San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. An indelible statement on loneliness and spiritual thirst.
  2. This is a different kind of girls' movie, and certainly not a pretty one, especially its horrific head-scratcher of an ending.
  3. For music fans, there's great pleasure in hearing new audio tracks to "Sitting Here in Limbo," "Friend of the Devil" and more songs -- each one complete and unedited.
  4. Turns out to be the most unnerving film of the year. Easy.
  5. A melodramatic yarn that transcends some of its technical and storytelling flaws through the cheery energy and sincerity of its cast.
  6. Serendipity is a throwback to a more innocent era in American life, 25 days ago.
  7. It is so propulsive so much of the time, it almost looks as if it's going to go the distance. If Washington & Co. don't quite manage to bring it home, the getting there sure is something.
  8. A movie like this depends on clever bits and incidents, but there's little invention here to disguise the film's formulaic nature.
  9. Faye's presence provides an unexpected context for the photographer's circle, where the gay and straight worlds overlap, and adds a delightful dimension to Chop Suey.
  10. Delicious but complex.
  11. Benefits enormously from Aiello's down-to-earth magnificence.
  12. Unabashedly sentimental, it's meant to touch our hearts in profound and important ways, but misses the mark by drawing too deeply from a pool of schmaltz.
  13. It's probably pointless to complain when a movie sets out to be stupid and actually is. (And the people who came up with a couple of these ideas think male models are dumb.)
  14. Don't even try to make any sense of this --none of it elicits a moment of genuine concern.
  15. Downbeat, ultimately tragic, but there's a wondrous, sad beauty here.
  16. The animation is rich and densely detailed, the characters well defined.
  17. A remarkable documentary about an almost unfathomable ordeal.
  18. It doesn't help that Glitter is such a derivative mishmash of cinematic and real-life situations that it's nearly impossible to count all the ways.
  19. The result is a winning comedy.
  20. This is trash on a big budget, but trash nonetheless.
  21. Hardball works where it counts, on the emotional level.
  22. A complicated and stylish Korean thriller that will make viewers' skin crawl.
  23. The best scenes are the ones that Fox shares with Tamala Jones, Wendy Raquel Robinson and the full-figured Monique as her sassy girlfriends. There's a ripe, crackling spontaneity when these women get together.
  24. The writing, by Rapp and Catherine Dussart, is exquisite, and the performers, including Francois Truffaut's old colleague Jean-Pierre Leaud as a magistrate, are all first-rate.
  25. The movie lacks the one thing that the classic "Three Musketeers" story can't do without: panache.
  26. A provocative, upsetting film.
  27. A truly awful mix of bad direction, nonsensical story line and dialogue that appears to have been made up on the spot.
  28. A marvelous film.
  29. An irresistible movie about a guy who goes on a journey, the kind an audience can't wait to take with him.
  30. Queeny, corny and impossible to resist.

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