San Francisco Chronicle's Scores
- Movies
- TV
For 9,306 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,162 out of 9306
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Mixed: 2,658 out of 9306
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Negative: 1,486 out of 9306
9306
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Carla Meyer
The achievement of Saved!, a very funny teen comedy set in a Christian high school, lies in its careful avoidance of obvious traps.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Daring in its affirmation that a dowdy woman in her late 60s still can let go of her inhibitions and exhibit a lascivious side.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Baadasssss! is the portrait of a visionary with a blind spot, a man starved for kindness who can no longer recognize the responsibility to be kind, even to his kids. But it's a portrait of a visionary nonetheless.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
The spectacle, which is colossal and at times staggering to behold, begins within two minutes of the fade-in and keeps coming until the finish. I thought I'd seen it all. I hadn't.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
In The Five Obstructions, we meet the Danish filmmaker for an extended period, and he's exactly what a fan might hope and expect him to be like: impish, insightful, unpredictable, mildly sadistic and rigorously honest.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Far from the worst cookie-cutter film to come off the Hollywood assembly line, merely the latest.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Has to be one of the least charming French romances to find American distribution in recent years.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Although the acting is uneven and the movie's dead spots make it feel far longer than its running time, the twist in Twist' is certainly clever.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A sequel was called for, and so a sequel has arrived -- but it's a slightly zombie-like version, with the size, look and shape of the original movie, but without its lightness or spirit, its soul.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Carla Meyer
The freshest thing about Breakin' All the Rules is its dropped "g.''- San Francisco Chronicle
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Reviewed by
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Reviewed by
Mick LaSalle
Has an oddness and whimsicality about it that can, at first, be confused for authenticity.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
A disturbing drama about the dehumanizing and humiliating effects of war.- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
Only a director who truly knows repression could have made a movie so subtle and so understanding.- San Francisco Chronicle
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Reviewed by
John McMurtrie
Doesn't know what it wants to be: either a goofball satire or a heavy-handed social-message movie.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Mick LaSalle
All Hollywood and no Homer, but within its limits, it's a vigorous, entertaining movie.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
A little picture -- the names of the entire cast would fit on half a sheet of paper -- but it’s more heartfelt than movies with 50 times the budget.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A new restoration takes a flawed bit of monster camp and turns it back into a strong, serious-minded and occasionally moving science-fiction film.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
G. Allen Johnson
In the 2002 South Korean film Oasis, one can appreciate one of Asia's best directors (Lee Chang-dong) and one of the region's best actresses (Moon So-ri).- San Francisco Chronicle
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Reviewed by
Mick LaSalle
A cautionary tale as well as an expose on the power of the American fast-food industry. That the documentary comes across as more than a sermon has a lot to do with Spurlock's personality, which is outgoing and instantly engaging.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Sommers film just lies there, weighted down by a complete lack of wit, artfulness and internal logic. So it's a disaster -- a big, loud, boring wreck.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
It lives up to its title, flying by in fast motion. Even the first-wave MTV generation may find the pace exhausting, but this piece of fluff wasn't made for them.- San Francisco Chronicle
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Reviewed by
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- San Francisco Chronicle
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- San Francisco Chronicle
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