For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Steven Scaife
The film is able to suggest great depths by withholding so much, by having characters express what they feel only in abstract terms during a fraught, transitional period of their lives.- Slant Magazine
- Posted Jan 21, 2025
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Reviewed by
Eric Henderson
Climaxing with a tableau that’s as iconic as it is melodramatic, The Roaring Twenties revels in a relativism that keeps its momentum fresh and elusive.- Slant Magazine
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Reviewed by
Nick Schager
They Drive by Night never coalesces into a coherent whole, but as far as sturdy ’40s Hollywood melodramas go, it’s a pretty sweet two-for-one movie deal.- Slant Magazine
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Reviewed by
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Reviewed by
Marshall Shaffer
Laura Casabé abstracts the typical emotions of tortured teens, only to then amplify them.- Slant Magazine
- Posted Apr 14, 2025
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Reviewed by
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Reviewed by
Ross McIndoe
Geeta Gandbhir’s trenchant documentary takes incendiary material and aims it at a larger target.- Slant Magazine
- Posted Feb 1, 2025
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Rob Tregenza is always questioning what can be accomplished with the simple building blocks of cinema.- Slant Magazine
- Posted Feb 6, 2025
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- Critic Score
As in Reign of Terror, Anthony Mann fashions a noir mini-masterpiece out of incongruous period reconstruction.- Slant Magazine
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Reviewed by
Marshall Shaffer
Right out of the gate, the filmmakers’ filtering of a James Bond-esque espionage tale through a grindhouse sensibility exists in such a state of emphatic stimulation that each shot feels punctuated with an exclamation point.- Slant Magazine
- Posted Feb 19, 2025
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Reviewed by
Derek Smith
Economic anxiety is rarely spoken about in the film, but the life-and-death importance of dollars and cents is felt in every frame.- Slant Magazine
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If Fonda was an avatar of American liberalism’s tolerance and self-scrutiny, the film suggests, so, too, does he represent its complicity in the nation’s sins and its failure to change its course in the direction of justice.- Slant Magazine
- Posted Apr 1, 2025
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Reviewed by
Ed Gonzalez
Inspired by an outline by Ray Bradbury and modified for the screen by Harry Essex, It Came From Outer Space remains the granddaddy of the ’50s atomic-scare pictures.- Slant Magazine
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Reviewed by
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Reviewed by
Marshall Shaffer
To dismantle the mythologies of maternity, Lynne Ramsay's tool of choice is the sledgehammer rather than the scalpel.- Slant Magazine
- Posted Oct 20, 2025
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Reviewed by
Justin Clark
The beauty of Kristen Stewart’s focus is how she excavates the profound from the mundane.- Slant Magazine
- Posted Dec 2, 2025
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Reviewed by
Pat Brown
The past comes off in Mascha Schilinski’s film as an onerous, if unseen, weight on the present.- Slant Magazine
- Posted Sep 15, 2025
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Reviewed by
Ross McIndoe
The film pokes fun at the conventions of detective stories but never becomes so self-aware that you stop taking it seriously.- Slant Magazine
- Posted Oct 9, 2025
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Reviewed by
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Reviewed by
Marshall Shaffer
In line with his protagonist’s ever-shifting whims, a spirit of restless reinvention characterizes director Giovanni Tortorici’s aesthetic approach.- Slant Magazine
- Posted Jul 23, 2025
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Reviewed by
Keith Uhlich
More than any other Jim Jarmusch film, Father Mother Sister Brother is haunted by mortality and the inevitable passage of time.- Slant Magazine
- Posted Oct 11, 2025
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In beautifully quiet ways, Two Seasons, Two Strangers captures its characters in the realm of the ineffable, making the mundane utterly sublime.- Slant Magazine
- Posted Apr 24, 2026
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Reviewed by
David Robb
There’s a low-key warmth to Romvari’s painstaking portrait of quotidian family life, as her documentarian attention to detail creates an intoxicatingly vivid rendering of 1990s suburbia.- Slant Magazine
- Posted Sep 4, 2025
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Reviewed by
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Reviewed by
Marshall Shaffer
Cover-Up is a sweeping, if tempered, tribute to investigative journalism, attesting to its enduring importance at a time when resources for it have substantially declined.- Slant Magazine
- Posted Sep 6, 2025
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Reviewed by
Kenji Fujishima
Hong Sang-soo’s aesthetic is key to the resonance of his latest examination of an artist’s life.- Slant Magazine
- Posted Sep 17, 2025
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Reviewed by
Chuck Bowen
One of the greatest and most mercenary of all American comedies.- Slant Magazine
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Reviewed by
William Repass
While The Currents can certainly be read as a portrait of a woman coming apart at the seams, it also offers a more expansive view of mental illness as a sensitivity not wholly pathological, but rather capable of reframing and refreshing the world.- Slant Magazine
- Posted Oct 29, 2025
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Reviewed by
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Reviewed by
Ross McIndoe
The film is sensitively attuned to how people’s feelings are shaped by cultural norms.- Slant Magazine
- Posted Oct 20, 2025
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Reviewed by
Derek Smith
This endlessly playful, humorous, and mirthfully gory film is pure Jane Schoenbrun.- Slant Magazine
- Posted May 19, 2026
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Reviewed by
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Reviewed by
Marshall Shaffer
Beth de Araújo’s sophomore feature is a harrowing chronicle of a premature maturation.- Slant Magazine
- Posted Feb 4, 2026
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The film starts off as an ostensibly simple tale of infidelity before it begins to grapple with even more anxious themes as it shuffles its characters into a series of memorable tableaux.- Slant Magazine
- Posted Feb 23, 2026
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Reviewed by
Diego Semerene
Leyla Bouzid’s ability to capture the complexities and contradictions of familial affection is what makes In a Whisper so impressive.- Slant Magazine
- Posted Feb 23, 2026
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Reviewed by
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Reviewed by
Derek Smith
From its rigorous and deliberately distancing structural gambit to its restless stylistic experimentations, Thirty Two Short Films proves that biopics needn’t color within the lines to effectively portray their subjects.- Slant Magazine
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Reviewed by
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Reviewed by
William Repass
The influence of Brecht and Godard is plain to see, but any distancing effect is counterbalanced by Radu Jude’s earthy black humor and especially by the main character, who gives the film its strong emotional core.- Slant Magazine
- Posted May 17, 2026
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Reviewed by