San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,306 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9306 movie reviews
  1. But probably the best thing about The Prince & Me is the way the story doesn't end in the obvious place but keeps going, showing the characters continuing to develop.
  2. This clumsy, self-indulgent film veers from comedy to tragedy and is told in flashbacks, with treacly diary entries and unconvincing "testimonies" from friends providing a window into the past.
  3. The movie has a self- deprecating sense of humor and a strong emotional core that vaults it above most action movies that come out this time of year.
  4. This 76-minute Western tall tale isn't out-and-out bad, but strictly formulaic and an underachievement from the studio that made the dazzling "Snow White."
  5. As bad as its title.
  6. Asks a lot of the viewer, but it gives something back, though I'm not sure exactly what. It's an amusing and exasperating catnip dream about the adventures of a 1-year-old cartoon kitten.
  7. If whimsy isn't your mug of tea, stay away from Two Men Went to War. You have to be in the mood for a little sweetness to enjoy this resolutely old- fashioned comedy.
  8. Bouncy, informative and funny documentary.
  9. That the film finds its own groove is due largely to the eye of director Ernest Dickerson. Not surprisingly, he began his career as a cinematographer, working on Spike Lee’s early films.
  10. With almost nothing else going for it, the sequel will likely be a disappointment to everyone except 10-year-old barf joke aficionados and a few stoned adults.
  11. The film never settles into an assured rhythm, and instead the actors always seem to be pushing, putting the hard sell on an audience that, however distracted by the strenuousness of the sales pitch, still isn't buying.
  12. The film's overall construction is faulty. Its dramatic situations ring consistently false, and the story is phony as anything off the Hollywood assembly line. And yet, it's sincere phony.
  13. There's something in Ned Kelly' that's lost in the translation from Australia to America, and the overly emotional film score is just a symptom.
  14. Mischievous, singular and profound.
  15. It's a movie you want to like, but its sometimes laughably bad execution makes that difficult.
  16. A bit of fluff expertly made and a hoot to watch.
  17. The tense, stylish thriller turns into soft-core, slapdash psychodrama.
  18. A breed apart from anything coming off the Hollywood assembly line or, for that matter, from the saccharine romances Britain has lately produced.
  19. It's silly, witty and good-natured, not scary so much as icky, and not horrifying or horrible but consistently amusing.
  20. The thinking is shallow. The emotions are tepid. But the creativity is dazzling. If that sounds like a slam, consider that most Hollywood screenplays are predictable, rote and functional -- and those are the good ones, folks.
  21. Too self-indulgent.
  22. Like a young director with serious aims, there is an earnest tone here that makes Noi Albinoi a success.
  23. The film remains, clearly by design, a cold piece, mechanistic and only intermittently involving.
  24. Evokes grand emotions -- anxiety, sadness, joy -- sometimes within moments of one another. Broken Wings has heart and a poetic soul.
  25. Even if a certain glibness in the plotting deflates its impact somewhat at the finish, it remains an eerie, playful thriller and an all-around entertaining time at the movies.
  26. A minimalist drama that takes its mood from Turkey's wintry terrain and the uneasy relationship between two bullheaded cousins.
  27. So the movie's OK in spots, but it's mostly so familiar that even the young target audience may get that deja vu feeling.
  28. Doesn't quite overcome its shameless self-promotion, but the film will satisfy the Lynyrd Skynyrd set while providing a decent explanation to those who are baffled by the sport's popularity.
  29. Played by likable newcomer Jamie Sives, who resembles Colin Farrell without the scowl, Wilbur grows on you the same way this offbeat movie does.
  30. Flimsy mockumentary.

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