San Francisco Chronicle's Scores
- Movies
- TV
For 9,303 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9303
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Mixed: 2,657 out of 9303
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Negative: 1,486 out of 9303
9303
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
Perfectly acceptable, perfectly bland, competently acted but by no means a scary horror movie, in which "they" are coming to get people.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Part of the appeal is that it's so bad it's good: The story is ridiculous. At other times, it's just plain good: There are ski and snowboarding scenes, plenty of them, that are beautifully filmed and exhilarating to behold.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
C.W. Nevius
You've never seen a movie go from awwwww to ewwwww so fast.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The new movie lacks something, a special something. It's a quality that has characterized some of the best of the first 19 Bond movies: extravagant ludicrousness.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A hit-and-miss affair, or, to be more precise, a miss (story one), hit (story two) and break even (story three) affair.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A substantial examination of character, morality and destiny.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
This is Almodovar's stab at serious drama, and the result is bizarre and affecting but also unsettling in ways that the filmmaker may not have intended.- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
The jokes are sophomoric, stereotypes are sprinkled everywhere and the acting ranges from bad to bodacious.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Joel Selvin
Catches magic on the screen -- a behind-the-curtain peek at some of the world's best-loved music, straight from the cats who made it happen.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The movie's storytelling is limp, and writer-director Neil Burger's ultimate unwillingness to commit to a point of view -- was this guy really the assassin? -- seems artistically chicken-hearted.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
About as weak a movie as can be made without actively trying.- San Francisco Chronicle
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Edward Guthmann
Conveys the character of this tiny, insular community through richness of detail.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
This is a heartfelt piece, and while passion alone can't carry a movie, it sure helps. Ararat is uneven because Egoyan couldn't tell it smoothly.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Scenes that should have been cut are included, so as not to disappoint anyone. What could have been a small, sweet and genuinely scary film is instead a full hour too long and many millions too fat.- San Francisco Chronicle
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- Critic Score
For the most part this is a dull, dour documentary on what ought to be a joyful or at least fascinating subject.- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
A touching, sophisticated film that almost seems like a documentary in the way it captures an Italian immigrant family on the brink of major changes.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
If it's ultimately a failure -- and I think it is -- it's still worth seeing, because it's the most ambitious and magnificent failure in recent memory. That, in a sense, qualifies it as a certain kind of "good movie."- San Francisco Chronicle
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Reviewed by
Jonathan Curiel
A "Rocky"-like tale of determination and long odds that will appeal even to those who are turned off by most rap music.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Despite its technical defects and negligent production values, The Flip Side will probably appeal to a Filipino-American audience.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Sexy and passably entertaining, with a plot that's too clever by half.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Takes a fascinating look at the origins and impact of a ballad that's been called "one of ten songs that changed the world."- San Francisco Chronicle
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Reviewed by
C.W. Nevius
The Disney cartoon roots are in there somewhere, but this is an oil painting come to life.- San Francisco Chronicle
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Reviewed by
Carla Meyer
Involves two mysteries -- one it gives away and the other featuring such badly drawn characters that its outcome hardly matters. But the picture looks great.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Neither original nor presented in a convincing way.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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