San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. Light and innocuous.
  2. A self-indulgent mess.
  3. The movie's most inexcusable failing is that, despite all the flashbacks, we never get a sense of what this relationship was like when it worked.
  4. It's a movie about an idiot in the grip of something common place. He starts off as a garden-variety idiot and progresses to a big idiot.
  5. This is a smart film, told in a minor key, that augurs well for Whaley's directing career.
  6. All the actors are good, but it's Farnsworth's brilliantly simple performance that brings The Straight Story so close to greatness.
  7. Delivers a sucker punch to the audience and then pulls the rug out from under it. It is sensational. It is also grimly funny.
  8. Hollywood hit-making at its efficient, formulaic worst.
  9. The film's constrained style keeps the drama from reaching a full boil.
  10. It's that compelling sense of mystery, of the endless search and its undercurrent of loneliness, that sets this great filmmaker apart.
  11. A first-rate crime thriller and further proof that Soderbergh is one of our great contemporary film stylists.
  12. Delivers plenty of laughs and succeeds on a level that recent ``SNL'' movies (``It's Pat!'' and ``A Night at the Roxbury'') didn't.
  13. There may not be a better- acted film this year.
  14. A repellent, stupid film.
  15. Scores big as a study of small-town life where characters collide and are forced to get along for the good of the community.
  16. Full of that wonderful junky, clunky, huggable smartness that has made "Sesame Street'' an enduring phenomenon.
  17. Anybody with a soft spot for fakers, who either identifies with them or just admires their chutzpah, is going to get a kick out of Happy, Texas.
  18. Has a lot going for it -- but too much going against it to be a clear-cut winner.
  19. Succeeds in its modest way because its stars, Melissa Joan Hart and Adrian Grenier, are pleasant to be around.
  20. Captures the emotions of spousal charges, countercharges, defenses and pleadings ranging from brutally sarcastic to despairing.
  21. There's something heartening about a film that aspires to do nothing but entertain -- and does.
  22. Exceptional, powerful new documentary.
  23. A skillfully observed but never quite satisfying lesbian romantic drama.
  24. So wonderfully odd, even spiritual, that audiences won't be able to do anything but smile.
  25. Half a good romantic comedy. Luke Wilson is the good half...The weak half is Natasha Henstridge.
  26. Disarms with its sincerity and frankness.
  27. Has an odd mix of quickly grabbed handheld shots and scenes of striking beauty.
  28. A terrific documentary.
  29. A menage a trois tale that aspires to the breezy screwball comedies of the 1930s -- but more often resembles a hip soap opera.
  30. Isn't vicious. It's just cheerfully mocking as it courses the canyons and flatlands of Los Angeles.

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