For 7 reviews, this critic has graded:
  • 42% higher than the average critic
  • 0% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 14.6 points lower than other critics. (0-100 point scale)

Alan Jones' Scores

  • Movies
  • TV
Average review score: 51
Highest review score: 75 Youth
Lowest review score: 12 Bad Johnson
Score distribution:
  1. Positive: 2 out of 7
  2. Negative: 2 out of 7
7 movie reviews
    • 52 Metascore
    • 60 Alan Jones
    OK, it’s all about cartoon emotions, yawningly obvious culture-clashing, hectic space swashbuckling and, ultimately, selling toys. Yet, Gerwig managed to navigate her way through the Barbie plastic mythology silliness to make potent statements about female solidarity and self-fulfilment. Nothing so inspired is forthcoming here, and considering the brilliance and complexity of Knight’s animated debut feature, 2016’s Kubo and the Two Strings, that’s a major disappointment.
    • 54 Metascore
    • 60 Alan Jones
    It has been a case of diminishing returns regarding the nine-movie nerve-jangling blockbuster juggernaut and while Last Rites hardly matches the pioneering nightmare spirit of the original film, it churns the cliché chills with a pleasing confidence.
    • tbd Metascore
    • 75 Alan Jones
    Tom Shoval, who eschews stylistic flourishes in order to focus on character, leaves the film's heavy lifting to the actors and his own screenplay.
    • 57 Metascore
    • 38 Alan Jones
    Like many films that contrast the simplicity of a rural community against the confusion of city life, The Grand Seduction exhibits a patriarchal, xenophobic attitude.
    • 25 Metascore
    • 12 Alan Jones
    Huck Botko's film asks us to laugh at, even revel in, the misadventures of womanizing men, even as it condemns them for their behavior.
    • 68 Metascore
    • 63 Alan Jones
    The end result is a bit like a beautiful diorama, in which the people share a common purpose with the furniture: to fill space and look nice.
    • 40 Metascore
    • 50 Alan Jones
    McG may strip down his approach and serve up a variety of slick, well-paced shoot-outs and car chases, but his technical skill can't quite overcome the story's lazy sense of humor and incomprehensible account of international espionage.

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