San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. The picture is more impressive as it goes along, revealing a symmetry of construction underneath the rudiments of a thriller.
  2. Breaks the formula for teen romances. Martin Short, as the vain and zany drama teacher, does not disappoint.
  3. At least a half monty.
  4. Varda's subject matter is surprisingly rich, but it's her own energetic, curious nature that gives the film its snap.
  5. Needs to be seen and savored.
  6. For a little while, comedy ensues.
  7. A wildly implausible thriller.
  8. Brutally dumb canine comedy.
  9. Thank God for James Gandolfini.
  10. This gory parody hits television where it hurts -- and draws blood. It will bring joy to the heart of anyone who hates TV.
  11. Too grotesque for children and just too silly for their parents.
  12. A must-see.
  13. An overstuffed, underfed numbskull movie.
  14. The director has concocted a tragedy that actually feels tragic.
  15. Light entertainment that doesn't quite work. The film has too many scenes that meander, and the picture's offhandedness begins to seem less like clumsy charm and more like pointless vamping.
  16. At least one chapter in the yet-to-be-written book "When Bad Movies Happen to Good People" belongs to the folks of Company Man.
  17. Beatty's "Heaven Can Wait," released in 1978, was a comic fantasy about a near-death experience. This new version is a near-life experience.
  18. Neither a masterpiece nor a remake of one, but its wistfulness is infectious, and its melancholy mood lingers for days.
  19. It's fun, it's kind of somber and it succeeds in making you think about how you might be squandering middle age.
  20. A whimsical modern fairy tale.
  21. Talk about disturbing.
  22. The picture is willfully gross, fundamentally stupid and in no way worth the discomfort of watching it. Yet it may be the most well-crafted piece of garbage this year.
  23. Nossiter's premise is good, and he intrigues us with stylish conceits, but he makes a crucial casting error. Alec ought to be someone we care about.
  24. The movie can barely muster the bravery to be even "Dude, Where's My Car" stoopid.
  25. Wonderfully original comedy.
  26. Even at her most nihilistic, Cameron Diaz is about as menacing as a boozy college cheerleader.
  27. Gutter romance meets metaphysical thriller.
  28. Valentine isn't scary, but it is unsettling; not ultimately satisfying, but arresting in the moment.
  29. It's as close to nothing as anything could be while still being something.
  30. Wong denies us the satisfaction of resolution, but in sharing his mastery of cinema, and his gift for conveying mood, desire and vivid emotions, he's more than generous.

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