San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. Disturbing film.
  2. It's downbeat material and it tends to drag a bit, but Jia's performance is so unsparing and intense -- and the film so compassionate and chaste in its approach to a life lost and recovered -- that Quitting ultimately satisfies.
  3. The film's appeal has a lot to do with the casting of Juliette Binoche as Sand, who brings to the role her pale, dark beauty and characteristic warmth.
  4. Mean-spirited and not remotely clever, though it strives for archness at every turn.
  5. Here, as in the "Friday" movies, the jokes are big and rude and vulgar and very funny.
  6. Somehow, it all works -- even if Miller relies on a plot that meanders a bit and loses some of its luster.
  7. What we have is the case of a movie with a straight man (Jason Lee) who really is funny, but with a comic (Tom Green) who sadly isn't.
  8. Interviews with Pinochet's victims put a human face on the systematic torture that existed under his rule.
  9. It's so bleak that it would play like a contrived neo-noir if it weren't so consistent, committed and obviously sincere.
  10. A film that has unusual expectations from its audience -- and that's a welcome relief.
  11. Sexy, peculiar and always entertaining.
  12. The film is a failure in just about every way, save for its acting, which is adequate.
  13. Gazecki's film is so journalistically flawed and needlessly melodramatic that it will be treasured only by those who share his singular vision.
  14. Both curious from a cultural perspective and refreshing.
  15. Has a certain B-movie integrity -- a muscular commitment to grabbing the viewer's eye and keeping things moving. It won't win any awards, but it holds interest.
  16. The plot twists in Little Secrets sustain the movie when it gets a bit too schmaltzy. This excess of cuteness and sentimentality won't be a flaw to moviegoers in the mood for it.
  17. Perry isn't the only thing wrong with Serving Sara, but he's the thing that takes a pleasantly mediocre movie and turns it into an unpleasantly mediocre one.
  18. Under Fontaine's direction, family dysfunction is an intense experience with unexpectedly positive repercussions, even if the steps between are painful and potentially deadly.
  19. As the man who made the monster and now has to live with it, Pacino's a blast.
  20. The thinking part of this thriller needs work. It's not nearly as intelligent, thoughtful or penetrating as it promises to be.
  21. An intelligent literary mystery story that holds interest and is intermittently affecting, but it never soars.
  22. Little gem.
  23. Just one big wipeout.
  24. Occasionally, this film is funny and cute. When the family's little girl narrates, it reaches a level of humor that is ironic and endearing.
  25. A famous French actor using his art to work through the loss of his wife and daughter in a car accident. The strategy works, at least for a while.
  26. A culture-clash comedy that, in addition to being very funny, captures some of the discomfort and embarrassment of being a bumbling American in Europe.
  27. Too contemplative to be really funny.
  28. xXx
    In terms of adrenaline, XXX is one of the most satisfying entries this summer.
  29. Funny, riveting look at the music scene that ruled Manchester, England, from 1976 to 1992.
  30. Has the three elements we've come to expect from Eastwood: the steady pace, the shadowy cinematography and, of course, the presence of the Big Guy.

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