With unnerving tension, this slow-burning horror gradually unveils its alarming context.

In Eurovision Song Contest: The Story of Fire Saga, Ferrell's typical schtick is on full display, but wears incredibly thin in this overlong comedy.

Summering is a slow and ultimately boring mystery that does little to portray youth in a meaningful way.

Led by the delightful pairing of Emily Blunt and Dwayne Johnson, Jungle Cruise knows how to enjoy itself, even if the journey is a bit overstuffed.

The lack of a strong narrative and characters, paired with pacing issues, turn the film from an intriguing premise to a boring, hollow, and overall tedious watch.

Rosario stretches the material of a really good short film into an underwhelming feature.

Love in the Villa may be a silly rom-com at heart, but with Graham and Hopper’s compelling chemistry, leaning into the ridiculousness and unrealistic moments is worth it for these two alone.

Waugh knows how to build an action sequence with the best of them, and Shelter is, ultimately, an electric actioner, so long as it is sticking to the action.

Ruby Gillman, Teenage Kraken's story could've used a more well-rounded approach, but the strength of its cast and character dynamics make for a solidly entertaining watch.

It’s quite familiar, yet impressively sweet. Kilris clearly understands the appeal of Cyprus, her home, and offers us the chance to witness flawed humans go through the intricacies of everyday life.

The cast’s chemistry uplifts this film and makes certain moments all the more enjoyable. Everyone is clearly having a great time, and it shows in every scene. While the film probably won’t be remembered after audiences leave the theater, Champions is a lighthearted, feel-good sports movie that does exactly what it sets out to accomplish. It doesn’t do anything out of the norm, but it is a solid effort from Farrelly and Rizzo that will certainly boost one’s mood after watching.

While the film could have spent more time exploring its central characters, their emotions, actions, and how time has shaped them in the intervening years, My Policeman remains a tender, heartbreaking film that has one of the most devastating and emotional final scenes in recent memory.

The film’s disparate elements and overarching themes don’t entirely come together by the end, leaving the story’s emotional throughline weakened as a result.

Ultimately, The Laureate pushes past the tone and format of a typical biopic to make something fresh, though it holds weak spots in an otherwise compelling story.

It may not reach the heights of other great dysfunctional family indies, but the characters are at least engaging enough to watch that the movie isn't a waste of time.

Whatever the intent, the execution isn’t all the way there, and that’s the biggest disappointment of all.

The unfortunate thing about Peter Pan's Neverland Nightmare is that it fluctuates far too much between a sincere thriller and a tongue-in-cheek take on the character that it's just never as fun as it could be.

Against the Ice is a searing portrayal of the cost to explore in the early 20th century.

Its absurdity is enough to appeal to the right group of adventurous friends, perhaps, but even those with the stomach for its grossest impulses might find themselves wondering what it was all for.

The Life List doesn't offer too many surprises or dwell in any unpleasantness for too long, making for a simple and relaxing viewing experience that hits right in the heart.

The Good Neighbor struggles with convenient plot points and inconsistent characterization, yet is still a thrilling ride thanks to its menacing lead.

Federer: Twelve Final Days is a slightly flavorless digestif after the main course that was the Swiss' inimitable career.

Sadly, None But The Brave suffers from numerous cliches with the characters, including Clint Walker (The Dirty Dozen) as Captain Bourke, mostly being archetypes instead of fleshed-out human beings. The message is also painfully on the nose, but at least it's earnest.

Vacation Friends finds its humor in the disconcerting scenarios the characters find themselves in, but it never evolves past its empty premise.

Sing 2 doesn’t offer enough originality to truly make it stand out, though those who got a kick out of the first movie will find plenty to love.

Don’t Look Up is a deeply unsettling yet darkly humorous watch. It has just the right amount of comedy and zeal without losing sight of its message or the tension bubbling beneath the surface.

Anchored by two great lead performances, Raymond & Ray is at its best when exploring the odd relationships between its complicated characters.

Between the Russos behind the camera and the talent in front of it, The Gray Man is a fun and exciting action thriller. It may be in the vein of cheesy 80s and 90s action movies, but that makes The Gray Man all the more entertaining and rewatchable.