Despite some genuinely funny and endearingly nostalgic moments, Coming 2 America attempts to do way too much with its plot rather than keep it simple.

Albeit a good-looking movie with a fascinating premise, The Seed is constantly being held hostage by its poorly written script.

Kandahar won’t knock your socks off, but it offers a solid story that doesn’t try to be something it isn’t.

Despite being flawed, though, Trap is thrilling at times and a ridiculous display of human behavior at others.

While it might not stand the test of time, the film is an entertaining, easy watch that works well enough.

Cervera’s film is consistently intriguing, elevated by the dynamic between Winstead and Monroe, who have solid onscreen chemistry.

While Eternals has most of the benchmarks of a Marvel movie, Zhao's sprawling superhero epic is unlike anything the MCU has produced before.

The film is overly long, dragging out its story unnecessarily, with Daniels haphazardly shifting focus away from Holiday constantly. The film is unbalanced, generally failing to center on the song driving the story while romanticizing an affair between Holiday and a FBN agent.

Unfortunately, Run Rabbit Run is less than the sum of its parts, and even an excellent turn from Sarah Snook can't elevate the movie beyond its basest instincts.

The biggest selling point is Squibb. With a mischievous twinkle in her eye, she shoots off wisecracks and plenty of grandmotherly affection, and you almost wish you could be friends with Eleanor too.

First Date is a hodgepodge of familiar tropes and homages to teen romcoms and, while there is a sliver of promise, the film is lacking in charm.

Yes, Charlie Heller (a brilliant Rami Malek) spends an appropriate amount of time dreaming up memories of his beautiful wife Sarah (an underutilized Rachel Brosnahan), but the screenplay by Ken Nolan and Gary Spinelli offers plenty more than the usual setup of a man hulking out over a woman's death.

A stumble in the third act derails the whole adventure, bringing the enjoyment to a screeching halt. However, with some foresight, Windfall could have been a sure-fire hit.

Unfortunately, Amelia's Children seems content to coast on the most generic possible avenues the genre can provide, with little to no variation.

Ultimately, Over Your Dead Body is too messy for its own good. It is unable to settle into any one choice. The repeated motif of flashbacks and plot twists is fun, but not always useful in keeping the ball up.

The Last Voyage of the Demeter fails to deliver on its early promise of being a compelling horror experience. The focus on jump scares and a skeptic character detracts from the potential scares and fails to bring authenticity to the storytelling.

Even though Invader presents some interesting ideas and even a few tense scenes, the movie fails to capture much interest beyond its initial premise.

While After the Hunt succeeds at the first, it’s the screenplay’s lingering indecision that ultimately lets the story down.

Thanks to the special cast chemistry, 80 For Brady’s charm shines through despite being good for only a single watch.

Despite a fantastic cast, Wildflower doesn’t live up to its potential, and uses its disabled characters as vehicles to drive the main character’s story, which will leave a bitter taste in your mouth after all is said and done.

It leans into unrealistic territory, and we’re unfortunately left with a trashy story that very few will like. Not even the ever-charming Gina Rodriguez and confident Damon Wayans Jr. could save this film.

Aided by solid performances, National Champions has a great story, but ultimately its individual parts aren't enough to score the winning touchdown.

It's a mindless good time.

The Watcher In The Woods is an eerie, gothic horror movie and while it's suitable for older children, it feels utterly unlike anything else Disney has ever made.

With particular attention paid to character dynamics, Guy Ritchie returns to what he does best. His most successful projects, such as Lock, Stock and Two Smoking Barrels and Snatch, thrive on that quick and snappy dialogue. As his career has progressed, he’s expanded his horizons and proven that he can craft a compelling story apart from his origins as a filmmaker – but whenever Ritchie leans back into those core elements, it feels like a welcome return. That’s exactly the case here, and the three leads are the clear beneficiaries.

The movie's brisk pace keeps the cracks between the various plot threads from showing initially, but upon further inspection, it's clear Despicable Me 4 has so much on its mind, it's forgotten some of what makes the franchise so delightful.

No Man’s Land is largely uninterested in exploring the Mexican characters’ stories, which transforms the film into an unbalanced drama that lacks nuance.

Marmalade is one wild ride, as long as you're willing to stick with it.