Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
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Reviewed by
William Arnold
The movie also qualifies as a kind of low-rent, male version of "Dreamgirls," but -- while many of the numbers are pleasant -- it doesn't have the moxie to work as a musical.- Seattle Post-Intelligencer
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Bill White
Fascinating as these spiders and frogs must be to one another, a human being need not be put into such close proximity to their private dances.- Seattle Post-Intelligencer
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Sean Axmaker
Peter Riegert's is a labor of love film where you feel love much stronger than you feel the film.- Seattle Post-Intelligencer
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William Arnold
Ostensibly a love story, the film is also handicapped by Téchiné's strong gay sensibility and clear lack of romantic interest in his characters.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Bill White
The script is undone by confusing romantic developments, a convoluted murder mystery and a facile and maudlin resolution.- Seattle Post-Intelligencer
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Sean Axmaker
The script is as sloppy as Song's unkempt cop, sprinkled with intriguing ideas and imaginative details that, like the investigation, simply get lost in blind alleys.- Seattle Post-Intelligencer
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Paula Nechak
I scratched my head in wonder as to why this pair of one-dimensional characters couldn't find happiness in such a shallow story.- Seattle Post-Intelligencer
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Sean Axmaker
A bubbly, high-spirited paean to the joys of pharmaceutical phun that grooves to a throbbing beat but constantly trips over flat, prosaic dialogue and literal, lifeless sight gags.- Seattle Post-Intelligencer
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Sean Axmaker
Even a one-two punch from Australian stars Guy Pearce and Rachel Griffiths, who are wryly good in this crime caper, can't keep it from sinking into a cavern of cliches.- Seattle Post-Intelligencer
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Paula Nechak
Despite his harrowing real-life experiences, Downey, good as he is, is simply too young for the part. This callow telling begs for a more mature approach.- Seattle Post-Intelligencer
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Sean Axmaker
The stylistic cleverness of the opening minutes settles into a self-satisfied flair.- Seattle Post-Intelligencer
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William Arnold
Mystery Men must have seemed magically goofy on storyboards, but has somehow turned into unappealing mush by the time it made it to the screen.- Seattle Post-Intelligencer
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William Arnold
Ponderously plotted, poorly cast, visually undistinguished and devoid of any real verve or charm.- Seattle Post-Intelligencer
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Bill White
The soundtrack is a mess, with period music out of sync with the period, as when the 1967 song, "White Rabbit," underscores a 1965 acid trip.- Seattle Post-Intelligencer
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Sean Axmaker
Resembles nothing more than an overstuffed, undernourished "Brady Bunch" episode, only not as funny.- Seattle Post-Intelligencer
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William Arnold
Ferrell, of course, has his moments. But he doesn't have an engaging "center" as a comedian.- Seattle Post-Intelligencer
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Sean Axmaker
Willis and Breslin are stuck in a charmless, predictable picture they can't escape.- Seattle Post-Intelligencer
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Paula Nechak
This collision of popular Emmy-winning TV shows is strangely uninspired and, well, a bit dull.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
William Arnold
Did it move me? And the answer is no. I thought it has a certain ghoulish, voyeuristic fascination, but I found it strangely remote and uninvolving on both emotional and spiritual levels.- Seattle Post-Intelligencer
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Sean Axmaker
There are some surprises to be had amid the cruelty (inflicted by both Jigsaw and his test subjects), but this time around the ordeal is less grueling than simply distasteful.- Seattle Post-Intelligencer
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William Arnold
The air of deja vu is thick as molasses in Glory Road, a lively but overly slick and grindingly predictable sports drama.- Seattle Post-Intelligencer
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Paula Nechak
Racing Stripes is oddly torn in tone: is it an old-fashioned family drama, a coming-of-age story or a crass comedy? Live action or animation? Unlike "Babe," it fails to integrate its conflicting personalities.- Seattle Post-Intelligencer
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William Arnold
One more bloated effects-o-rama lumbering through a formula plot (super-villain out to rule the world) without much zest, imagination or awareness of its own absurdity.- Seattle Post-Intelligencer
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William Arnold
It's so irrelevant, unambitious and lazy it almost seems to be thumbing its nose at the daring filmmaker Woody once was.- Seattle Post-Intelligencer
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William Arnold
Far from the worst movie of 2006, but it may be the most disappointing. It should have been wonderful -- a delicious tribute to classic Hollywood -- but it simply doesn't come off.- Seattle Post-Intelligencer
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Paula Nechak
Hunt and Johansson, two usually good actresses, are vapidly awful, teetering out of their elements in this shakily drawn period piece.- Seattle Post-Intelligencer
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Sean Axmaker
Ashton Kutcher wants to be taken seriously so badly it hurts. So does this metaphysical mess of a movie, a pseudo time-travel drama so complicated it takes more than half an hour just to establish the gimmick. And a gimmick it is.- Seattle Post-Intelligencer
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