For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jake Cole
John Wick: Chapter 2 remarkably balances its predecessor’s spartan characterizations and plotting with a significant expansion of scale.- Slant Magazine
- Posted Feb 8, 2017
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Carson Lund
A Quiet Passion's accomplishment is in fleshing out the stark context behind Emily Dickinson's ethereal words.- Slant Magazine
- Posted Apr 12, 2017
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Reviewed by
Clayton Dillard
Asghar Farhadi's 2006 film interrogates the tensions between tactility and vision in complex ways.- Slant Magazine
- Posted Mar 14, 2016
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Reviewed by
Oleg Ivanov
Eiichi Yamamoto's cult anime strikes a perfect balance between midnight-movie enchantment and arthouse sophistication.- Slant Magazine
- Posted May 2, 2016
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Diego Semerene
The film enables us to feel the emotional weight of a posthumous letter precisely because we can only imagine its contents.- Slant Magazine
- Posted Mar 21, 2016
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Reviewed by
Chuck Bowen
The film communicates a sporadic sense of violation—of pastiche unpredictably giving way to a raw and primordially intimate emotional realm.- Slant Magazine
- Posted Oct 17, 2016
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Reviewed by
Clayton Dillard
Given its nearly episodic structure, formal choices, and similar thematic inquiries, Sworn Virgin suggests an unofficial remake of Vivre Sa Vie.- Slant Magazine
- Posted Apr 18, 2016
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Reviewed by
Elise Nakhnikian
Like the work it illuminates, the doc feels formally impeccable yet utterly unstaged, a vivid distillation of a distinct and precious life.- Slant Magazine
- Posted Jul 31, 2016
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Reviewed by
Eric Henderson
Decolonization in Black Girl isn't only a myth, but also a myth that actually strengthens the consumerist caste systems.- Slant Magazine
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- Critic Score
Bi Gan's film is a soulful depiction of China's increasingly rapid pace of cultural and economic transformation.- Slant Magazine
- Posted May 17, 2016
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Reviewed by
Carson Lund
Roberto Minervini's documentary is as quintessentially American a text as one could hope for in today's divided union.- Slant Magazine
- Posted May 17, 2016
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Chuck Bowen
Aquarius is a critique of a daydream that has the imaginative daring to live that very dream anyway.- Slant Magazine
- Posted Oct 9, 2016
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Reviewed by
Jake Cole
The film explores the extent to which Olivier Assayas’s characters have always found, and lost, their identities through the aid of their surroundings.- Slant Magazine
- Posted Sep 20, 2016
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Reviewed by
Christopher Gray
By its end, Maren Ade's Toni Erdmann is a work of laser-guided social critique and a comedy.- Slant Magazine
- Posted Oct 3, 2016
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Reviewed by
Oleg Ivanov
Pablo Larraín has captured Pablo Neruda in all of his pomposity, pretense, courage, and undeniable genius.- Slant Magazine
- Posted Sep 25, 2016
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Reviewed by
Chuck Bowen
Na Hong-jin's The Wailing is a work of thriller maximal-ism, a rare case of more actually being more rather than less.- Slant Magazine
- Posted May 25, 2016
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Reviewed by
Oleg Ivanov
Director Sean Ellis's film offers a potent examination of the moral rectitude of resistance.- Slant Magazine
- Posted Aug 5, 2016
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Joseph Jon Lanthier
The opaque ethics of The Chaser elide the reductive nature of binary pairs, focusing instead on the far more piquant complexity of human behavior.- Slant Magazine
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James Lattimer
Wang Bing intends to give back to the inmates the opportunity for individual expression that society has robbed them of.- Slant Magazine
- Posted Jun 6, 2016
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Reviewed by
Derek Smith
The film creates a deeply rooted sense of realism that contrasts the austere, surreal illustrations.- Slant Magazine
- Posted Jul 20, 2017
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Reviewed by
Chuck Bowen
The film has an artisanal intensity that prevents it from turning into a smug and predictable exercise in political revision.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Chuck Bowen
Demon offers a tidal wave of unrelieved longing and regret, with a devilish streak of absurdism.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
Steve Macfarlane
As with Selma, filmmaker Ava DuVernay has fashioned a work of pummeling and clear-eyed intelligence.- Slant Magazine
- Posted Sep 30, 2016
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Reviewed by
James Lattimer
A real yet illusory world is evoked so seamlessly that it also feels just one step away from pure cinematic fiction.- Slant Magazine
- Posted Jul 26, 2016
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Reviewed by
Steve Macfarlane
Private Property abounds in inventive low-budget filmmaking while stress-testing a pulpy, dime-store premise.- Slant Magazine
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Much more than a punk artifact, Smithereens is a landmark that showcases how the urge of self-creation and the seduction of reveling in self-destruction dance side by side.- Slant Magazine
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Reviewed by
Ed Gonzalez
The Lost City of Z links every weathered look that Percy Fawcett throws to the heart of his spiritual yearning.- Slant Magazine
- Posted Oct 15, 2016
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Diego Semerene
The film unapologetically warns us at every turn that fashion is nothing but a business, fueled by naiveté and rape.- Slant Magazine
- Posted Aug 8, 2016
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Reviewed by
Diego Semerene
André Téchiné does justice to the closeness between repulsion and desire, difference and sameness, heterosexuality and homosexuality.- Slant Magazine
- Posted Oct 2, 2016
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Reviewed by
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Reviewed by
Carson Lund
Hamaguchi arranges most sequences around a handful of static, roomy medium shots that subtly suggest emotional dynamics through camera and actor positioning.- Slant Magazine
- Posted Aug 24, 2016
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Reviewed by