For 62 reviews, this publication has graded:
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64% higher than the average critic
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4% same as the average critic
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32% lower than the average critic
On average, this publication grades 5.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 70
| Highest review score: | Whiplash | |
|---|---|---|
| Lowest review score: | The Super Mario Galaxy Movie |
Score distribution:
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Positive: 30 out of 62
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Mixed: 32 out of 62
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Negative: 0 out of 62
62
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Emma Simmonds
Ultimately it generates plenty of fun for the whole flock, and the more it leans into its madness the more it succeeds.- Radio Times
- Posted May 8, 2026
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Reviewed by
Terry Staunton
It's a visual treat, often employing split-screen effects that give viewers a more intimate sense of proceedings, and the man of the hour, alongside Yoko Ono and backed by the New York-based band Elephant's Memory, is effortlessly charismatic throughout.- Radio Times
- Posted May 7, 2026
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Reviewed by
James Mottram
For the most part returning director Simon McQuoid does little to turn this into anything but a serviceable follow-up to a film that feels outdated and outdone by much better recent video game adaptations.- Radio Times
- Posted May 6, 2026
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Reviewed by
James Mottram
It’s a thoroughly enjoyable reunion – like being reacquainted with old friends.- Radio Times
- Posted Apr 29, 2026
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By the time a killer final scene rolls around, The Drama is somewhat limping over the line, but its leads lend a crucial heartbeat to a film frustratingly engineered for discourse, not depth.- Radio Times
- Posted Apr 17, 2026
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Reviewed by
Terry Staunton
In all fairness, Tuason ups the ante in the last reel, the pedestrian tease of what went before giving way to more palpably spooky shenanigans, but it’s a ludicrously long wait for the yarn to step up a gear that runs the risk of the audience having already given up on the whole affair.- Radio Times
- Posted Apr 17, 2026
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While director Bill Condon is adept when it comes to staging all-singing, all-dancing escapism, he proves less successful at nailing the grimmer tone behind bars.- Radio Times
- Posted Apr 17, 2026
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Reviewed by
James Mottram
Assayas and his team have created an indelible portrait of contemporary Russia, “a prison the size of a country” as it's called, one that perhaps only an outsider could ever get away with.- Radio Times
- Posted Apr 17, 2026
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Reviewed by
James Mottram
Adapted by director François Ozon, the script makes subtle adjustments to Camus's work without ever demystifying its more enigmatic elements.- Radio Times
- Posted Apr 7, 2026
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Combining charming performances, arresting imagery and, naturally, a great soundtrack, the result feels universal because it acknowledges that everyone was young and yearning once.- Radio Times
- Posted Apr 2, 2026
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Reviewed by
James Mottram
It’s just a shame the formulaic story feels about as paper-thin as you might expect from an adaptation of a ladders-and-levels video game. As is so common in these Hollywood animations, the ‘family is forever’ theme looms large, but never once feels sincere or authentic.- Radio Times
- Posted Mar 31, 2026
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Reviewed by
Emma Simmonds
Seven years in the making, The Brutalist is epic in its length, weight and ambition, like a modern-day Orson Welles picture, while it also bears comparison to contemporary masterworks like There Will Be Blood.- Radio Times
- Posted Mar 25, 2026
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Reviewed by
Emma Simmonds
Lilo & Stitch hammers home the ‘family matters’ message during the climax, which feels like it could have been trimmed, but overall this is expertly executed, cross-generational fun that combines the look of a lavish Disney production with oodles of oddball charm.- Radio Times
- Posted Mar 25, 2026
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Reviewed by
James Mottram
Like an inoffensive light ale, the result slips down more pleasantly than you might expect.- Radio Times
- Posted Mar 25, 2026
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Terry Staunton
This is science fiction with a reassuring soul, where the sombre comes bearing a smile, and the vastness of space is never quite so scary when you’re sharing it with a new pal.- Radio Times
- Posted Mar 18, 2026
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Reviewed by
Emma Simmonds
It’s a fun, John Wick-esque expansion of this world that seems sure to satisfy fans of the first instalment, with curious casual viewers welcomed along for the ride.- Radio Times
- Posted Mar 18, 2026
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How to Make a Killing feels less like an heir apparent for our times and more like a distant relative struggling to forge their own path.- Radio Times
- Posted Mar 12, 2026
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- Critic Score
It’s inoffensive, tear-jerking, easy watching that, just like the rest the CoHo canon, will probably do just fine at the box office.- Radio Times
- Posted Mar 12, 2026
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- Critic Score
Gyllenhaal should be applauded for her ambition, stylish flourishes and obvious respect for the original film. However, there’s a sense that all the elements don’t cohere entirely.- Radio Times
- Posted Mar 5, 2026
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Reviewed by
James Mottram
The final act doesn't quite pay off, with characters' motives left frustratingly opaque, but the film is blessed with cast-iron performances, especially from Graham and Boon.- Radio Times
- Posted Mar 5, 2026
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Terry Staunton
Of the newcomers to the saga, Keoghan imbues Duke with a tender vulnerability beneath all his surface bluster and violence, and his scenes with Murphy give the film palpable heart whenever it runs the risk of being overwhelmed by beatings, bullets and bombs.- Radio Times
- Posted Mar 5, 2026
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Reviewed by
Emma Simmonds
It’s not quite up there with Pixar’s finest, but this warm, extremely witty and wonderfully entertaining film is sure to delight the whole family, whilst spreading a positive message about living side-by-side with nature and not judging our fellow humans too harshly.- Radio Times
- Posted Mar 2, 2026
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Reviewed by
Terry Staunton
There are undeniable faults, plot holes and a dubious ending, although it’s still a crowd-pleaser executed with zest, suggesting Williamson is integral to Scream, if you wanna go faster.- Radio Times
- Posted Feb 26, 2026
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Terry Staunton
Neville, an Oscar winner for his 2013 study of backing singers 20 Feet from Stardom, devotes perhaps too much time to biographical details fans will already know well, but should be applauded for scratching deeper below the surface of a superstar in transition.- Radio Times
- Posted Feb 19, 2026
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Emma Simmonds
On one hand the cinematic equivalent of "go big or go home", on the other an emotionally impactful adaptation for the ages, Wuthering Heights is wonderfully flamboyant filmmaking, that will almost certainly provoke pearl-clutching amongst the purists.- Radio Times
- Posted Feb 14, 2026
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Layton sustains the slow-burning tension, punctuated occasionally by some riveting chases, as the quartet circle each other on the way to a nerve-jangling, edge-of-your-seat climax where the outcome is anything but predictable.- Radio Times
- Posted Feb 11, 2026
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Reviewed by
James Mottram
It’s a good exercise for Cooper in creating something more low-key, even if it doesn’t quite come off. Still, in the days where adult-skewing dramas are becoming an endangered species in movie theatres, this should be applauded for attempting the subject of divorce with a level head.- Radio Times
- Posted Jan 26, 2026
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If you just want to see two massive blokes smashing the hell out of people, things and each other, with the odd decent one-liner, you could certainly do worse, and Amazon feels like the perfect home for this hunk of mindless man-candy.- Radio Times
- Posted Jan 26, 2026
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James Mottram
A tender, decade-spanning love story, exquisitely told by director Oliver Hermanus, The History of Sound is yet another wonderful showcase for the considerable talents of Josh O’Connor and Paul Mescal.- Radio Times
- Posted Jan 23, 2026
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Reviewed by
James Mottram
Even if No Other Choice will leave you stone-faced, you can’t help but admire the invention on display, especially in later scenes, where Park dips into the surreal.- Radio Times
- Posted Jan 23, 2026
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