For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jesse Cataldo
Despite the defeated tone of Patricio Guzmán's tales, a spotlight is placed on the power of persistence.- Slant Magazine
- Posted Oct 20, 2015
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Chuck Bowen
Stephen Winter's film doesn't earn the gall it evinces by pissing on Shirley Clarke's masterpiece.- Slant Magazine
- Posted Oct 19, 2015
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Chuck Bowen
One wishes that S. Craig Zahler had more explicitly faced the cultural demons lingering within his premise, attempting to exorcise them.- Slant Magazine
- Posted Oct 19, 2015
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Reviewed by
Clayton Dillard
The film is a compelling addition to Sebastián Silva's cinema of compassionate comeuppance.- Slant Magazine
- Posted Oct 19, 2015
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Jake Cole
Sion Sono's film imagines gangs not as rebels without a cause, but a lost generation of displaced, poisoned youths.- Slant Magazine
- Posted Oct 19, 2015
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Reviewed by
Clayton Dillard
Laurie Anderson condenses contemporary, human experience to the point where exterior and interior are made indistinguishable from one another.- Slant Magazine
- Posted Oct 19, 2015
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Carson Lund
It offers a CliffsNotes encapsulation of Edgar Allen Poe's most enduring works for viewers unacquainted with them.- Slant Magazine
- Posted Oct 19, 2015
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Christopher Gray
It can't develop themes because it's too busy disseminating information, and this extends to its main characters.- Slant Magazine
- Posted Oct 15, 2015
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Elise Nakhnikian
Less a character study than an impressionistic portrait of a troubled artist's internal chaos, it supplies just enough Miles Davis to leave us jonesing for more.- Slant Magazine
- Posted Oct 15, 2015
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Jake Cole
Guillermo del Toro's fussiest, most compartmentalized construction, filled with the most powerful sense of repression and delusion.- Slant Magazine
- Posted Oct 14, 2015
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Chuck Bowen
Both Olivia Wilde and Luke Wilson understand the greatest pain of loss to be rooted in its searing inexpressibility.- Slant Magazine
- Posted Oct 12, 2015
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Clayton Dillard
The film lacks perspective beyond a rather limited preoccupation with the details of Hunter's personal life.- Slant Magazine
- Posted Oct 11, 2015
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Elise Nakhnikian
The film, never sensational or saccharine, is a tough but tender tribute to the creative power of maternal love.- Slant Magazine
- Posted Oct 11, 2015
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Kenji Fujishima
Some of the wittier one-liners and more affecting emotional moments feel undermined by the frenzy of chaotic excess.- Slant Magazine
- Posted Oct 11, 2015
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Ed Gonzalez
Cary Joji Fukunaga’s artistry registers less as psychological imprint than as a measure of his professional bona fides.- Slant Magazine
- Posted Oct 11, 2015
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Chuck Bowen
There's satiric potential here, but Eli Roth's sense of humor abandons him when his hero isn't about to get down with the get down.- Slant Magazine
- Posted Oct 9, 2015
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Reviewed by
Eric Henderson
Whatever drugs director Joe Wright may or may not have been on when he wrestled Pan to the ground, pulverizing the material into a quivering mound of monkey-bread dough, you can trust that they were synthetic. Not a single emotional moment in this entire origin story for J.M. Barrie's Peter Pan, Captain Hook, and Neverland feels organic.- Slant Magazine
- Posted Oct 8, 2015
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Steve Macfarlane
The Treasure is no thriller, but there are moments here that inculcate the stakes with prisoner's-dilemma paranoia.- Slant Magazine
- Posted Oct 8, 2015
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Elise Nakhnikian
The allure of the road not taken and Saoirse Ronan's performance exert a powerful pull.- Slant Magazine
- Posted Oct 8, 2015
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Oleg Ivanov
This is activist filmmaking that manages to be both angry and elegiac in its recounting of the 2014 Ukrainian revolution.- Slant Magazine
- Posted Oct 8, 2015
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Kenji Fujishima
It lobs a grenade at slasher-movie sadism by making us care about the characters as more than just body-bag fodder.- Slant Magazine
- Posted Oct 7, 2015
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Chuck Bowen
One can chart the very moment that Victoria's existence slips out of the routine into the nightmarish, and there's no escape by temporal omission.- Slant Magazine
- Posted Oct 7, 2015
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Wes Greene
It may look like a dream, but it plays like someone reading a congressional report on corporate finagling out loud.- Slant Magazine
- Posted Oct 6, 2015
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Reviewed by
Elise Nakhnikian
The film functions as a love letter to Pakistan, despite the misogynistic culture it exposes.- Slant Magazine
- Posted Oct 6, 2015
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Diego Semerene
It leaves room for a few flights of fancy where the lack of verisimilitude feels less like screenplay filler and more like unabashed poetic license.- Slant Magazine
- Posted Oct 5, 2015
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Reviewed by
Chuck Bowen
The film doesn't add up to much, but it's a diverting tour of Takashi Miike's anything-goes, splatter-paint sensibility.- Slant Magazine
- Posted Oct 5, 2015
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Clayton Dillard
Director Stephen Daldry, working from an exploitative script by Richard Curtis, opts for a full-on Slumdog Millionaire imitation.- Slant Magazine
- Posted Oct 5, 2015
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Reviewed by
Clayton Dillard
It displays a staggering propensity for examining its unauthorized scenario without succumbing to either too insular or too general a set of assertions.- Slant Magazine
- Posted Oct 5, 2015
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Steve Macfarlane
The screenwriter's signature verbal-diarrhetic dialogue allows for a nonstop blaring of actorly chops that, like the movie at large, is nothing if not committed.- Slant Magazine
- Posted Oct 5, 2015
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Jake Cole
As a writer and director, Rebecca Miller is at her best when she finds the shared wavelengths of her lead cast's divergent styles.- Slant Magazine
- Posted Oct 5, 2015
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