Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
    • 56 Metascore
    • 50 Critic Score
    These self-involved studs manage to make ready, anonymous sex look rather dull.
  1. If Laurence Fishburne could only have harnessed his fierce performance to drive his directoral debut, Once in the Life might have made something memorable of the done-to-death tale of small-time crooks on the run after a heist gone wrong.
  2. A confused and improbable redemption song.
  3. Unfortunately, the life has been sucked out of DiCamillo's story about a brave, unusual little mouse.
  4. More than simply a raw-nerve success-gone-sour story. It's a revenge tale, and the directors come out on top.
  5. Too much of the humor falls flat. Thomas' numerous chase sequences through the streets, over the rooftops and through the airways of Budapest seem numbingly repetitive, and the script's reliance on castration gags betrays its overall lack of imagination.
  6. Shakespeare's comical, all-too-human tale of lust, foreplay and wordplay is buried beneath bad taste.
    • 33 Metascore
    • 50 Critic Score
    The formulaic screenplay has enough funny moments to keep the audience from concentrating on the predictability of it all.
  7. In trying for realism, Machado only achieves dramatic inertness.
  8. For its intention to promulgate the compatibility of Christianity with homosexuality, Save Me deserves a footnote in the political battle between these traditionally adversarial groups. As a movie, it doesn't amount to much more than an after school-special with sex and profanity.
  9. John Jarratt is perfectly creepy as the outback loner gone psychotic survivalist who gets his kicks from the systematic degradation and torture of hapless victims. And make no mistake, the ordeal is excruciating.
  10. CJ7
    Bright, bouncy, kooky and comically tone deaf, CJ7 is the most bizarre kids movie I've ever seen.
  11. Has moments of inspiration, but the scattershot spoofing never achieves enough momentum to get this flight airborne.
  12. Beck wants to dazzle the audience. I'd settle for a story.
  13. It's an unpleasant experience, and a long one, that gets more morose and melodramatic as it goes along.
  14. The film strains to achieve the comedic gait of "Wag the Dog" or the improvised, overlapping style that so defined Robert Altman's Hollywood movie, "The Player."
  15. Has good intentions and the element of surprise -- it's never quite clear where it's going at any given point.
  16. Director Bill Duke may believe the message but he never invests himself in the characters or their story, which becomes an illustrated lesson with reflective interludes and comic relief.
  17. Neither (Gooding nor Ulrich) has the distincitve spark of an action hero, and their Butch and Sundance repartee falls so consistently flat that you end up feeling a little embarrassed for them.
  18. Some of the scenes are gorgeous, but "Papaya" is so passionless and empty it has no real impact. [04 Feb 1994]
    • Seattle Post-Intelligencer
  19. Breiman brings nothing new or insightful or even all that clever, for that matter, to the familiar questions of love and sex.
  20. Try as it might, this glossy action adventure isn't nearly as clever as the "Spy Kids" franchise.
  21. Its sex is brutal, its depiction of human nature is crude and pessimistic, and its climax -- which involves animal mutilation -- is enough to ruin your whole week.
  22. It's well-acted by a likable cast and is well-intended, but it misses: It doesn't come off as the powerful socio-environmental statement it wants to be.
  23. Ben Stiller provides a jolt of personality as a past victim who rouses himself from exile, but otherwise Todd Phillips' fitfully funny script never delivers the crude creativity or the raw energy that feeds this genre of proudly crass male-centric comedies.
  24. Cut down to a frantic 88 minutes, you wonder if all the human moments were trimmed away to get to this abstract, humorless exercise in empty flourish.
  25. Herman's intentions are admirable, but his results are unsettling in the worst ways.
  26. Shallow Hal begs for the Farrellys to unleash their arsenal of offensiveness, but they want to be liked so much they appear afraid to offend. The result is safe, well-meaning and dull.
  27. As sketch comedy, The Ten often is imaginative and sometimes hilarious...Still, like precursors from "The Groove Tube" to "Jackass," it doesn't make for much of a movie.
  28. First there was "Lionheart," with Jean-Claude Van Damme as a young innocent who gets caught up in the nefarious business; then "The Big Man," an Irish film with Liam Neeson in the same predicament, and now "Gladiator." This latest clone is probably the best of the trio in terms of acting and production values, but if you've seen one you've seen them all. And they're all essentially one long sequence of people pounding each other to hamburger, interspersed with cliches. [6 March 1992]
    • Seattle Post-Intelligencer

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