What could have been a truly compelling experience ends up feeling like a festival of missed opportunities and half-baked ideas. With a shallow execution of its concept and a short runtime of about six and a half hours, Tron: Catalyst disappoints. Both the franchise and the players deserved better.

Smurfs Kart itself is not a bad game, it's just very shallow and almost all the competition handily beats it. The whole situation is made worse by the fact that the game has woefully little content and has completely omitted online multiplayer, leaving you to discover all of its content in one short evening.

Tomb Raider Reloaded is a calculating game in which you will search in vain for any fun gameplay. Not only does the stereotype immediately kick in, but the game is also plagued with server issues and freezes.

I think Goat Simulator Remastered isn’t worth it. While the remaster competently adds multiplayer, DLC, and slightly improves textures and lighting, the game remains the same—buggy, clunky, and less fun than it aims to be. There are plenty of other games offering absurd fun with much better controls.

Adrenaline racing in the wilderness shows us its muddy face again. And most racers probably won't like it very much. It is just so horribly boring and uninteresting, that it's hard to say even one single quality to try the game for.

This rescue simulator is unrealistic, offers trivial gameplay and quickly becomes dull and boring.

No soul, no creativity, no ideas, but lots of ideas to get money out of you for microtransactions. Ultimate Sackboy contains none of the things that made LBP beloved by millions of gamers. Instead, all you'll find is boredom and, later on, frustration.

A compilation of frequently used procedures and activities this time moved to the tanks. The game reprehensibly offers nothing more than shabby gameplay principles that can't be repeated indefinitely without added value.

Gungrave G.O.R.E seems 20 years out of date. The gameplay is too restrictive and without ideas, the graphics lag behind current action games, and the story is very chaotic. There aren't many reasons why you should even consider buying the game.

Star Wars Episode I: Jedi Power Battles is sort of the ultimate version of the game, where you can find all the content in one place, even from different versions (and it's based on the Dreamcast version). So there's lots of characters, levels, a gallery of bonus material and other content. But it's not a good experience. It's full of bugs, often major ones, that often make it impossible to progress through the game.

Despite its vast content, the remaster is plagued by old and new bugs, crashes, and poor performance. Visual upgrades are minimal, and the controls remain as clunky as in the 2008 original. Instead of nostalgic joy, this game offers a prime example of a remaster done wrong.

A sleek but ultimately pointless release. Nintendo Switch 2 Welcome Tour feels more like a paid interactive manual than a game—dull, uninspired, and lacking the fun we expect from Nintendo.

Dragon Ball: The Breakers is a shallow and boring action game that has no respect for its source material and delivers an unbalanced asymmetric experience that isn't fun for raiders or survivors.

Some aspects work, the new focus on more team play is not bad either, but in the end, more or less just kids who can be entertained for a bit longer while playing. But even then, after a few hours, they will come up with a request, asking if they could play Mario Party or something more fun instead. Unfortunately, that's the reality of the game where the creators focused too much on bringing something grand but forgot about the fun, which should be the primary purpose of party games.

Tennis On-Court could have been a good game. The tennis is handled well here, it can really come close to simulation, the physics and hit detection are well done. But that's not enough if there's no interesting content to play.

Finding anything positive about the new (sic) Blade Runner is almost impossible. The time-honored legend didn't age well in the remastered edition after 25 years, and perhaps it would be better if it remained only in our memories.

Unholy has a good foundation for a horror game, but little is followed through to a successful conclusion to rate the game as fun. Stealth doesn't work, the story doesn't draw you in, the atmosphere doesn't capture you, the main character doesn't interest you at all and it seems unnatural.

Taxi driving in Barcelona looks good. Unfortunately, it's also the first and last positive thing we can say about this game. As soon as you pass a few kilometers, the enthusiasm dissipates like steam over a pot.

Another in the series of film adventures from Wales Interactive wants to enchant us with a theme, branching story and plot. Unfortunately, not very successfully.

Is this collection worth it? The first game is still fun, but the sequel remains a bad game with little reason to revisit. €20 for two basic ports with minimal improvements is too much.

"It could be a good game, but..." - that's the thing I kept saying to myself the whole time I was running through the bloody and muddy trenches of this indie survival horror. There are interesting ideas here, but their implementation is average and sometimes even quite bad.

Legacy of Kain: Ascendance is a short prequel set in the beloved Nosgoth universe, offering fans a chance to explore Raziel's origin and revisit familiar characters. While the voice acting and music are excellent, the game suffers from a shallow, fan-fiction-like story and bland gameplay. Retro 2D visuals and occasional animated sequences look nice individually, but the mix feels inconsistent. Fans of the series may appreciate the return to Nosgoth, but for newcomers or those seeking engaging mechanics, the experience is underwhelming.

If you thought the baker's work was fun, Bakery Simulator would convince you otherwise.

n this case, playing Hellboy: Web of Wyrd is a sacrifice for the story, and a sacrifice so great that you wonder if it was worth it. It wasn't. The story is good, but even that only adds to the aftertaste of a game that seems to have everything but the pleasure of playing itself.

In the moment when Jujutsu Kaisen is scoring all the Anime Awards, the players get only half-baked game. It Works at start but fades so quickly with poor execution, lack of modes and empty arenas. Not even 15 fighters can save this combat game.

Amongst other things, there is a lack of good taste that could ensure a fun and balanced gaming experience. Instead, we have a game that doesn't know what it wants to be. As a result, every aspect of it is pretty bad. The action gameplay is dragged down by the physics, the horror rollercoaster by the lack of content, the social satire by the witless humour.

Well-known brand, interesting main character, mix of different genres. What could possibly go wrong? Everything. You really don't have to waste your money on this today.

The Greyhill Incident has a great creepy atmosphere, so you'll be really scared of the alien invasion. But that's about all we can praise in the game. The rest is poor quality.