Slant Magazine's Scores

For 7,775 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7775 movie reviews
  1. Casino Royale is one of the good ones and not just for the way it wittily recontextualizes several series touchstones.
    • 66 Metascore
    • 75 Critic Score
    Idiocracy is too scattershot and compromised to push the conceptual bleakness beyond the realm of lowbrow comedy, though Judge’s cultural ire remains bracing throughout: For all the characters’ slapsticky imbecility, Judge makes it clear that it’s their docile acceptance (read: political inactivity) that makes them true dumbasses.
    • 54 Metascore
    • 75 Critic Score
    This time capsule of bohemian New York distorts its representation of the city for reasons more loving than lazy.
  2. There's a simple magnetism inherent in this kind of filmmaking, and the Coens know how to orchestrate it.
  3. What tends to make even lesser Hitchcock films shine is his innate gift for directing performers, and this accounts for many of the pleasures of this ditty.
    • 72 Metascore
    • 75 Critic Score
    Sam Raimi’s sequel/remake is full-on gore slapstick, more Tex Avery than Dario Argento.
    • 56 Metascore
    • 75 Critic Score
    Whereas Mean Girls used a visual metaphor turning students into ravaging lions as a dull-headed joke, Hughes created a lion’s den that felt perilously real.
  4. More than lifting from and reconfiguring the artifacts of auteurist Hollywood, Band of Outsiders sees Godard parsing out his feelings for Karina, then his wife (they divorced soon after the film was completed), and meditating on the mercurial nature of his own preoccupations.
  5. Unlike most action films, Mission: Impossible's distinct appeal operates not so much on suspense but on improbability.
  6. The thorough goofiness the film luxuriates in, as compared to the covert self-seriousness of nearly every teen comedy ever made, sets Bill & Ted’s Excellent Adventure apart and heads and tails above the glut of its ilk. Most triumphant, indeed.
  7. Magnoli’s professional, downright neorealistic approach to filming the concert clips almost disguises how audacious a structural conceit is the film’s climax: nearly a half-hour of musical numbers that render the solipsism of Prince’s vanity project entirely justifiable.
  8. But while the story may not be especially memorable, Jeffrey Boam’s brisk screenplay and Donner’s workmanlike direction keep things moving enough to gather enough momentum in preparation for Gibson’s third-act, tear-down-the-house rampage.
  9. Clue is comfortable with its pedigree, even giddily enthused by it, which gives its creators freedom to produce not a nostalgic entertainment, but a sustained and sincerely old-fashioned entertainment, laced with wicked miscreancy.
  10. As Ridgen and Rossier take pains to point out, a man so rigorously committed to putting an end to oppression ought not be so easily dismissed, even if coming to grips with such a challenging figure may be finally as difficult as getting to the bottom of the Arab-Israeli conflict itself.
  11. Nightmare’s skill wasn’t that it invented such associations—which had already been thoroughly mined by its ’70s predecessors—but that it refined them in uniquely disturbing ways, drenching itself in an atmosphere of unreality positioned somewhere between waking and slumbering states.
  12. Asylum tries telling similar tales (twice) and comes up pathetically short in the scare department, but the atmosphere and theatrics of the Amicus presentation make it a more than worthwhile trip down memory lane for die-hard horror buffs.
  13. Most of Ong Bak 3's spectacular shortcomings are forgivable because, to a large extent, the film is everything you came to see and then some.
    • 66 Metascore
    • 75 Critic Score
    Let the Bullets Fly is an intentionally overheated and very funny comedy about how the best-laid plans tend to fall apart in spectacular fashion.
  14. Beginning with a series of traps before escalating into sword-to-sword skirmishes, Miike's centerpiece boasts sharp momentum and nasty muscularity.
  15. The beloved gang's sweet reunion will melt nostalgic adults into laughter and tears, and maybe kids won't mind drippy new Muppet Walter so much.
  16. Fast on its feet, using 3D and motion-capture animation to kick its comedy-adventure into a superhuman gear, Steven Spielberg's The Adventures of Tintin is a wittily kineticized adaptation of the internationally loved comic books.
  17. The Hunger Games is more notable for the holes it doesn't fall into than the great heights it reaches.
  18. If the series really does end here, may this final installment be hailed as a triumph of poetic justice.
  19. O'Conner continues to exhibit a deft knack for melding interpersonal drama with athletic competition in ways that, despite his tales' clichés, earn their melodramatic manipulations through genuine empathy for characters' plights.
  20. A lot of critics will talk about how the movie is a stripped-down, "pure" genre piece, and there's a lot of truth to that. What may not get as much press is the way stripped-down-ness is an affectation, and always has been.
  21. A yuletide fable that boasts Aardman Animation's peerless mix of whip-smart comedy and cheery heart.
  22. As rigorous and stimulating as its thematic inquiries are, A Dangerous Method ultimately rests as much on its performances, and in that regard, it succeeds far more than it fails.
    • 83 Metascore
    • 75 Critic Score
    Scorsese's affection for cinema is, of course, no surprise, and Hugo doesn't shy away from stumping for the cause of his Film Foundation; which isn't to say it's a vanity project, at least not any more than any film with a budget in the nine figures is.
  23. Clooney's films as director often begin with a familiar point A and conclude at a less-familiar point B, deriving much of their interest from the circuitous path required to navigate the shift.
  24. A moment's patience is soon rewarded by Anderson's vast store of rich, intoxicating imagery.

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