Ghostrunner will set your adrenaline racing and won’t let up until you’ve mastered its systems. And when you do reach that zen-like moment of precision and elegance, dancing on the edge of a blade between life and death, you’ll ask yourself, “Can I do better?” And that’s when Ghostrunner will have you, truly and deeply.

Capcom Fighting Collection 2 is easily my favorite of the Capcom bundles so far, and a big part of that is simply the game selection. This legitimately feels like there’s something for everyone and it all plays in solid form with a bevy of quality-of-life features. There are small things I wish weren’t changed in ways that can’t be adjusted, but it doesn’t keep the majority of this collection from being an absolute feast of Capcom’s most delightful arcade titles. Whether you’ve played these games before or are cracking them open for the first time, you’re in for a treat, especially if you bring some friends along.

Everspace 2 might seem like more of the same, especially thanks to its plodding prologue, but there's more going on here than you see at first glance. There's a stronger sense of place, better story, and more interesting cast that feel like they fulfill the original game's potential. Exploration is better than ever, and while combat hasn't changed too much, the careful balancing act of managing your resources makes every encounter feel fresh and exciting.

I was able to go wheel to wheel in the most Netflix Drive to Survive kind of way imaginable. Oh, and I sweated. So much sweat. Prepare yourself! If you've been waiting for official VR support in the F1 series, this is it

Top to bottom, Captain Toad: Treasure Tracker is a delightful little treat of a game. It shows a purity of puzzle design that few studios can match, and it wraps it all in a sugary-sweet presentation that only the most jaded could refuse.

I'm fine with the endings for Max, Chloe, and everyone else. It disappoints because of the path the game took in getting there. The ultimate result is a letdown and it leaves a sense that Life is Strange could have been such a more memorable experience than it was.

One More Level has nailed the important bits in Ghostrunner 2: the combat, the movement, the visuals, the soundtrack, and the challenge. It’s all a cacophony of intense action and pulse-pounding exhilaration – it’s just that the connective tissue keeps it from being a cohesive vision. By increasing the scope and breadth of the game, Ghostrunner 2 loses part of the essence of what made the first game so great. And yet, for the faults I do have with Ghostrunner 2, it’s still an awesome game that had my head bobbing to synthwave beats as I slow-moed around lasers and turned my foes into giblets with a flick of my cybernetic katana.

Mario & Luigi has also become known for its sharply humorous writing. While that's definitely present here, it's obscured by the sheer mass of dialogue.

Vampire Crawlers is fun. Like, capital-F Fun. I’ve spent many hours with it and will spend more, especially if there’s as much long-term support as we saw with Survivors. But while Survivors felt like a totally fresh kind of experience in a lot of ways, Crawlers steps into territory that has a long and dense history, which means it’s fitting into a framework with plenty of comparison points available. And where Crawlers is weak, it’s weak in the very spot that defines the new space it’s walked into. That’s a bummer. Where it hits is all in how its trademark style and systems translate, the snappy card combat, and of course the banging soundtrack I’m only just mentioning because I’m not great at talking about music. So a thumbs up from me, but one that comes with an acute sadness at how much more Vampire Crawlers could have been if it had true blobber bona fides.

Helldivers is the kind of game all co-op titles should strive to be. Not only does it offer a very rewarding top-down twin-stick shooter experience, but it's co-op goes beyond your own game.

This is a fine send-off, and if that's what Level-5 intends, it will be a perfectly timed one. As Layton would inform Luke, a proper gentleman knows not to overstay his welcome.

Boomerang X is a fresh take on the arena shooter. Focusing on one weapon, the range in abilities and the ceiling for skill make frenetic combat exciting in just about every instance. The game is rather short, but that works perfectly for the pace of both the story and combat. Only feeling dull in the moments between the action, DANG! and Devolver Digital have an impressive indie on their hands with Boomerang X.

Fans will recognize its knack for inventive weaponry and nicely-designed traversal, but the two haven't been joined in this way before. Those elements make this rebellious teen something special that even its sometimes overwrought attitude can't dampen.

If it isn’t broken, don’t fix it. I respect Tribute Games’ approach with Marvel Cosmic Invasion because it’s very much an extension of nearly everything Teenage Mutant Ninja Turtles: Shredder’s Revenge did right with just a bit of improvement and additions along the way. This big character pool makes the tag feature a delight, giving us more chances to experience some oddball and safe picks as we go. Meanwhile, with up-to-four player online and local gameplay on solidly working systems, it feels like another fun option for folks that want to get together and have an entertaining time with friends in a universe we love. Marvel Cosmic Invasion didn’t have much need to reinvent the wheel. It’s a well-tuned Tribute Games brawler that will fit nicely into game nights.

Outside of a few flaws, True Colors is the peak of the Life is Strange series to date.

Children of the Sun excels where it counts. It’s a cerebral puzzle in which you weave a bullet between targets, and solving the puzzle is dangerously satisfying.

Samurai Shodown manages to present a superb alternative to quicker, more bombastic fighters. This comes across as more of the thinking man's fighter, testing a player's reaction time and rewarding those who are able to read their opponents over those who try and go for meaningless combos. Samurai Shodown doesn't need to stand atop a crowded fighting game mountain, because it's done a nice job staking a claim over on a nearby hill.

The world is beautiful and the voice acting is excellent. But Henry and Delilah’s story is far too short, and the resolution of the game’s story relies far too much on a backstory that isn’t given the breathing room it needs. It’s an emotional rollercoaster that just teeters back down to a merry-go-round, leaving me with a detached feeling that everything I had spent the past few hours working towards has been all for naught.

Fuser definitely has a few rough patches, like the Battles multiplayer and the slow rate of XP growth. Plus, let's face it, we can't all be as good as Marc Rebillet, so there are some features that players won't be able to take full advantage of without sounding ridiculous. But, for pure musical fun, there are few games in 2020 better than Fuser.

That creative freedom and the tools Artificer gives you to work with make it easy to deal with Sumerian Six’s rockier moments and, frankly blatant imitation of games that came before. The team clearly has a strong understanding of how to make the most of the genre's basic tools, and here is where I'd normally say I hope to see even better things from them in the future. With Devolver having laid off half of Artificer's staff earlier in 2024, though, the studio's future seems unclear.

Back to the Dawn is a fascinating game at first glance, due to its uncanny mix of prison, animals, and laid back music. But as you dive into its systems and figure out what your goals are, you run into a sort of identity issue. Does this game want to be open-ended or not? It’s hard to tell, and the rush to complete goals within a strict time limit betrays the offerings of things to do and people to meet. This confusion between what this experience does or doesn’t want to be, and a surprising lack of personality beneath the surface, both made my time with this adventure feel laborious.

Darkest Dungeon 2 offers an addicting gameplay loop and satisfying systems.

A new journey in the Life is Strange universe has begun, but so far, it's not one I'm particularly enjoying.

Polyphony's latest may be burdened by familiar shortcomings, but Gran Turismo 6 reaches its greatest heights yet as a driving simulator.

There are so many games out there that do what Sifu does only better. Honestly, if you want a punishing grind where your efforts will actually pay off you’re probably better off just taking a Kung-Fu class in real life.

It’s a fantastic game with a near flawless execution.The journey is enjoyable and the characters you help and hinder throughout the game make it an memorable experience. If you’re looking for a high quality, AAA single-player game, look no further than Shadow of War.

The beauty of Marathon is that it’s not a game for everyone. It’s a game for a specific niche. Bungie knows this and Marathon excels because of it. Bungie has been intentional, hyper-focused, and utterly conscious of what it has delivered with Marathon. It is a brutal and challenging game with an art style that demands attention. The shooting feels superb, the factions are dripping with personality and meaningful upgrades, and the systems and gameplay converge into an experience that sinks its teeth into your subconscious. I’m thinking about Marathon every waking moment. Bungie has once again shown why it’s the king in the shooter space.

Borderlands 3 feels like the return of your favorite band to the studio for one more great album. A collection of hits all brought together to help celebrate what made you fall in love with that band in the first place. The insane amount of content shown here, including side quests, collectibles, and all the throwbacks to previous Vault Hunters and beloved characters makes Borderlands 3 an absolute delight to play through.