San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
There's tremendous maturity and skill in Felicia's Journey but also a sense of impending horror that's bound to repel some audience members -- even though the violence is all implied.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Isn't some sober history lesson that bogs down in long speeches and tedious facts. It's about style, it's about fashion, it's about rock 'n' roll busting out in medieval France.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
At all times, the audience believes that it's watching something that really could happen.- San Francisco Chronicle
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Reviewed by
Peter Stack
It isn't terrible. It's far from a milestone in Japanese animation, and not an especially memorable entertainment. Yet it doesn't try to be either of those things.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
The film's loose, scaled-down technique never turns gimmicky...but enhances the tension and intimacy of Rosetta's struggle.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Stack
One of the great portraits of artists fighting, even with murderous rage, to reach the sublime.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A merry, wistful, tear-and-a-smile romp about the Holocaust, of all things.- San Francisco Chronicle
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Edward Guthmann
That's why American Movie cuts so deep: It's about the American dream, about not giving up, about being true to yourself.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Pacino and Crowe are at their best, but the supporting cast also shines.- San Francisco Chronicle
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Reviewed by
Peter Stack
Writer and first-time director Don McKellar, also one of the film's stars, makes the plot gimmick an inventive jumping-off point for an exploration of humanity in a state of quiet panic.- San Francisco Chronicle
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Mick LaSalle
Feels more like an earnest commercial for music education than successful entertainment.- San Francisco Chronicle
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Edward Guthmann
The schmaltz is relentless in The Legend of 1900, the newest film from "Cinema Paradiso'' director Giuseppe Tornatore. It comes in waves, it leeches onto every surface and it turns decent actors into sticky-sweet fuzzballs.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Holds our attention by dispensing information gradually, like a piece of fiction.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
It's tremendously entertaining, and probably worthy of repeat viewings.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The kind of horror movie that's not a bit scary and quite a bit gross.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Sharp and irresistible, and there's no other movie like it.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Has its awkward and rough edges, but there's a purity here, a goodness of intention and a commitment to justice.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The race is on for worst film of the year honors. Among the top contenders: Men Cry Bullets.- San Francisco Chronicle
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Reviewed by
Peter Stack
It's troubling to watch it stray and ramble as first-time director Antonio Banderas struggles to pull disparate elements together.- San Francisco Chronicle
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Reviewed by
Bob Graham
Potentially oppressive subject matter is redeemed by impeccable moral integrity and stunning artistry.- San Francisco Chronicle
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