San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. Chase is so dull in this film, he looks as if he's sleepwalking.
  2. Fans have cause to cheer.
  3. It's a movie to feel. Even when the thinking isn't all there, the emotions are, all the way to the film's poignant last seconds.
  4. It's implausible, cartoonishly overdrawn.
  5. Campy, overwrought and gleefully cannibalistic in the way it references and regurgitates horror flicks of yore, Scream 3 fulfills its modest ambitions by delivering a glib slasher spoof for the mall crowd.
  6. The glimpses of religious life bumping into secular passion are touching and warmly comic.
  7. Attempts to convey emotional dislocation and passion at the same time. All we get is distance.
  8. Leaves an unintentional unpleasant aftertaste.
  9. Aims to do nothing but please, and it accomplishes its modest aim with charm and intelligence.
  10. Things isn't linear, and it isn't all that lively. But it captures the experience of some modern women, and it feels from the heart.
  11. A pleasant addition to the time-honored genre of terminally cute youth romance movies, roughly equivalent to staring at a saccharine greeting card for a while.
  12. Though predictable, isn't half bad.
  13. Though its sentiment may be lost on the very young, the movie is strictly two-hanky fare.
  14. An extremely funny movie, and this is coming from someone who barely cracked a smile during ``Friday,'' the first installment of this franchise.
  15. A millennial medley to the max.
  16. (Washington) raises it to the level of importance with an acting job that's one unbroken chain of intense emotion.
  17. (Morris's) strangest and most disturbing portrait yet.
  18. An earthy, sexy mystery.
  19. Either Shelton knows this world well, or he's such a great bluffer it doesn't matter.
  20. A film of audacity and total gut-level appeal.
  21. More than one joke or one idea. It's a thoroughly satisfying comedy --and a respectable space adventure, as well.
  22. This thriller is so expertly -- and perversely -- poised that audience members may find themselves secretly rooting for the duplicitous Ripley.
  23. Ultimately there's something too measured, too controlled in his film.
  24. The effect of the 2 1/2-hour film is deadening.
  25. Features convincing, often soaring, performances by a savvy cast that must have gotten adrenaline shots administered by Stone himself.
  26. Though Man on the Moon is lost when it comes to Kaufman's inner life and motivations, it offers a detailed account of his career.
  27. A sappy, muddled production that misses the jarring tone of the autobiographical book by Susanna Kaysen on which it is based.
  28. The look of the film is first class, with muted colors but deep textures, the opposite of historical kitsch.
  29. Would have been a stronger movie if it didn't require a strong cup of coffee going in.
  30. Has a certain slow, mechanical quality.

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