Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
  1. Yes, you've seen this movie a hundred times before, and "The Cutting Edge" is even more annoying than most predictable sports movies because it was so obviously shot on the cheap: the overall production values are as low as any film released by a major studio this year. [27 March 1992]
    • Seattle Post-Intelligencer
  2. It's a strange and strangely unaffecting little drama -- but played very flat, with no particular emotional impact sought or achieved.
  3. It all feels false and calculated, an overearnest attempt to find old-fashioned romantic innocence in the modern world by someone too jaded to believe.
  4. It's a much more interesting and engrossing film than its somewhat nefarious reputation may indicate -- though, granted, elements of it are very hard to take, and it finally leaves you feeling pretty down and out.
  5. When the spectacle turns ridiculous, the movie just becomes another big-screen video game.
  6. "Shrek" had some refreshing, genre-twisting innovation but Cats & Dogs plays it safe and nice instead and, by not taking risks, doesn't quite make it out of the doghouse.
  7. That play has made it to the big screen, but it has come so late in the moribund body-switching comedy cycle that it seems like a tired cliche, and a big-budget production and star cast just can't seem to breathe any life into it. [10 Jul 1992]
    • Seattle Post-Intelligencer
  8. There's just no juice to this thing, merely a bunch of fitfully funny gags and a climactic football match that, under Skolnick's direction, fails to show us why the Europeans find this so exciting.
  9. Greenstreet captures all the hubbub on film but, while he makes the point that we are indeed a house divided, he can't quite persuade us that this particular situation is a metaphoric example of our national malaise.
  10. Low-production values, including glaring inconsistencies in the makeup department, add to the bargain-basement atmosphere of this kidsploitation quickie.
  11. Gets entertaining when Liu kicks in.
  12. Farce is a genre best served with building momentum and crack timing. This lazily paced piece seems more concerned with winking at the audience and putting quotations around the performances than anything so crass as playing this farce for laughs.
  13. You'd hope God would think bigger for His divine intervention in American politics.
  14. Can't find its rhythm and stride. It plays it far too safe and slick.
  15. A slick, cynical, nasty piece of heist-film plotting that hides its more obvious logical gaps in techno-babble and distracting spectacles of wanton violence and big explosions.
  16. This half-baked production sat on Miramax's shelf for a couple of years. It's no more done now than then, merely more stale.
  17. The best thing -- maybe the only good thing -- about the expensive sci-fi movie, Jumper, is its high-concept premise, which gives its hero the power of teleporting himself anywhere on the globe in the blink of an eye: from the Coliseum of Rome to the North Pole.
  18. Outrageously confident and wearing a kilt through the mayhem, Jackson proves once again that he has few equals in bringing off a broad, over-the-top lead.
  19. Makes a serviceable summer shoot-'em-up, but it's surprisingly trashy and rather stupid, and its efforts toward being a gripping military drama in the Tom Clancy tradition are fairly pathetic.
  20. It wobbles between a conventionally quirky lighthearted goof and an oddball farce in which character is sacrificed for sight gags.
  21. A fairly loathsome and shallow movie about loathsome and shallow people, but it's almost worth catching to see star Christian Bale chew up the scenery.
  22. The movie has a soul, and its good-natured charm may well win over the most cynical heart.
  23. Williams' self-conscious and rather bland performance never comes close to bringing his character to life.
  24. It disrespects Seattle. Not only is this yet another filmed-in-Vancouver movie that's supposed to be set here, it takes place in a blinding rainstorm of the kind only a Hollywood rain machine can make. As we all know, it never rains like that in Seattle.
  25. The premise clicks, the stars couldn't be more likable, and It Takes Two is as cute and imaginatively directed a family movie as we've had all year. [17 Nov 1995]
    • Seattle Post-Intelligencer
  26. Predictable and surprisingly confusing in its ultimate message.
  27. With the original stage cast, the film is doggedly faithful to the play but has failed to translate it into much of a film.
  28. This larger-than-life cartoon of a trained dog has more character than the two-legged co-stars.
  29. An innocuous, hit-and-miss affair.
  30. This emoting doesn't mix well with the comedy and action, of course, and the best that can be said of the film is that it's marginally entertaining, and (for Murphy) reasonably inoffensive. But he's competent enough to make us suspect he might be surprisingly good if he ever did get a real Denzel Washington part. [17 Jan 1997]
    • Seattle Post-Intelligencer

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