Slant Magazine's Scores

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For 7,775 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,349 out of 7775
  2. Mixed: 1,493 out of 7775
  3. Negative: 1,933 out of 7775
7775 movie reviews
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  1. Piranha 3DD
    John Gulager is neither artist nor genius, bringing only straight-to-video conviction to Piranha 3DD.
  2. Chernobyl Diaries
    With the faux-verité aesthetics of [Rec], the American-tourists-in-Eastern-European-hell setup of Hostel, and the brain of a mushy radioactive mutant zombie thingie, Chernobyl Diaries is little more than decomposed horror leftovers.
    • 66 Metascore
    • 63 Critic Score
    OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie
    A tender, painful, and frustrating work of vulnerability, and because of this in some ways deflects critical commentary.
  4. The Woman in the Septic Tank
    A lighthearted critique on the fetishized notion of the "non-actor," the ethics (or lack thereof) of the "docudrama," and the packaging of national despair for exportation.
    • 58 Metascore
    • 50 Critic Score
    Men in Black III
    More like an attempt to reenergize a franchise than rebottle the lightning that electrified the original.
    • 54 Metascore
    • 25 Critic Score
    Redlegs
    Redlegs may be "raw," but it's meaningless. That's something Cassavetes would have never abided.
  7. The Intouchables
    A cheeky dream-drama about the friendship between a rich, white quadriplegic and a penurious black job-seeker, the premise of The Intouchables alone nearly renders analysis redundant.
  8. Quill: The Life of a Guide Dog
    The exquisite live-action Quill: The Life of a Guide Dog may be the family film of the year.
  9. Mighty Fine
    Debbie Goodstein-Rosenfeld's film seems oddly anemic when it deals with anyone but Chazz Palminteri's Joe.
  10. Battle Royale
    Maybe Battle Royale's ultimate punchline is its inexplicable ability to fool some people into taking it seriously.
    • 84 Metascore
    • 88 Critic Score
    Oslo, August 31st
    The evocation of things ending suffuses the film with melancholy, as Anders increasingly becomes an observant rather than a participant in his own life.
  12. The Samaritan
    The Samaritan treads a fine line between film-noir moodiness and crime-thriller triteness, mostly settling for the latter.
  13. Moonrise Kingdom
    Although the film remains continually fanciful, it always reminds us of the stakes in which precocious childhood rubs up against the possibility of a childhood denied altogether.
    • 35 Metascore
    • 38 Critic Score
    Mansome
    The sociological commentary and historical perspectives are superficial at best and the targets often too easy.
  15. Follow Me: The Yoni Netanyahu Story
    The documentary is briskly paced, often compelling, but a little soft, as it succumbs to hero worship.
  16. What to Expect When You're Expecting
    Mostly the movie's varied storylines cough up the same platitudes: being pregnant sucks, having young children is a misery, but it's all worth it when you're holding that newborn in your arms.
  17. Elena
    Elena is a film deeply concerned with class resentment, but the filmmakers' attitude toward their titular character is disconcerting and even shocking.
  18. Beyond the Black Rainbow
    Something like a trippy grindhouse homage whose familiar images are refracted through a prism of blacklight posters, Jodorowsky films, and even Rob Zombie's grungy psychotropic sensibility.
  19. Battleship
    Shamelessly mimics Michael Bay's larger-than-life dialogue, sweeping cinematography, cornball romance, and military fetishism.
  20. Indie Game: The Movie
    Makes a compelling case for games as not only clever hand-eye coordination exercises, but also as manifestations of their creators' emotional and philosophical viewpoints.
  21. Lovely Molly
    The film's inconsistent, largely bankrupt style is second to how hard and tackily it leans on the horror of child abuse to goose audiences.
    • 52 Metascore
    • 75 Critic Score
    American Animal
    It may be baked with the same ingredients that come in your standard mumblecore starter kit, but because of Matt D'Elia's indebtedness to other movies, the film follows a different recipe altogether.
  23. The Color Wheel
    Much like the work of generational cohort Michael Robinson, Alex Ross Perry's films are steeped in a viscous cultural past.
  24. Virginia
    Unfortunately, there's little sympathy granted to these people, and the revelation of their hidden vices comes across like an increasingly mean series of punchlines.
  25. Polisse
    Polisse has been compared to "The Wire," but beyond a shared interest in the Sisyphean nature of police work, the two are mostly comparable as inverses of each other.
  26. Hysteria
    Hysteria's happy ending isn't the type that calls for a cigarette, and it certainly isn't the one the film deserves.
  27. The Dictator
    Its dolly- and crane-operated polish points toward an acquiescence to Tinseltown mores, which until now Baron Cohen hovered cheekily above.
  28. You Are Here
    Some will find the film compelling, but underneath the riddles it's basically a self-important proclamation of "who the hell knows?"
  29. Dark Shadows
    A mixed bag of Nixon-era pop burlesque and vampire kitsch is ultimately undone by pedestrian gags and bloated genre boilerplate.
  30. Hick
    It doesn't take long to gather the influences trickling through Derick Martini's Hick, an aimless tumbleweed of a road movie if ever there was one.
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