Slant Magazine
- Posted Oct 27, 2020
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Reviewed by
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Reviewed by
Dan Rubins
The storyline’s edges are frayed just enough to give it the gentle distance of a tale recalled though the gauze of myth and memory.- Slant Magazine
- Posted Oct 27, 2020
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Reviewed by
Derek Smith
Throughout, Remi Weekes forcefully, resonantly ties the film’s terror to the inner turmoil of his characters.- Slant Magazine
- Posted Oct 26, 2020
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Reviewed by
Chris Barsanti
This is a sleek-looking vehicle that’s eager to be scary but not comfortable being ugly.- Slant Magazine
- Posted Oct 23, 2020
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Reviewed by
Keith Watson
Too often, the film teases big, wild comedic set pieces that end up deflating almost instantly.- Slant Magazine
- Posted Oct 22, 2020
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Reviewed by
Henry Stewart
About a drug that sends its users back in time for seven minutes, the film holds your hand and walks you through its chronology mazes- Slant Magazine
- Posted Oct 20, 2020
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Reviewed by
Derek Smith
Darius Marder’s film captures, with urgency and tenderness, just how enticing the residue of the past can be.- Slant Magazine
- Posted Oct 20, 2020
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Reviewed by