San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Bob Graham
A surreal comedy about sex that comes as close to charming as Greenaway ever gets.- San Francisco Chronicle
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Reviewed by
Bob Graham
This is almost Mel Brooks territory: The frontiersmen think the Chinese are Jews, while the white settlers think it's the Crow Indians who are. Whoosh!- San Francisco Chronicle
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Reviewed by
Bob Graham
The comic drama is refreshingly anti- sentimental but will break your heart anyway.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Woo's aggressive, cartoony attack in the film, which makes for its biggest delights, also wipes out whatever chance it might have had of making an emotional impact.- San Francisco Chronicle
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Reviewed by
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Reviewed by
Edward Guthmann
A delicious comedy that starts out promisingly as a pleasant gag comedy but then turns unexpectedly into a bright social satire.- San Francisco Chronicle
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Mick LaSalle
The film's real find is D.J. Qualls, who is very funny as a jug-eared nerd who blossoms into a wild man after three days on the road.- San Francisco Chronicle
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Reviewed by
Peter Stack
The big screen -- with that 3-D depth charge -- captures the strange magic of the "big top" Cirque in visual gulps.- San Francisco Chronicle
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Peter Stack
For all the eyepopping splendor and in-your-face reality, this film leaves the viewer unsatisfied and feeling a little cheated out of compelling drama.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Could use more background and personal detail on Rijker, but Bankowsky's tight, no- frills approach is always compelling.- San Francisco Chronicle
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Reviewed by
Bob Graham
Slowly unfolding but liberating film, which is also a rare look inside a circumscribed community.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It commits the only crime that can be committed against Shakespeare: It makes him boring.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Peter Stack
Surprisingly dull and predictable in its characterizations.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
In the most extreme moments, Thomas hits her career pinnacle.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
A goofy genre-buster that takes its amateur criminals as seriously as ``Pulp Fiction'' or ``Run Lola Run'' did theirs.- San Francisco Chronicle
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Peter Stack
This British film also mocks the rave culture it celebrates, and it's charming in a way that is hip but surprisingly down to earth.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A fairly wonderful movie about fathers and sons and the mystery of time.- San Francisco Chronicle
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Reviewed by
Peter Stack
Fast falls from interestingly loopy to tiresome.- San Francisco Chronicle
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Reviewed by
Peter Stack
Does have a certain classy charm because of its upscale setting. One could wait for the video.- San Francisco Chronicle
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Reviewed by
Peter Stack
Sloshes between comedy and drama, never quite hitting stride as either.- San Francisco Chronicle
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Reviewed by
Bob Graham
Story pitches are made. Coke is snorted. There is lesbian sex. Fellatio. An earthquake. A murder. Just another day in Hollywood.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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