Slant Magazine's Scores

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For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,346 out of 7772
  2. Mixed: 1,493 out of 7772
  3. Negative: 1,933 out of 7772
7772 movie reviews
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  1. Darling Companion
    A lost-dog drama so insufferable it makes one wish its human characters would also run off and never return.
  2. The Three Stooges
    After what seems like an eternity of inanity and incompetence in the realm of Cats & Dogs and Squeakquels, the Farrelly brothers' direction is downright classical.
  3. Oki's Movie
    Hong Sang-soo once again corroborates auteurist theory at the same time that he reveals the potential shortcomings of its practice.
  4. Kids of Today
    While this uncataloguable and entrancing film gazes back in nostalgia to a time of performance-art priapism when everyone seems to have known Warhol, it also leaves room for a particularly hopeful diagnosis of the present.
  5. Life Happens
    L!fe Happens wants us to believe its message is one of female independence and empowerment.
  6. Unraveled
    Marc H. Simon's documentary has the thrust of a great American noir or black comedy.
  7. Last Will and Embezzlement
    The doc is so obnoxiously simplistic that you find yourself strangely unsympathetic to its objectively inarguable aim to promote greater standards of elder care.
    • 78 Metascore
    • 63 Critic Score
    A Simple Life
    A Simple Life may have one of the most accurate titles in all of cinema, as the film has a bracingly casual sense of day-to-day working-class life that recalls the films of Jean Renoir or, more recently, Olivier Assayas.
  9. Blue Like Jazz
    Blue Like Jazz charts a typical existential coming-of-age tale, yet remains atypical by being hip while also treating religion fairly.
  10. Deadline
    By the end of it, you'll be crying uncle--or wish you were watching The Help instead. At least that was a more artful lie.
  11. Here
    While everything here is mostly unspoken, and the film itself hints at a broader set of concerns than simply two lost souls meeting on foreign ground, Here too often feels like a jumble of ideas that don't quite cohere.
  12. How to Grow a Band
    The movie is unsurprisingly devoted to peddling up-and-comer Chris Thiele as something daring, something new.
  13. Lockout
    Luc Besson's producing career has been so geared toward lean, tough genre films that it's somewhat apt that he'd ape--or, if we're being kind, pay homage to--John Carpenter's preeminent sci-fi actioner Escape from New York with his latest, Lockout.
  14. Post Mortem
    Pablo Larraín employs ultra-widescreen cinematography for constricting close-ups and inhospitably alienating compositions that generate a nasty chill, the director keeping the army's brutality off screen to amplify a sense of oppressive malevolence.
  15. Monsieur Lazhar
    There's great potential for the kind of issues that are taken on, but nothing is resolved, and the biggest questions, of guilt and shame, the gulf of understanding between the first world and the third, remain unengaged.
  16. Hit So Hard
    P. David Ebersole so busy flitters from one point of interest to another that Hit So Hard never coheres into anything other than a collection of rock-star clichés.
    • 45 Metascore
    • 75 Critic Score
    Detention
    High school students (the jocks, the brains, the princesses, the criminals, the basket cases), long the favored prey of serial killers, somehow manage to fight back from the brink yet again in Detention, a bright, witty new genre mash-up.
  18. The Cabin in the Woods
    The Cabin in the Woods, regardless of its many genealogical links to prior Whedon creations, is an ideal Hollywood film in the Age of Pixar: spectacle for spectacle's sake, but infiltrated by intelligent commentary and an atmosphere of generosity and inclusion.
    • 47 Metascore
    • 12 Critic Score
    MIS Human Secret Weapon
    The documentary necessitates a degree of respect and sensitivity that makes it difficult to stress how bad it is.
    • 59 Metascore
    • 75 Critic Score
    Surviving Progress
    By turning the idea of progress on its head, the nimble Surviving Progress exquisitely presents to us the possibility that humankind's achievements may cause its downfall.
  21. American Reunion
    Funnier than its prior two predecessors, if gratingly awash in demographic-pandering late-'90s alt-rock hits ("Closing Time," "Freshman"), American Reunion flounders with its earnest melodrama.
    • 67 Metascore
    • 88 Critic Score
    Damsels in Distress
    The clash of styles in Damsels in Distress is bewildering and then disarming.
  23. Player Hating: A Love Story
    One of the more intimate and revealing looks at American projects ever made; it's assured and empathetic without indulging in fashionable white guilt.
  24. We Have a Pope
    Nanni Moretti's latest is a mixed bag that too often settles for easy, superficial laughs.
  25. Artificial Paradises
    The juxtaposition between the gorgeous natural beauty of a remote beach with the stubborn human need to escape somewhere, no matter what cost, is what really enthralls in the film.
  26. The Hunter
    The film refuses to focus on its core story, hedging its bets with forays into family drama, environmental thriller, and corporate intrigue.
  27. Comic-Con Episode IV: A Fan's Hope
    Morgan Spurlock has little to say about Comic-Con other than that its attendees value it on a par with Christmas.
  28. ATM
    If both good and evil characters don't behave in ways that make sense vis-à-vis their circumstances, any sense of terror quickly dissipates.
  29. We the Party
    While We the Party can be insensitive, or blind, to the misogyny and homophobia of the general culture (the token gay teen is a finger-snapping, head-bobbing fashionista), it takes the issues of race and class quite seriously.
  30. Keyhole
    A night of reckoning by a hoodlum in his haunted former home is a more sober and remote Freudian farrago than one expects from Guy Maddin.
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