For 7,776 reviews, this publication has graded:
-
33% higher than the average critic
-
3% same as the average critic
-
64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
-
Positive: 4,350 out of 7776
-
Mixed: 1,493 out of 7776
-
Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Eric Henderson
Billy Ray unfurls the parallel time structure with the same flat, procedural monotony applied by Juan José Campanella to the original film.- Slant Magazine
- Posted Nov 19, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Eric Henderson
Billy Ray unfurls the parallel time structure with the same flat, procedural monotony applied by Juan José Campanella to the original film.- Slant Magazine
- Posted Nov 19, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Christopher Gray
It aims to foster a spirit of giddy anarchy in order to tie a ribbon around its shambolic script and rickety pacing.- Slant Magazine
- Posted Nov 18, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenji Fujishima
Given how Legend's script is so bereft of insight into its characters' psyches, perhaps there's only so much even an actor of Tom Hardy's stature can do.- Slant Magazine
- Posted Nov 18, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Jake Cole
It careens from carnage to group therapy so wildly that the action never gets to build and the conversations just repeat themselves.- Slant Magazine
- Posted Nov 18, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Christopher Gray
It doesn't seem to aspire to much more than proving that there are nice, talented people behind the New Yorker's walls.- Slant Magazine
- Posted Nov 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
A blunt satire of the dehumanization inherent in social media that also gets off on said detachment.- Slant Magazine
- Posted Nov 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Wes Greene
The visible numbness and empty stares of the doc's three subjects painfully evoke years of being gripped by the war on drugs.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Carson Lund
In the simultaneously heady and lyrical The Creation of Meaning, we're obviously implicated in that comment, as the film views the meaning-making process as something malleable and dependent on perspective.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Diego Semerene
Writer-director Alanté Kavaité's film is a string of softly weaved pictorial metaphors steeped in reverie.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Clayton Dillard
According to the film, individual misdeeds aren't the final enemy, but the byproduct of an unregulated regime.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Clayton Dillard
By negating more conventional, facts-first priorities, Mor Loushy creates an alternative historiography that's more meant to be felt than learned.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Clayton Dillard
The film is unwaveringly attentive to problematizing the dividing line between predator and prey.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
The actors have the showmanship to chew the lurid, shopworn material up to bits, savoring it like a Royale with cheese.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
James Lattimer
The film punctuates the sisters' confinement with various episodes united by their contrivance.- Slant Magazine
- Posted Nov 16, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Eric Henderson
Sloppy and haphazard where it should be calculatedly chaotic, it can't ever seem to settle on an appropriate tone.- Slant Magazine
- Posted Nov 12, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Ed Gonzalez
The tacky and loose means by which the platitudinous screenplay dances around what ails the story's football players is just one cog in a whirligig of pat representations.- Slant Magazine
- Posted Nov 12, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenji Fujishima
All of the film's nuances are ultimately negated by the its relentless canonization of its subject.- Slant Magazine
- Posted Nov 12, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Diego Semerene
The film uses its critique of white privilege as a means to woo the legitimizing gaze of international audiences.- Slant Magazine
- Posted Nov 11, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Jesse Cataldo
It confronts the hard realities of a world in which few make it to maturity without their share of scars, and no one makes it out of adulthood alive.- Slant Magazine
- Posted Nov 11, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Christopher Gray
If it stumbles when it seeks our sympathy, it thrives when it's exploiting our fascination with the surface of things, and all that's unknowable underneath.- Slant Magazine
- Posted Nov 11, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Elise Nakhnikian
The film doles out a shock or hits a (usually hollow) emotional note every few minutes with mechanical precision.- Slant Magazine
- Posted Nov 10, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Drew Hunt
The characters' marginalized social standing is less indicative of a real-life epidemic and more akin to window dressing.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Elise Nakhnikian
It highlights the potent dichotomies that, combined with Bergman's relatively unmediated beauty, made the actress luminescent both on and off screen.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenji Fujishima
Lake Bell and Simon Pegg's star wattage isn't enough to distract from the sense that their characters are almost exclusively defined by their single-ness.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Alison Bagnall and her talented leads appear to effortlessly achieve a tone that's tricky to sustain, one that abounds equally in absurdism and empathy.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Clayton Dillard
With the invocation of national allegiance as an inherent contradiction, the documentary blooms its larger, allegorical inklings.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Clayton Dillard
The film forsakes all ambiguity regarding McQueen's psychology by stubbornly defining him as a determined, charismatic womanizer.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Heist is competently staged, but Scott Mann maintains audience interest with the preponderance of dissonant absurdities.- Slant Magazine
- Posted Nov 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
R. Kurt Osenlund
It winningly reflects how to utilize quiet understandings and, yes, very loud laughter.- Slant Magazine
- Posted Nov 6, 2015
- Read full review
-
Reviewed by