San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
The picture is more impressive as it goes along, revealing a symmetry of construction underneath the rudiments of a thriller.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Breaks the formula for teen romances. Martin Short, as the vain and zany drama teacher, does not disappoint.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Varda's subject matter is surprisingly rich, but it's her own energetic, curious nature that gives the film its snap.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Bob Graham
This gory parody hits television where it hurts -- and draws blood. It will bring joy to the heart of anyone who hates TV.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Wesley Morris
The director has concocted a tragedy that actually feels tragic.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Light entertainment that doesn't quite work. The film has too many scenes that meander, and the picture's offhandedness begins to seem less like clumsy charm and more like pointless vamping.- San Francisco Chronicle
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Reviewed by
Wesley Morris
At least one chapter in the yet-to-be-written book "When Bad Movies Happen to Good People" belongs to the folks of Company Man.- San Francisco Chronicle
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Reviewed by
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Reviewed by
Bob Graham
Beatty's "Heaven Can Wait," released in 1978, was a comic fantasy about a near-death experience. This new version is a near-life experience.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Neither a masterpiece nor a remake of one, but its wistfulness is infectious, and its melancholy mood lingers for days.- San Francisco Chronicle
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Reviewed by
Wesley Morris
It's fun, it's kind of somber and it succeeds in making you think about how you might be squandering middle age.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The picture is willfully gross, fundamentally stupid and in no way worth the discomfort of watching it. Yet it may be the most well-crafted piece of garbage this year.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Nossiter's premise is good, and he intrigues us with stylish conceits, but he makes a crucial casting error. Alec ought to be someone we care about.- San Francisco Chronicle
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Reviewed by
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Reviewed by
Wesley Morris
The movie can barely muster the bravery to be even "Dude, Where's My Car" stoopid.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Carla Meyer
Even at her most nihilistic, Cameron Diaz is about as menacing as a boozy college cheerleader.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Valentine isn't scary, but it is unsettling; not ultimately satisfying, but arresting in the moment.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It's as close to nothing as anything could be while still being something.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Wong denies us the satisfaction of resolution, but in sharing his mastery of cinema, and his gift for conveying mood, desire and vivid emotions, he's more than generous.- San Francisco Chronicle
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