San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. The picture is crammed with shameless satire, engaging moments of pure silliness and jokes that border on the outrageous. It combines relentless energy with an aura of good nature for a formula that works.
  2. A charming 2001 Oscar nominee for best foreign-language film.
  3. A smooth, elegiac mood piece.
  4. Fans of Nijinsky will savor every minute of Cox's work. Those unfamiliar with Nijinsky but who are curious enough to see this film may find themselves frustrated by its nontraditional documentary style.
  5. This is a shrewd and effective film from a director who understands how to create and sustain a mood.
  6. CQ
    The film deserves some kind of honor for its campy originality, smart and funny dialogue, and provocative yet sensitive look at the making of a film circa 1969.
  7. What's exciting is that the Sprechers have delved into territory that is normally the domain of literature and have emerged with a film that's neither overly literary nor simplistic.
  8. The result is a mishmash that is sometimes moving, sometimes absurd and most of the time just oddly off balance.
  9. It's the most tension-producing movie out there right now -- in the best way, it's almost unbearable.
  10. Haunting psychological drama.
  11. The result is a frustrating, boring mess.
  12. A stunning directing debut -- is anything but sentimental about old- country customs.
  13. The movie's shift into an implausible thriller magnifies its lack of character development. But Gosling gives an impassioned performance throughout.
  14. In addition to being a smart comedy and an excellent showcase for Grant, it's an honest movie about childhood that avoids sappiness and sentiment and goes in unexpected directions.
  15. Lucas knows his fans are un-boreable, un-annoyable and inexhaustible. For an artist, that's more a curse than a blessing.
  16. Instead of a balanced film that explains the zeitgeist that is the X Games, we get a cinematic postcard that's superficial and unrealized.
  17. It's a fascinating concept, gorgeously rendered. Seeing the paint actually dry, however, would probably be more fun than most of this overly expository film.
  18. It's that rare kind of movie that comes along only a handful of times each year -- gut-level entertainment that's oddly profound.
  19. Lame, haphazard teen comedy.
  20. Rippingly good, old-fashioned movie epic.
  21. There's a lot of bad hair and incoherent, drug-addled remarks, but inside a minute we get the joke, and it isn't much.
  22. The pace is slow and the story neither takes off nor arrives anywhere.
  23. One never knows where "Warm Water" is going and even though the film's objective feels a little fuzzy even at the end a parable on female sexuality? an ode to liberty? there's such a joy in the telling that it doesn't matter terribly.
  24. This is an excellent comedy, and the fact that it's made by a filmmaker with even better movies on his resume is nothing to hold against it.
  25. The superhero part of the movie will leave audiences with a flat feeling, thanks to computery-looking special effects and a sagging story line.
  26. Features some disturbing clips.
  27. If anyone wants to watch naked men in the shower, naked men doing erotic dancing, naked men in bed and almost-naked men pumping iron, this is the film to see.
  28. Embellished but triumphant.
  29. More depressing than liberating, but it's never boring.
  30. It's impossible to imagine why Lions Gate, the indie distributor that released "Monster's Ball," would bother with this garbage.

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