San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
It expertly capitalizes on the emotional associations Americans have with Pearl Harbor and renders the battle scenes with an excellence that goes beyond proficiency and into the realm of art.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
The movie's soul isn't its plot but the relationships among the girls.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Has a vacant, inept, why-oh-why feeling from its opening minutes and only gets worse.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Angel Eyes is the rare film that presents a family dynamic as demented as ones we know from life.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
A movie so cheeky, aggressive and bursting with vitality that it can't help being annoying and exhilarating at the same time.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Wesley Morris
The laughs come in all the wrong places when they come at all.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Wesley Morris
Builds into a shapeless riff on the existentialist misery of company.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Loach and screenwriter Paul Laverty draw everything in simplistic, overstated terms. The good guys are pure and spunky, the bad guys bellicose and one-dimensional, the conflicts stripped of nuance.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Wesley Morris
This version is a well-meant but corny distillation -- a whole lot of bombast and phony exaltation in the name of entertaining enrichment.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
This is Rampling's film, and she's never less than surprising, never less than a revelation.- San Francisco Chronicle
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Reviewed by
Wesley Morris
At its most compulsive, this is the only action flick you'll need this summer.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Bob Graham
Even if his (Stallone) own star may be fading, the popularity of car racing is enormous. These fans are not likely to be disappointed by Driven.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Impeccably mounted, nicely scored and beautifully written.- San Francisco Chronicle
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Reviewed by
Wesley Morris
The movie's not bad enough to be world-ending, merely clumsy.- San Francisco Chronicle
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Reviewed by
Bob Graham
When the film sticks with the eccentric comedy of a highborn woman attracted to a preoccupied genius, it works splendidly. When it strays into melodrama, it is as ill-equipped as Luzhin.- San Francisco Chronicle
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Reviewed by
Bob Graham
If the movie sometimes seems not to come to much either, it does have something to say to those patient enough to stick with it.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Bob Graham
The no-sweat clunkiness of the detective plot becomes kind of charming.- San Francisco Chronicle
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Reviewed by
Bob Graham
A steady undertow of sex gives this French thriller a scintillating surface.- San Francisco Chronicle
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Reviewed by
Wesley Morris
The film is like watching Ozzy Osbourne bite the head off a rubber bat -- it's only almost heinous.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
One pities poor Molly Parker, a fine actress who was somehow persuaded to disrobe for this degrading and dispiriting Wayne Wang film.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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