For 7,779 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,353 out of 7779
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Mixed: 1,493 out of 7779
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Negative: 1,933 out of 7779
7779
movie
reviews
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Reviewed by
Justin Clark
The film does keep the smirking undercurrent of the first half present in the more serious second, but, slowly but surely, it starts asking big questions about the nature of God, what measure of divinity lies in us all, and the value of basic humanity and grace in a world where God’s intervention isn’t a given.- Slant Magazine
- Posted Jan 9, 2024
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Reviewed by
Justin Clark
For a solid hour or so, the film is patient and tense, with just the right touches of levity and romance. Until, suddenly, it isn’t.- Slant Magazine
- Posted Feb 19, 2025
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Reviewed by
William Repass
It’s when the film plays in the gaps between sound and image that it’s most disturbing.- Slant Magazine
- Posted Sep 9, 2025
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Andrew Schenker
Oliver Laxe goes full-on meta by casting himself in the role of a visiting moviemaker who travels to Morocco to shoot footage with disadvantaged children living in a shelter.- Slant Magazine
- Posted Oct 17, 2011
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Reviewed by
James Lattimer
The set pieces follow their own insane, unstoppable logic, with each new twist yielding its own outré surprises.- Slant Magazine
- Posted Jan 17, 2015
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Richard Scott Larson
The story has enough pathos to fulfill the expectations of a great tragedy, but the film feels like a commercial for something else entirely.- Slant Magazine
- Posted Apr 4, 2019
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Eric Henderson
Temple of Doom doesn't so much pay tribute to the serial adventures of yore as it does embody them. Here, frivolity and evil blithely coexist—and women are a lot more likely to scream than win drinking contests.- Slant Magazine
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Joseph Jon Lanthier
The movie is unsurprisingly devoted to peddling up-and-comer Chris Thiele as something daring, something new.- Slant Magazine
- Posted Apr 9, 2012
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Keith Uhlich
Steven Soderbergh takes a macro approach to the scandal, though the results, with rare exception, are vexingly micro.- Slant Magazine
- Posted Sep 15, 2019
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Kenji Fujishima
The film imbues a pessimistic view of the seemingly bottomless depths of human cruelty with sorrowful tragic force.- Slant Magazine
- Posted Mar 27, 2017
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- Critic Score
The film gets within striking distance of new territory for its subject matter but stalls out due to its pat storytelling.- Slant Magazine
- Posted May 28, 2024
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Reviewed by
Wes Greene
Across the film, director Augustine Frizzell balances a dynamic aesthetic energy with a generosity of spirit.- Slant Magazine
- Posted Jul 22, 2021
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Reviewed by
Jake Cole
The careful balance of “stupid and clever” that solidified the legend of the first film is less steady in its much-belated sequel.- Slant Magazine
- Posted Sep 11, 2025
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Reviewed by
Oleg Ivanov
Miles Joris-Peyrafitte’s ultimately succumbs to melodramatic clichés and simplistic political demagoguery.- Slant Magazine
- Posted May 3, 2019
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Reviewed by
Derek Smith
Birds of Paradise lacks the nuance and finesse needed for its story to really take flight.- Slant Magazine
- Posted Sep 22, 2021
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"Why are there so few black surfers?" That's the question posed by Ted Wood's incisive, if ultimately repetitive, documentary White Wash, and to answer the question the film digs deep into US political and social history.- Slant Magazine
- Posted Sep 19, 2011
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Reviewed by
Sam C. Mac
Donnie Yen's performance is so good that it's a shame Wilson Yip's films have never strived to be more than briskly entertaining hagiography.- Slant Magazine
- Posted Jan 19, 2016
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Reviewed by
Sam C. Mac
The film is neatly organized around not only the changing of the seasons, but a Disney-branded "circle of life" ethos.- Slant Magazine
- Posted Apr 10, 2017
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Reviewed by
Chris Cabin
Pawlikowski has crafted a film that throbs with substantial personal weight and bristles with a violent, haunting interior life.- Slant Magazine
- Posted Jun 13, 2012
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Reviewed by
Clayton Dillard
The film neglects to find a conceptual framework for its prolonged consideration of Charlotte Gainsbourg’s eventual revelation: “I have always loved you, but it’s much clearer to me now.”- Slant Magazine
- Posted Mar 15, 2022
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Reviewed by
Ed Gonzalez
The film abounds in excruciatingly obvious, often precious, articulations of grief, where armchair philosophizing volleys back and forth with punishing abandon.- Slant Magazine
- Posted Sep 6, 2014
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Diego Semerene
In the documentary, the game is a make-believe war of pent-up frustrations linking race, nation, and manhood, one which teenage boys named Mohamed can actually win.- Slant Magazine
- Posted Sep 6, 2011
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Reviewed by
Derek Smith
In the instances where it’s not going hard, Dicks is a surprisingly flaccid affair.- Slant Magazine
- Posted Oct 6, 2023
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Reviewed by
Andrew Schenker
A sense of anachronism is what provides the film with its melancholy heart.- Slant Magazine
- Posted Oct 29, 2012
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Reviewed by
Keith Watson
Mark Webber's stripped-down approach renders the messy, unglamorous lives at the film's center with dignity.- Slant Magazine
- Posted Nov 6, 2017
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Reviewed by
Joseph Jon Lanthier
A cheeky dream-drama about the friendship between a rich, white quadriplegic and a penurious black job-seeker, the premise of The Intouchables alone nearly renders analysis redundant.- Slant Magazine
- Posted May 22, 2012
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Reviewed by
Abhimanyu Das
The romantic elements are secondary to what is essentially an astute and cleverly written dissection of a co-dependent friendship being gradually eroded by the incremental ravages of age, rivalry, and rapidly diverging personal arcs.- Slant Magazine
- Posted Oct 9, 2014
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Reviewed by
Kenji Fujishima
Not even Bernardo Bertolucci's choice of a lead actor with visible facial acne scars, in a welcome gesture toward authenticity, is enough to overcome the gaping hole of psychological nuance at the center of the film.- Slant Magazine
- Posted Jul 1, 2014
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Reviewed by
Pat Brown
Michael Winterbottom’s film succeeds in translating the problematics of intercultural conflict into thriller fodder.- Slant Magazine
- Posted Feb 25, 2019
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Reviewed by
Mark Hanson
In Antlers, the big bad is never supposed to be as scary as society’s collective wrongdoing.- Slant Magazine
- Posted Oct 25, 2021
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Reviewed by