What could have been a truly compelling experience ends up feeling like a festival of missed opportunities and half-baked ideas. With a shallow execution of its concept and a short runtime of about six and a half hours, Tron: Catalyst disappoints. Both the franchise and the players deserved better.

Smurfs Kart itself is not a bad game, it's just very shallow and almost all the competition handily beats it. The whole situation is made worse by the fact that the game has woefully little content and has completely omitted online multiplayer, leaving you to discover all of its content in one short evening.

Tomb Raider Reloaded is a calculating game in which you will search in vain for any fun gameplay. Not only does the stereotype immediately kick in, but the game is also plagued with server issues and freezes.

I think Goat Simulator Remastered isn’t worth it. While the remaster competently adds multiplayer, DLC, and slightly improves textures and lighting, the game remains the same—buggy, clunky, and less fun than it aims to be. There are plenty of other games offering absurd fun with much better controls.

Adrenaline racing in the wilderness shows us its muddy face again. And most racers probably won't like it very much. It is just so horribly boring and uninteresting, that it's hard to say even one single quality to try the game for.

This rescue simulator is unrealistic, offers trivial gameplay and quickly becomes dull and boring.

No soul, no creativity, no ideas, but lots of ideas to get money out of you for microtransactions. Ultimate Sackboy contains none of the things that made LBP beloved by millions of gamers. Instead, all you'll find is boredom and, later on, frustration.

A compilation of frequently used procedures and activities this time moved to the tanks. The game reprehensibly offers nothing more than shabby gameplay principles that can't be repeated indefinitely without added value.

Gungrave G.O.R.E seems 20 years out of date. The gameplay is too restrictive and without ideas, the graphics lag behind current action games, and the story is very chaotic. There aren't many reasons why you should even consider buying the game.

Star Wars Episode I: Jedi Power Battles is sort of the ultimate version of the game, where you can find all the content in one place, even from different versions (and it's based on the Dreamcast version). So there's lots of characters, levels, a gallery of bonus material and other content. But it's not a good experience. It's full of bugs, often major ones, that often make it impossible to progress through the game.

Despite its vast content, the remaster is plagued by old and new bugs, crashes, and poor performance. Visual upgrades are minimal, and the controls remain as clunky as in the 2008 original. Instead of nostalgic joy, this game offers a prime example of a remaster done wrong.

A sleek but ultimately pointless release. Nintendo Switch 2 Welcome Tour feels more like a paid interactive manual than a game—dull, uninspired, and lacking the fun we expect from Nintendo.

Dragon Ball: The Breakers is a shallow and boring action game that has no respect for its source material and delivers an unbalanced asymmetric experience that isn't fun for raiders or survivors.

Some aspects work, the new focus on more team play is not bad either, but in the end, more or less just kids who can be entertained for a bit longer while playing. But even then, after a few hours, they will come up with a request, asking if they could play Mario Party or something more fun instead. Unfortunately, that's the reality of the game where the creators focused too much on bringing something grand but forgot about the fun, which should be the primary purpose of party games.

Tennis On-Court could have been a good game. The tennis is handled well here, it can really come close to simulation, the physics and hit detection are well done. But that's not enough if there's no interesting content to play.

Finding anything positive about the new (sic) Blade Runner is almost impossible. The time-honored legend didn't age well in the remastered edition after 25 years, and perhaps it would be better if it remained only in our memories.

Unholy has a good foundation for a horror game, but little is followed through to a successful conclusion to rate the game as fun. Stealth doesn't work, the story doesn't draw you in, the atmosphere doesn't capture you, the main character doesn't interest you at all and it seems unnatural.

Taxi driving in Barcelona looks good. Unfortunately, it's also the first and last positive thing we can say about this game. As soon as you pass a few kilometers, the enthusiasm dissipates like steam over a pot.

Another in the series of film adventures from Wales Interactive wants to enchant us with a theme, branching story and plot. Unfortunately, not very successfully.

Is this collection worth it? The first game is still fun, but the sequel remains a bad game with little reason to revisit. €20 for two basic ports with minimal improvements is too much.

"It could be a good game, but..." - that's the thing I kept saying to myself the whole time I was running through the bloody and muddy trenches of this indie survival horror. There are interesting ideas here, but their implementation is average and sometimes even quite bad.

Legacy of Kain: Ascendance is a short prequel set in the beloved Nosgoth universe, offering fans a chance to explore Raziel's origin and revisit familiar characters. While the voice acting and music are excellent, the game suffers from a shallow, fan-fiction-like story and bland gameplay. Retro 2D visuals and occasional animated sequences look nice individually, but the mix feels inconsistent. Fans of the series may appreciate the return to Nosgoth, but for newcomers or those seeking engaging mechanics, the experience is underwhelming.

If you thought the baker's work was fun, Bakery Simulator would convince you otherwise.

n this case, playing Hellboy: Web of Wyrd is a sacrifice for the story, and a sacrifice so great that you wonder if it was worth it. It wasn't. The story is good, but even that only adds to the aftertaste of a game that seems to have everything but the pleasure of playing itself.

In the moment when Jujutsu Kaisen is scoring all the Anime Awards, the players get only half-baked game. It Works at start but fades so quickly with poor execution, lack of modes and empty arenas. Not even 15 fighters can save this combat game.

Amongst other things, there is a lack of good taste that could ensure a fun and balanced gaming experience. Instead, we have a game that doesn't know what it wants to be. As a result, every aspect of it is pretty bad. The action gameplay is dragged down by the physics, the horror rollercoaster by the lack of content, the social satire by the witless humour.

Well-known brand, interesting main character, mix of different genres. What could possibly go wrong? Everything. You really don't have to waste your money on this today.

The Greyhill Incident has a great creepy atmosphere, so you'll be really scared of the alien invasion. But that's about all we can praise in the game. The rest is poor quality.

I had so many regrets after playing through Postal 4. This is really one of the worst games since Postal 3, and even an army of coders can't fix its many bugs, glitches, crashes and other problems. It was so painful to play the game that it could be recognized as a mean of torture.

Fast & Furious: Spy Racers Rise of SH1FT3R is is destined to be forgotten and compared to other games in the genre, it ranks among the worst.

Overall, Deadly Dozen Reloaded is a subpar remaster more suitable for nostalgic players and not current audience. The game shows how video games were made a long time ago, what design flaws they had, and what they would look like with improved graphics.

As a tycoon, Animal Shelter is such a shallow strategy that it sometimes plays alone. And what the game could easily score - an interactive encyclopedia - completely ignores this and does not teach the player anything, because no education is present here. So who this game is for is a mystery.

Although we would like to support the Slovak developer, this is a debacle that we cannot give a good grade. It's really not for fanfare or champagne. In the end, the game, which is nice to look at, fails all along the line.

Yacht Mechanic Simulator is a prime example of gaming garbage that is better left untouched. You can't find anything why you should spend even a few minutes with it.

Afterglitch is the answer to the question of whether games can be art. At the same time, it's not even a game, but an experimental experience that will bring you an amazing audiovisual design and moments of relaxation. [Review in Progress]

Party Maker is a tiresome and desperately boring game with a minimum of interesting interactions and poor technical execution.

There are many better party games than Garfield Lasagna Party. Just pick any other and avoid this one.

Star Trek Prodigy: Supernova represents an effort to engage the children's audience not only on TV screens, but also in video games. But for that, it brings too little interesting content, and moreover, the stereotype immediately sets in. So you only have a five-hour journey across 3 planets, where you do the same thing over and over. Moreover, with glitches and a bad camera work.

Into The Flames is an irresistible firefighting simulator. However, the result is horribly lousy. Too big a bite, which the developers took on their shoulders, resulted in a total mess without any fun.

It seems like Do Not Open had set up itself for a failure with just its name alone… After a quick glance you might expect an exciting escape room VR experience, which is unfortunately not true. This horror-less, VR-less, empty shell of a rushed game is extremely short, lacks any polish and painfully bores me to my core. At the current stage, not opening it is the only viable option.

At first glimpse, Gray Zone doesn't looks like a bad game. It has nice visuals, a jammy soundtrack and funny voice acting. But the gameplay itself is shallow and uninteresting.

Sunrise GP brings the impression that we had when playing the first parts of the Need for Speed series. However, it is buried under a pile of shortcomings and the game is not helped by the fact that there is sadly very little content in it.

The short story of the jumping goat is not very attractive and can be frustrating.

It is not necessarily a bad game, although many aspects of it are not good enough. But it also has a few good sides. Its problem is that there are many better VR horror games on the market, which, even if they draw from the same genre clichés, have tried to spice things up in some way. However, here you won't find anything interesting or different.

The Football Cup 2023 fails in everything that video game football should be. And the worst part is that the creators have clearly given up on trying to make it better. Want football on Switch? Wait for FC 24, grab old FIFA editions, or almost anything else.

Horror adventure full of blood, guts and bugs from a Czech author is suitable for this period, but otherwise it is disappointing.

Metal Gear Solid: Master Collection Vol.1 brings to the PC platform the most influential titles of all time. However, in doing so it not only doesn't try to change anything but also hides behind the excuse that they don't want to disrupt the original vision of the creators. And it is a shame because it would have taken so little to have the ultimate way to play the Metal Gear Solid trilogy on modern platforms.

The game developers wanted to bring something new, but in the end they messed up everything they could. The map is too small and simplistic, the environment monotonous. Truck driving becomes desperately repetitive. The new gameplay elements are pointles.

The game tries to capitalise on a well-known name, but the result is something that lacks any sense of effort, love or experience. The best testament to the game's poor qualities is that nobody plays it anymore.

Do you remember the good old Kingpin? So stay with the memories, don't play its updated version and do not spoil your pleasant nostalgia. It is Awful.

The concept is quite unique, the end product, unfortunately, evokes more of a demo. There are quite a few mechanics here and they are all simple and primitive. The management of a disco club is indeed an interesting subject for the game, but in this case with absolutely wasted potential.

The game from Raccoons Studio represents exactly the type of project where the basic idea is quite interesting, but in the end, only boring gameplay remains.

Firefighters are already putting out fires on PS5, but maybe you'd rather watch the real ones at work than kill time with this boring game.

Star Trek: Legends quickly falls into a routine of repeating the same scheme of things in order to progress. You just want to see what the Nexus really is, but the game's free-to-play roots force you into annoying activities and repetitive grinding. Not even the huge cast of characters from nearly 10 TV shows and several films can save it.

The combination of cleaning out an old house and chasing ghosts sounds a bit absurd. And Haunted House Renovator is a bit of an absurd game, too.

Have you ever shovelled snow? Would you like to? It's cold outside and you don't want to freeze? Well, here's virtual snowmaking and clearing. However, it's not much fun: there's no sense of progression and better physics would be nice.

We've probably never seen a driving simulator in such a boring form. Your eyes will be blinking while playing, even if you're drinking hectoliters of coffee.