Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. For long stretches in its first two acts, Lynn Shelton's film is distinguished by a disarming sense of freedom and spontaneity.
    • 64 Metascore
    • 38 Critic Score
    It aspires to Stanley Kubrick's "2001", but in its maddeningly unresolved plot threads and cornball cosmic mysticism, it lands closer to "Mission to Mars" -though Prometheus lacks any action set piece as gripping as the Brian De Palma film's sentient sandstorm.
  2. Director Brian Lilla alternates between talking heads and animated graphics to elucidate first how dams work and, obligatorily, to put a human face on those who would be affected.
  3. A wild, furious, and genuinely unsettling ego is on display in Maurice Pialat's second proper feature.
  4. The film too often undercuts its goals by indulging its director's need for self-affirmation at the expense of the movie's far more compelling central subject.
  5. It's the kind of movie you'd find in someone's VHS collection, decide to watch based on the box art and title, and end up switching out for "The House of the Devil" instead.
  6. Yesterday, Solondz blocking the screen meant something, even if it was just his own petulance. Today, a blurred sign only signifies his capitulation to peer pressure.
    • 65 Metascore
    • 75 Critic Score
    Once Corpo Celeste began to recede a little in my rearview mirror, my initial impatience softened a little.
  7. The film is a tedious narrative shambles that's almost hilariously unaware of its racism and sexism.
  8. In spite of its lazy, cookie-cutter screenplay, simple narrative mechanics are only dutifully observed to the extent that they step aside to make way for numerous flights of madness.
  9. A coherent characterization of Robert Pattinson's striving schemer is nowhere to be found in this pedestrian period piece.
  10. A year in the life of a young woman unhappy in love and uncertain in career, Lola Versus could easily be faulted for the narrowness of its worldview.
  11. What saves the film from being simply a schematic mother-daughter reconciliation drama is both the reluctance and prickliness that Catherine Keener brings to her character.
  12. More focused on emotion than adventure, it teases out the possibilities and perils of time travel without embroiling itself in the confusion inherent to the subject.
    • 34 Metascore
    • 0 Critic Score
    Its scope is too limited for it to muster much of a response in us beyond basic titillation. And there are plenty of better places to go for that.
    • 73 Metascore
    • 75 Critic Score
    Sean Byrne endows his rote slasher material with the kind of blackly comic wit and levity that virtually guarantee its entry into the contemporary midnight-movie canon.
  13. The film is ultimately too concerned with courting the singer's fans to deliver anything more than a theatrical release of a very special episode of VH1's Behind the Music.
  14. A banal "poetic" drama of a grieving stranger licking his wounds in a bayside Michigan town.
  15. As feminist fantasy, the film is non-committal, and as a reimagining of the fairy tale, it's at best expensive-looking without seeming wantonly so.
  16. In the director's preference for above-it-all contempt over tough-minded empathy, the film ends up seeming little more than an 89-minute hatefest.
  17. A righteously outraged documentary targeting the "warm and fuzzy" iconography of the breast cancer fundraising bureaucracy and its camouflage of corporate priorities.
    • 42 Metascore
    • 50 Critic Score
    Although it adheres to the tried-and-true sports-movie formula of an underdog team striving to overcome their limitations to become winners, Crooked Arrows lacks captivating emotional momentum.
  18. An animated film with the cozy charm of an advertisement for Starbucks French Roast, A Cat in Paris is all design and no danger.
    • 46 Metascore
    • 63 Critic Score
    U.N. Me isn't all sneering, and it certainly makes its points.
  19. Julia Murat shows a fine grasp of form, letting her technique reflect the elements and moods of her story.
    • 20 Metascore
    • 12 Critic Score
    The film offers Tom Sizemore the perfect opportunity to prove himself worthy of a comeback. Alas, he fails spectacularly.
  20. The film is far too indulgent with its lead character to do more than hint at the ways that one form of male egotism can morph into another.
  21. The documentary provides a birdsong of perseverance in the face of irrational violence, immense historic anger, and grim, seemingly insurmountable realities.
  22. The film is awash in blandly brown-toned cinematography, action scenes more violent than rousing, and a whole host of bathetic subplots.
  23. As sure as marijuana gets you high, you can count on weed-themed comedies cropping up every few years, each hoping to become a stoner-classic staple--a fate to which High School falls far short of achieving.

Top Trailers