San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,302 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9302 movie reviews
  1. There may be no more unusual movie around than Vengo.
  2. Much of Astronaut comes off as tedious and self-amused, but the musical vignettes are fun.
  3. O
    O has one advantage over "Othello" -- since it's a new movie, not a classic, it has the power to surprise.
  4. The first half-hour of this movie is sensational, creating an atmosphere of dread that any horror master would envy.
  5. It's a resplendently basic, lovey- dovey and inside-out "King Lear."
  6. The equivalent of a full-course meal with no calories. It is a mirage of a movie, 100 minutes of nothing.
  7. A gentle, sprightly satire that pokes fun at these trendy communards but emphasizes their humanity and fallibility.
  8. A tired and dispiriting affair that takes forever to get going.
  9. It's middling Allen, which means that fans won't be sorry to see it, while everyone else can wait until the next "Bullets Over Broadway."
  10. The actors have enough appeal to keep it moving over the speed bumps.
  11. In addition to being his filthiest, this is his most free-associative movie. In spite of and because of its homemade look, it's also his funniest.
  12. This movie has a sweetness at its core.
  13. Often hilarious mockumentary.
  14. Remarkable in several big ways.
  15. This plot leaves ample room for viewers to sweat the small stuff, like whether Trevor Nunn's score is more Marines ad or deodorant commercial.
  16. Handsomely weathered John Hurt, as Pelagia's father, gives a performance of such unhackneyed dignity that it provides a moral compass for the action and helps to keep the ricocheting emotional content of the film in balance.
  17. The funniest film to come along since "South Park," and one that succeeds in a more difficult and satisfying way.
  18. They don't get more frustrating than American Rhapsody, a near-great film for about an hour that changes into a self-indulgent mess.
  19. If you want to watch a gaggle of pretty faux-neurotic people hang out and throw quips, you're probably better off watching "Friends."
  20. No longer fresh -- though that's to be expected in a sequel -- it contains none of the virtues that made the first one anarchic and original.
  21. The story doesn't quite pay off, characters are underwritten and the surprise ending is contrived and unconvincing.
  22. The Others is great as a collection of acknowledgments, but a ghost story made of a bunch of ghoulish thank-yous isn't that haunting.
  23. Osmosis is really an occasion for the brothers to take their culture- debasing scatology to a PG crowd.
  24. The resulting film is nobly ridiculous and ridiculously noble, doing everything in its power to subvert the dross it's fooling around with.
  25. This movie can be recommended only to dyed-in-the-wool fans of the genre. Anyone who goes into one of Miike's films must be prepared to be put through the wringer.
  26. Neither epochal nor epic in its ludicrousness. It's just run-of-the-mill trash.
  27. Philippe Blasband's screenplay is witty and economical, and the film's editing is crisp.
  28. A charming, finely nuanced romance.
  29. Entertaining and pleasing for children and parents, and not in the schizophrenic way of most kid's movies, which toss naughty in-jokes over the kiddies' heads.
  30. It's a fact that becomes riotously evident in the reel of outtakes that caps the picture and incites wonder about why no one thought to give us 90 minutes of those instead.

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