San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. Perfectly acceptable, perfectly bland, competently acted but by no means a scary horror movie, in which "they" are coming to get people.
  2. Part of the appeal is that it's so bad it's good: The story is ridiculous. At other times, it's just plain good: There are ski and snowboarding scenes, plenty of them, that are beautifully filmed and exhilarating to behold.
  3. A ponderous and dreadful film.
  4. You've never seen a movie go from awwwww to ewwwww so fast.
  5. The new movie lacks something, a special something. It's a quality that has characterized some of the best of the first 19 Bond movies: extravagant ludicrousness.
  6. A hit-and-miss affair, or, to be more precise, a miss (story one), hit (story two) and break even (story three) affair.
  7. A substantial examination of character, morality and destiny.
  8. A smart and literate effort with a few weaknesses.
  9. This is Almodovar's stab at serious drama, and the result is bizarre and affecting but also unsettling in ways that the filmmaker may not have intended.
  10. The jokes are sophomoric, stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious.
  11. A sweet, unabashedly sentimental tale.
  12. Catches magic on the screen -- a behind-the-curtain peek at some of the world's best-loved music, straight from the cats who made it happen.
  13. The movie's storytelling is limp, and writer-director Neil Burger's ultimate unwillingness to commit to a point of view -- was this guy really the assassin? -- seems artistically chicken-hearted.
  14. About as weak a movie as can be made without actively trying.
  15. Conveys the character of this tiny, insular community through richness of detail.
  16. This is a heartfelt piece, and while passion alone can't carry a movie, it sure helps. Ararat is uneven because Egoyan couldn't tell it smoothly.
  17. Scenes that should have been cut are included, so as not to disappoint anyone. What could have been a small, sweet and genuinely scary film is instead a full hour too long and many millions too fat.
    • 68 Metascore
    • 25 Critic Score
    For the most part this is a dull, dour documentary on what ought to be a joyful or at least fascinating subject.
  18. A touching, sophisticated film that almost seems like a documentary in the way it captures an Italian immigrant family on the brink of major changes.
  19. If it's ultimately a failure -- and I think it is -- it's still worth seeing, because it's the most ambitious and magnificent failure in recent memory. That, in a sense, qualifies it as a certain kind of "good movie."
  20. A "Rocky"-like tale of determination and long odds that will appeal even to those who are turned off by most rap music.
  21. Despite its technical defects and negligent production values, The Flip Side will probably appeal to a Filipino-American audience.
  22. Sexy and passably entertaining, with a plot that's too clever by half.
  23. Takes a fascinating look at the origins and impact of a ballad that's been called "one of ten songs that changed the world."
  24. The Disney cartoon roots are in there somewhere, but this is an oil painting come to life.
  25. Involves two mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters. But the picture looks great.
  26. Exceptional.
  27. Neither original nor presented in a convincing way.
  28. Superb documentary.
  29. A nice little holiday movie.

Top Trailers