San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. Quickly assumes an appealing mockumentary style.
  2. There's tremendous maturity and skill in Felicia's Journey but also a sense of impending horror that's bound to repel some audience members -- even though the violence is all implied.
  3. Isn't some sober history lesson that bogs down in long speeches and tedious facts. It's about style, it's about fashion, it's about rock 'n' roll busting out in medieval France.
  4. Mature, thoughtful and occasionally dazzling.
  5. At all times, the audience believes that it's watching something that really could happen.
  6. It isn't terrible. It's far from a milestone in Japanese animation, and not an especially memorable entertainment. Yet it doesn't try to be either of those things.
  7. Muddled and endless.
  8. The film's loose, scaled-down technique never turns gimmicky...but enhances the tension and intimacy of Rosetta's struggle.
  9. A pretty lame premise for a movie.
  10. One of the great portraits of artists fighting, even with murderous rage, to reach the sublime.
  11. A merry, wistful, tear-and-a-smile romp about the Holocaust, of all things.
  12. That's why American Movie cuts so deep: It's about the American dream, about not giving up, about being true to yourself.
  13. Often falls flat.
  14. Pacino and Crowe are at their best, but the supporting cast also shines.
  15. Writer and first-time director Don McKellar, also one of the film's stars, makes the plot gimmick an inventive jumping-off point for an exploration of humanity in a state of quiet panic.
  16. Feels more like an earnest commercial for music education than successful entertainment.
  17. The schmaltz is relentless in The Legend of 1900, the newest film from "Cinema Paradiso'' director Giuseppe Tornatore. It comes in waves, it leeches onto every surface and it turns decent actors into sticky-sweet fuzzballs.
  18. Holds our attention by dispensing information gradually, like a piece of fiction.
  19. A rare spectacle on the big screen.
  20. It's tremendously entertaining, and probably worthy of repeat viewings.
  21. The kind of horror movie that's not a bit scary and quite a bit gross.
  22. Sharp and irresistible, and there's no other movie like it.
  23. The glossy ensemble cast is consistently interesting.
  24. Perry is at his best playing frenetic confusion.
  25. Falls apart immediately, then limps on for 45 minutes more.
  26. One of the most quietly powerful endings in recent memory.
  27. Has its awkward and rough edges, but there's a purity here, a goodness of intention and a commitment to justice.
  28. The race is on for worst film of the year honors. Among the top contenders: Men Cry Bullets.
  29. It's troubling to watch it stray and ramble as first-time director Antonio Banderas struggles to pull disparate elements together.
  30. Potentially oppressive subject matter is redeemed by impeccable moral integrity and stunning artistry.

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