San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. What should have been 90 zippy minutes of jingling, giggling, winking fakery adds up to only about 20 minutes of fun.
  2. Most of the right laughs in most of the right places and some unexpected ones thrown in.
  3. It's Eric Bana, a popular Australian stand-up comic, who justifies our interest with a dazzling performance of blunt humor, unpredictability and an edge of menace.
  4. Knows its audience and doesn't stint on the flatulence jokes, poop jokes, leg-humping dogs and moments of homo-panic.
  5. Numbingly dull and repetitive.
  6. Amusing enough.
  7. Remains exciting, even as we laugh at the amateur-night antics of the women.
  8. Graceful compositions and slow, easy pacing.
  9. Relentlessly bland.
  10. Pokemon is over.
  11. A pleasant but conventional film.
  12. A feat of droll, refractive, melodramatic self-portraiture.
  13. It's an honest portrayal, but it leaves the audience stranded, without the emotional hook of a character we can care about.
    • 56 Metascore
    • 50 Critic Score
    Never gets near the soul of today's pop music.
  14. There's a seething moral core in Amores Perros that uses the canine savagery as an entre to human brutality.
  15. Anyone expecting a flashy Bond-style fantasy is going to be disappointed.
  16. It's a romantic comedy with insights into sex and relationships that are old and obvious.
  17. It's entertaining and inoffensive.
  18. Offers only tired jokes, grimace-worthy physical comedy and bad, bad acting.
  19. Less like watching a movie than it is like being accosted by one.
  20. Lacks the kind of rhythm and snap to make it work -- and allows this fitfully entertaining romp to dribble on way too long.
  21. In the same genre as the Farrellys' "There's Something About Mary" and "Dumb and Dumber," only lousy.
  22. The movie is as modestly unpretentious as David O. Russell's "Spanking the Monkey."
  23. The film underscores the paradox in this man's life: the split between the mild-mannered New Yorker and the fearless vagabond who joined an Arakmbut hunting raid.
  24. Bound to be talked about, debated and eviscerated far more than it's understood.
  25. At times, the sight of reserved English actors slapping, hugging and acting all Russian looks bizarre, though one casting choice is prime: Bob Hoskins has the ideal air of impish menace in the featured role of Khrushchev.
  26. A quirky character study of the four-man team, led by Sam Neill as the crew leader who seems surrounded by an aura of sadness but is so dedicated that he's not above lying to Houston to buy time when something goes wrong.
  27. Charming and witty, it's also somewhat clumsy.
  28. The film has a persuasive murkiness and one extended mythopoetic final sequence that's almost moving in its silence.
  29. It's a winning little movie about two people who get together, though they have no business getting together.

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