Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
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- Critic Score
It's an agreeable comedy that makes its priorities clear: It wants to be funny at the expense of almost everything else.- Seattle Post-Intelligencer
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Reviewed by
Ellen A. Kim
The film gets snaps just by attempting the high road, and should be enjoyed by its target audience.- Seattle Post-Intelligencer
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William Arnold
Director Jonathan Frakes keeps the tone just this side of tongue-in-cheek.- Seattle Post-Intelligencer
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Sean Axmaker
Best enjoyed by keeping in mind the latest cinematic proposition that apocalyptic disaster doesn't bring out the worst in people, only the stupidest.- Seattle Post-Intelligencer
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Bill White
The movie has a soul, and its good-natured charm may well win over the most cynical heart.- Seattle Post-Intelligencer
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Sean Axmaker
The unchecked enthusiasm of McGinley as the touchy-feely renovation guru gives slow-burn Cube the perfect foil and mellows the malicious comic tone. The rest is pure slapstick.- Seattle Post-Intelligencer
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- Critic Score
A thinker's film about the ever-shifting paradigm of man-woman relationships.- Seattle Post-Intelligencer
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Reviewed by
Ellen A. Kim
Even throwing in a spunky fight between female sidekicks (Gabrielle Union and Kelly Hu) isn't enough to float this film over clumsy dialogue and the feeling we've seen it before.- Seattle Post-Intelligencer
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Paula Nechak
Would be totally unexceptional if not for its visual telling of the Apollo 11 flight and the fact that the movie is impressively shot - the first animated feature film in 3-D.- Seattle Post-Intelligencer
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Sean Axmaker
Campbell fans will get a kick out of it. The rest of the world will likely find this spoof a little too insular and indulgent.- Seattle Post-Intelligencer
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William Arnold
It comes off as tedious, pretentious, self-indulgent, talky and so garbled it might have been improvised by the actors.- Seattle Post-Intelligencer
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Sean Axmaker
Taking on the sneeringly blase Alig may be a cagey career move for Culkin, but it's a disappointingly thin performance.- Seattle Post-Intelligencer
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William Arnold
Ultimately, it's a surprisingly empty experience.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
Overly familiar, poorly cast and often annoyingly crude New York comedy that never finds its groove.- Seattle Post-Intelligencer
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William Arnold
Imparts its fair share of laughs but bogs down after a solid start and never makes anything special out of its premise.- Seattle Post-Intelligencer
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Sean Axmaker
The result of this blender mash of exotic horror isn't much of anything at all, neither suspenseful, terrifying or inventively gory: Turistas is dead on arrival.- Seattle Post-Intelligencer
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William Arnold
In Arcand's skilled hands, this sassy assembly comes together to be a comedy, a satire and a character study that's somehow not a bit condescending.- Seattle Post-Intelligencer
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William Arnold
For genre fans, the horde-of-locust sequence may alone be worth the price of admission.- Seattle Post-Intelligencer
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A first- or second-date flick, after which there can be some Cheesecake Factory and maybe a peck on the cheek, no harm done. What Happens in Vegas is pleasant enough for all of that (and it sidesteps all that "Forgetting Sarah Marshall" raunch).- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Sean Axmaker
It plays like a big-budget, after-school special with a generous cast, who at times lift the material from its well-meaning clunkiness.- Seattle Post-Intelligencer
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Sean Axmaker
Mostly it's a series of dream-image clues scribbled out by juvenile seer Fanning, followed by super-powered smackdowns between agents and mercenaries with slangy titles like watchers, stitchers and sniffers.- Seattle Post-Intelligencer
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William Arnold
It's never hugely engaging and it's instantly forgettable, but it has a certain goofy charm.- Seattle Post-Intelligencer
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Bill White
The result is an initially hilarious picture that grows perplexingly trite as screenwriter Peter Straughan transforms Young's sly observations into assembly-line pap.- Seattle Post-Intelligencer
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Like many video games, Resident Evil has a drearily long setup, then a lot of blood and gore, then an overextended ending.- Seattle Post-Intelligencer
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William Arnold
Not surprisingly, the best thing on the screen is Mirren.- Seattle Post-Intelligencer
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William Arnold
Makes a serviceable summer shoot-'em-up, but it's surprisingly trashy and rather stupid, and its efforts toward being a gripping military drama in the Tom Clancy tradition are fairly pathetic.- Seattle Post-Intelligencer
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Sean Axmaker
It might be impressive as a made-for-DVD production, but coming from producer George Lucas, it makes for a cheap excuse for a big-screen spectacle.- Seattle Post-Intelligencer
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William Arnold
The best thing -- maybe the only good thing -- about the expensive sci-fi movie, Jumper, is its high-concept premise, which gives its hero the power of teleporting himself anywhere on the globe in the blink of an eye: from the Coliseum of Rome to the North Pole.- Seattle Post-Intelligencer
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