For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Matt Brennan
It recombines elements of the emigrant saga and the coming-of-age story into a searching, fresh-faced portrait.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Diego Semerene
The film's structure, however stifling, is filled with gorgeous imagery and nuanced symbolism.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Chuck Bowen
It routinely alternating between episodes that contrast exhilaration with exploitation and damnation.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Oleg Ivanov
It demonstrates both the fatal proximity and deceptive distance that can exist between the words and deeds of extremists.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Wes Greene
Mirai Konishi's documentary inevitably reveals itself to be an elaborate infomercial for Westerners.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by
Oleg Ivanov
It offers a powerful metaphor for the manner in which we carry the memories of our departed inside ourselves.- Slant Magazine
- Posted Aug 12, 2016
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Reviewed by
Elise Nakhnikian
The film champions coddling people like Florence Foster Jenkins and treats critical thinking as the enemy.- Slant Magazine
- Posted Aug 11, 2016
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Reviewed by
Kenji Fujishima
Though the filmmakers may not believe in a higher power, they still maintain a faith in raunchiness as an id-blasting form of liberation from rigid norms, spiritual, sexual, or otherwise.- Slant Magazine
- Posted Aug 10, 2016
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Reviewed by
Chuck Bowen
The film shrewdly capitalizes on Mel Gibson's off-screen embarrassments and controversies.- Slant Magazine
- Posted Aug 10, 2016
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Reviewed by
Jake Cole
As with Sicario, the broad strokes of the film's Southwestern stereotypes gradually sharpen into focus as the story pivots to a look at the systemic forces that shape the characters.- Slant Magazine
- Posted Aug 9, 2016
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Reviewed by
Clayton Dillard
Tracy Droz Tragos's documentary examines its titular subject with a compassionate eye for regional detail.- Slant Magazine
- Posted Aug 8, 2016
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Reviewed by
Diego Semerene
The film unapologetically warns us at every turn that fashion is nothing but a business, fueled by naiveté and rape.- Slant Magazine
- Posted Aug 8, 2016
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Reviewed by
Chuck Bowen
The film's images have a loose, rough, textured liveliness that honors the spirit of Chinatown Fair.- Slant Magazine
- Posted Aug 8, 2016
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Reviewed by
Wes Greene
The film feels most real, even at its most absurd, when focused on the idea of closure as a kind of fantasy.- Slant Magazine
- Posted Aug 8, 2016
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Reviewed by
Oleg Ivanov
Director Sean Ellis's film offers a potent examination of the moral rectitude of resistance.- Slant Magazine
- Posted Aug 5, 2016
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Reviewed by
Christopher Gray
Alice Winocour's film begins as a vivid portrait of a man warily eyeing the tumult of his homecoming.- Slant Magazine
- Posted Aug 5, 2016
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Reviewed by
Ed Gonzalez
One comes to resent the film for how it thrills to the possibility of a father hurting his children.- Slant Magazine
- Posted Aug 5, 2016
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Reviewed by
Keith Watson
The film is peppered with interesting true-life details, but these are overwhelmed by frantic comedic sequences.- Slant Magazine
- Posted Aug 5, 2016
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Reviewed by
Jake Cole
Like the recruited criminals themselves, the film longs to be bad, yet its forced by outside pressures to follow narrow, preset rules.- Slant Magazine
- Posted Aug 3, 2016
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- Critic Score
While he may indulge in the occasional programmatic jump scare, writer-director Clément Cogitore ultimately heaves his debut feature closer to the realm of psychological terror, understanding that there's nothing more frightening or darker than the human mind.- Slant Magazine
- Posted Aug 2, 2016
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Reviewed by
Carson Lund
The documentary is just more of what we've come to expect from director Richard Linklater's expanded fanverse.- Slant Magazine
- Posted Aug 2, 2016
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Reviewed by
Clayton Dillard
Derek Jarman's footage speaks to the freedoms afforded by the combination of a darkened dance floor and like-minded people.- Slant Magazine
- Posted Aug 1, 2016
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Reviewed by
Clayton Dillard
As films about dopey dudes finding love go, The Tenth Man is too modest for its own good.- Slant Magazine
- Posted Aug 1, 2016
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Reviewed by
Diego Semerene
The very few instances where stereotypes are challenged are forced and didactically delivered.- Slant Magazine
- Posted Aug 1, 2016
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Reviewed by
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Reviewed by
Christopher Gray
Maris Curran never reconciles the film's impulse to interiority with its weakness for hothouse melodrama.- Slant Magazine
- Posted Aug 1, 2016
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Reviewed by
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Reviewed by
Matt Brennan
Director Ira Sachs transforms the smallest blip on life's radar, a childhood friendship, into a momentous occasion.- Slant Magazine
- Posted Aug 1, 2016
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Reviewed by
Elise Nakhnikian
Like the work it illuminates, the doc feels formally impeccable yet utterly unstaged, a vivid distillation of a distinct and precious life.- Slant Magazine
- Posted Jul 31, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The end-credits sequence shows up the rest of the film as the broad and incoherent live-action cartoon that it is.- Slant Magazine
- Posted Jul 28, 2016
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Reviewed by
Richard Scott Larson
It abandons its subtlety en route to becoming a moralistic screed about the preservation of the nuclear family.- Slant Magazine
- Posted Jul 27, 2016
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Reviewed by
Chuck Bowen
It offers lively and layered images that reveal the chefs both as individuals and components of a larger social organism.- Slant Magazine
- Posted Jul 27, 2016
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Reviewed by