San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. It's a generous tale, told through big performances by a talented cast, presenting a range of colorful characters that only Dickens could have created.
  2. Max
    An intelligent film with a sophisticated understanding of art and the significance it played in Hitler's psychology.
  3. The result is something rare, especially considering how fine the novel is, a film that's fuller and deeper than the book.
  4. One of the great Holocaust films.
  5. The movie is a total blast, and what a surprise.
  6. Big, opulent and frequently wretched, Pinocchio is so bad that its American distributor, Miramax, opened it on Christmas Day with scant advertising and no advance press screening.
  7. What lingers in the memory is the impression of having experienced a frolic, a ride through the park on a bright winter day.
  8. It all adds up to a cheekier "Lion King" on a lower budget. But what you miss in spectacle you will make up in laughs.
  9. Anyone who prefers Hugh Grant and Sandra Bullock to Ralph Fiennes and Jennifer Lopez is bound to regard Two Weeks Notice and not "Maid in Manhattan" as the better candidate for romantic comedy of the season.
  10. Strange, moody film.
  11. In this small and very smart film, Cronenberg does several things at once and makes them all look effortless, capturing various shadings of consciousness and versions of reality.
  12. Liotta's acting can't redeem senseless violence.
  13. Lacks one thing -- an epic grandeur.
  14. Has warmth and integrity, but it lacks the urgency of a story that had to be told.
  15. The result is a film of sadness and power, the first great 21st century movie about a 21st century subject.
  16. An outstanding effort that maintains the integrity and purpose that distinguished "The Fellowship of the Ring."
  17. Dull but sweet.
  18. A Cinderella story with star appeal going for it and everything else against it.
  19. Fails to engage.
  20. Convoluted.
  21. These aren't the marching band songs of your father's or mother's generation but a musical expression that is modern and exciting to watch.
  22. Surprises you with heart.
  23. A seriously good movie, a challenge to viewers, a rebuke of the way many Americans live their lives.
  24. It's a big disappointment.
  25. A gangster movie with the capacity to surprise. People do unexpected things and for reasons we wouldn't anticipate.
  26. Slyly powerful.
  27. Super- violent, super-serious and super-stupid.
  28. Snags on the fact that neither story depicted -- not Kaufman's and especially not Orlean's -- is enough to sustain more than an incidental interest.
  29. A breathtaking story of defiance and triumph that has to be considered one of the year's most sublime films.
    • 87 Metascore
    • 100 Critic Score
    Marks a cinematic milestone.

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