All Light, Everywhere

Name: All Light, Everywhere
Genre: Documentary
Released: June 4, 2021
Duration: 105 min
Rating: 76
Cast: Keaver Brenai, Robert Cunniff

2021

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Generally favorable reviews based on 13 Critic Reviews

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All Light, Everywhere

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Movie Details & Credits

Super LTD | Release Date: June 4, 2021 | Not Rated

Starring: Keaver Brenai, Robert Cunniff

Summary: All Light, Everywhere is an exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.

Director: Theo Anthony

Genre(s): Documentary

Rating: Not Rated

Runtime: 105 min

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Critic Reviews

100

Christopher Machell

Jul 26, 2022

All Light, Everywhere is, most importantly, a history of our technological attempts to offer objective views of the world. But instead of charting our striving to capture of reality, what is revealed is its fabrication. Read full review

Cassie da Costa

Jun 4, 2021

All Light, Everywhere is a tremendous work that anyone merely curious about the various relationships the government has to both private industry and an enormous public ought to see. Read full review

Josh Kupecki

Jun 17, 2021

All Light, Everywhere’s roaming tangents always return to the heart (or the eye) of the matter, and that skill of orchestration is no mean feat. Read full review

Jake Coyle

Jun 2, 2021

It’s an exploration that touches not just on policing and justice, but astronomy, politics, phrenology and race. Read full review

Josh Larsen

Jun 9, 2021

All Light, Everywhere is very smart and extremely meta (Anthony often films himself and his crew setting up a shot, to emphasize the observational point), though it can be a bit dry. Read full review

RogerEbert.com Matt Zoller Seitz

Jun 7, 2021

It's to the credit of Anthony, who wrote and edited as well as directed, and his cinematographer Corey Hughes, that you come away thinking about parts of the film that felt like cut-able digressions and undergraduate musings when you were watching them. Read full review

Stephanie Zacharek

Jun 4, 2021

Anthony—whose previous documentary, Rat Film, traced the history of Baltimore via the city’s relationship to its rodent residents—has fashioned a thoughtful, if sometimes frustrating, meditation on the acts of “seeing” and “interpreting,” particularly as they apply to law enforcement and the criminal-justice system. Read full review

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