For 7,779 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,353 out of 7779
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Mixed: 1,493 out of 7779
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Negative: 1,933 out of 7779
7779
movie
reviews
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Reviewed by
Clayton Dillard
János Szász's film is a thoroughly provocative WWII screed that almost deliberately goes out of its way to avoid sentimentality or bathos of any sort.- Slant Magazine
- Posted Aug 25, 2014
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Rocco T. Thompson
Not quite a grim-dark reimagining of a cult favorite, this Road House is still a needlessly un-nice rework that takes the business end of a broken beer bottle to the soul of the original.- Slant Magazine
- Posted Mar 9, 2024
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Alan Jones
Like many films that contrast the simplicity of a rural community against the confusion of city life, The Grand Seduction exhibits a patriarchal, xenophobic attitude.- Slant Magazine
- Posted May 23, 2014
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Chuck Bowen
Chad Archibald doesn't quite land Bite's transition over from claustrophobic character study into full-blown monster movie.- Slant Magazine
- Posted May 2, 2016
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Steve Macfarlane
Given its played-out subject matter and hoary coming-to-terms narrative arc, one's ability to enjoy the film hangs on a tolerance for the ever-popular on-screen man-child.- Slant Magazine
- Posted Apr 23, 2015
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Reviewed by
Clayton Dillard
A mostly laugh-free, paint-by-numbers approach to a pair of former pros vying for relevance as they enter, kicking and screaming, into their mid 30s.- Slant Magazine
- Posted Aug 31, 2015
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Ed Gonzalez
Powaqqatsi is every bit as viscerally engaging though less provocative than its predecessor.- Slant Magazine
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- Critic Score
That’s the trouble at the center of the benign but tepid ganja-classic Up in Smoke: Its toking Abbott-and-Costello duo are so content to simply drift away in clouds of smoke that the audience is often left behind looking for the jokes.- Slant Magazine
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Joseph Jon Lanthier
To his credit, Cimino renders us helpless not before carnage or greed, but before his epic’s breadth of motivation and circumstance. It’s not the past’s ugliness that terrifies us in Heaven’s Gate, but its far more intimidating immensity.- Slant Magazine
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Chris Barsanti
In spite of the film’s troublingly naïve take on mental trauma, Riz Ahmed vividly and empathetically captures a man’s wounded soul.- Slant Magazine
- Posted Sep 20, 2021
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Bill Weber
A historical melodrama that retains an ancient, elemental pull even as it insufficiently charts motivation and the self-denying values of antiquity.- Slant Magazine
- Posted Jul 23, 2012
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Nick Schager
The Tickells' style is a predictable grab bag of interviews with outraged experts and journalists, TV news footage, and scenes in which the filmmakers (and, during one trip, fellow activists Peter Fonda and Amy Smart) make faux-daring journeys into the fray to bring back supposed realities that corporate America seeks to hide.- Slant Magazine
- Posted Nov 28, 2011
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Elise Nakhnikian
Its feminist perspective checkmates the frat-boy misogyny and machismo that too often mar films set in combat zones.- Slant Magazine
- Posted Mar 3, 2016
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Chuck Bowen
The film’s masterful prologue writes a check that the remainder of this very long, very indulgent film labors mightily to cash.- Slant Magazine
- Posted May 13, 2021
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Reviewed by
Chuck Bowen
There are a few effectively disquieting sequences early on, but the film never recovers from director Kevin Macdonald's indifferent staging of a pivotal moment.- Slant Magazine
- Posted Nov 5, 2013
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Chuck Bowen
The documentary is ultimately a dry endeavor that feels closer in spirit to an Afterschool Special than a full-blooded movie.- Slant Magazine
- Posted Jul 31, 2012
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Oleg Ivanov
It works as both a modern morality play for our globalized world and as an indictment of Europe's ethical bankruptcy.- Slant Magazine
- Posted Jun 29, 2016
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As though this ridiculousness weren’t sufficiently groan-inducing, the scenes depicting the mischief Brace wreaks on the corporation while he’s mid-hack undergo a bizarre tonal shift into Keystone Kops slapstick.- Slant Magazine
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Reviewed by
Ross McIndoe
Even as the shotgun shells start flying, it makes time for the quiet dramatic moments that carry its family drama forward amid the carnage.- Slant Magazine
- Posted Apr 10, 2024
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Chris Cabin
The meager comeuppance and hasty notes of sweetness that end the film feel pre-approved rather than organically realized.- Slant Magazine
- Posted Mar 8, 2014
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Michael Nordine
The film works because what it documents is less a transformation and more a return to a former, more natural state for its troubled protagonist.- Slant Magazine
- Posted Mar 11, 2012
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Keith Watson
Uncle Drew, the old-school streetballer played by NBA all-star Kyrie Irving, is a cheerfully scruffy creation, and so is the film that bears his name.- Slant Magazine
- Posted Jun 27, 2018
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Reviewed by
R. Kurt Osenlund
This frothy 3D concert doc often plays like a Perry ad campaign, assuring viewers that their "Teenage Dream" diva is a good, fun-loving person, and that, by God, she's doing fine.- Slant Magazine
- Posted Jul 4, 2012
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Nick McCarthy
With its softened edges, bland aftertaste, and watered-down distillation of Raymond's life and career, Michael Winterbottom's film represents the house champagne of biographical cinema.- Slant Magazine
- Posted Jul 3, 2013
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Christopher Gray
The filmmakers take few measures to engender sympathy for Olga, but their prismatic take on her life, while novel, precludes making any resonant statements about homosexuality, emotional health, or humankind’s capacity for evil.- Slant Magazine
- Posted Mar 20, 2017
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Reviewed by
Steven Scaife
Chris Skotchdopole’s feature debut is a tantalizing mix of the absurd and the mundane.- Slant Magazine
- Posted Jul 16, 2024
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R. Kurt Osenlund
Perhaps thrown by the challenge of having to direct women as men and not just as themselves, director Rodrigo Garcia turns in what may be his poorest effort to date, opting for a nearly airless tone, presenting a look that's sadly un-cinematic, and presiding over a collection of performers that seem to be operating on very different planes, and with accents of varying thicknesses.- Slant Magazine
- Posted Dec 20, 2011
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Diego Semerene
The film makes no attempt to embody the themes that form the core of Annie Ernaux’s story in its aesthetics.- Slant Magazine
- Posted Jan 19, 2022
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Reviewed by
Andrew Schenker
The film is somewhat flimsy, tinged with the impulse to make the elderly characters just the right amount of ridiculous for the benefit of younger viewers.- Slant Magazine
- Posted Oct 16, 2012
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Andrew Schenker
The astonishing footage of apes in their natural environment is made perfectly accessible and then nearly undone by a narration track that plays to the audience's basest desires for gag-inducing cuteness.- Slant Magazine
- Posted Apr 16, 2012
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