San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The movie's most inexcusable failing is that, despite all the flashbacks, we never get a sense of what this relationship was like when it worked.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It's a movie about an idiot in the grip of something common place. He starts off as a garden-variety idiot and progresses to a big idiot.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
This is a smart film, told in a minor key, that augurs well for Whaley's directing career.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
All the actors are good, but it's Farnsworth's brilliantly simple performance that brings The Straight Story so close to greatness.- San Francisco Chronicle
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Reviewed by
Bob Graham
Delivers a sucker punch to the audience and then pulls the rug out from under it. It is sensational. It is also grimly funny.- San Francisco Chronicle
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Reviewed by
Peter Stack
The film's constrained style keeps the drama from reaching a full boil.- San Francisco Chronicle
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Edward Guthmann
It's that compelling sense of mystery, of the endless search and its undercurrent of loneliness, that sets this great filmmaker apart.- San Francisco Chronicle
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Edward Guthmann
A first-rate crime thriller and further proof that Soderbergh is one of our great contemporary film stylists.- San Francisco Chronicle
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Bob Graham
Delivers plenty of laughs and succeeds on a level that recent ``SNL'' movies (``It's Pat!'' and ``A Night at the Roxbury'') didn't.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Stack
Scores big as a study of small-town life where characters collide and are forced to get along for the good of the community.- San Francisco Chronicle
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Peter Stack
Full of that wonderful junky, clunky, huggable smartness that has made "Sesame Street'' an enduring phenomenon.- San Francisco Chronicle
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Bob Graham
Anybody with a soft spot for fakers, who either identifies with them or just admires their chutzpah, is going to get a kick out of Happy, Texas.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Has a lot going for it -- but too much going against it to be a clear-cut winner.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Succeeds in its modest way because its stars, Melissa Joan Hart and Adrian Grenier, are pleasant to be around.- San Francisco Chronicle
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Peter Stack
Captures the emotions of spousal charges, countercharges, defenses and pleadings ranging from brutally sarcastic to despairing.- San Francisco Chronicle
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Mick LaSalle
There's something heartening about a film that aspires to do nothing but entertain -- and does.- San Francisco Chronicle
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- San Francisco Chronicle
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Peter Stack
A skillfully observed but never quite satisfying lesbian romantic drama.- San Francisco Chronicle
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Peter Stack
So wonderfully odd, even spiritual, that audiences won't be able to do anything but smile.- San Francisco Chronicle
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Mick LaSalle
Half a good romantic comedy. Luke Wilson is the good half...The weak half is Natasha Henstridge.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Stack
Has an odd mix of quickly grabbed handheld shots and scenes of striking beauty.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
A menage a trois tale that aspires to the breezy screwball comedies of the 1930s -- but more often resembles a hip soap opera.- San Francisco Chronicle
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Bob Graham
Isn't vicious. It's just cheerfully mocking as it courses the canyons and flatlands of Los Angeles.- San Francisco Chronicle
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