For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jake Cole
One of the more admirable traits of the original Bourne trilogy is how little pleasure it takes in its violence, but Jason Bourne revels in its vicious action sequences.- Slant Magazine
- Posted Jul 27, 2016
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Reviewed by
Christopher Gray
By merely transposing its generic high school clique drama onto an augmented reality platform, Nerve sacrifices most of its novelty, but the filmmakers demonstrate a marginal interest in how this mediated environment warps the perspectives of its characters.- Slant Magazine
- Posted Jul 26, 2016
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Reviewed by
James Lattimer
A real yet illusory world is evoked so seamlessly that it also feels just one step away from pure cinematic fiction.- Slant Magazine
- Posted Jul 26, 2016
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Reviewed by
Diego Semerene
Essentially a post-apocalyptic telenovela, it sanitizes the concept of sisterhood, and even womanhood.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Jeremiah Kipp
It becomes a bleak comic spit into the face of organized religion, organized society, and even organized narrative.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Carson Lund
James Schamus's screenplay is rich with culturally specific details that deepen these forking moral predicaments.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Keith Watson
Writer-director Steven Caple Jr.'s social-realist tendencies run up against some unconvincing genre elements.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Chuck Bowen
It has an irritating habit of depending on our natural reactions, letting the subject matter do the heavy lifting.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Ed Gonzalez
The film slightly reorients our perspective on the familiar tropes of both the teen and apocalyptic genres.- Slant Magazine
- Posted Jul 25, 2016
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Clayton Dillard
It highlights how the ownership of art serves as a marker of capital for distinguishing one institution over another.- Slant Magazine
- Posted Jul 25, 2016
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Kenji Fujishima
The film ultimately succeeds in offering a fresh female-centered perspective on its genre material.- Slant Magazine
- Posted Jul 25, 2016
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Elise Nakhnikian
Relevant facts about each character are dutifully punched out, in earnest speeches or actions that are often wildly overdrawn.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Christopher Gray
Few horror films are as insistent about the trauma mental illness inflicts on families as Lights Out, and still fewer are so insensitive about it.- Slant Magazine
- Posted Jul 21, 2016
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Reviewed by
Sam C. Mac
Stark Trek Beyond emphasizes the inter-personal dynamics of the USS Enterprise, and functions best as an extended team-building exercise.- Slant Magazine
- Posted Jul 21, 2016
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Reviewed by
Eric Henderson
There's something to be said for a summer movie that offers up Chris Colfer as an unapologetic misogynist hairdresser.- Slant Magazine
- Posted Jul 20, 2016
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Reviewed by
Carson Lund
The film, whose disparate narrative threads unsurprisingly never connect, drowns in weirdness for its own sake.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
Sam C. Mac
Brady Corbet reaches for a dreary self-importance akin to Michael Haneke’s The White Ribbon.- Slant Magazine
- Posted Jul 19, 2016
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Diego Semerene
Catherine Corsini depicts feminists in lighthearted ways, at once humorously caricatured and sensitively human.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
Eric Henderson
If Ice Age: Collision Course gleefully fails at being a history lesson, at least it offers an energetic recess from reality.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
Ed Gonzalez
When divorced of message-mongering, the film’s scare tactics are among the most distinctive that the zombie canon has ever seen.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
Clayton Dillard
The documentary renders poverty a mysterious entity instead of a curable malady of systemic exclusion.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
Chuck Bowen
It displays an intimate chemical understanding of the exhausting and unrelentingly impotent agony of failure.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
Chuck Bowen
The film fails to lift off from this sturdy aesthetic launching pad; it never allows the characters, however stock, to evolve in their respective dealings with one another, which is the primary source of tension and escalation for a thriller set in a confined place.- Slant Magazine
- Posted Jul 15, 2016
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Reviewed by
Clayton Dillard
The film is an incoherent and aesthetically barren harangue masquerading as a revisionist history lesson.- Slant Magazine
- Posted Jul 15, 2016
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Reviewed by
Keith Watson
The film is premised on a radical act that it buries beneath a grueling avalanche of quirk.- Slant Magazine
- Posted Jul 15, 2016
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Reviewed by
Chuck Bowen
Demon offers a tidal wave of unrelieved longing and regret, with a devilish streak of absurdism.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
Wes Greene
The filmmakers are thankfully willing to render, with unremitting vigor, how grief can batter the human heart.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
Jake Cole
When it's good, this new Ghostbusters is funny, driven, sometimes even a bit scary.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
Elise Nakhnikian
Its clunky incidents of exposition leave us with no real understanding of what anyone is thinking or feeling.- Slant Magazine
- Posted Jul 11, 2016
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Reviewed by
Keith Watson
Director Joe Berlinger essentially allows his subject to hijack the film for his own end.- Slant Magazine
- Posted Jul 11, 2016
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