San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. Love & Mercy captures with striking immediacy the unbound power of the artist in his element.
  2. Presents us with characters of such humanity and dignity that it begins to seem obscene that until now we haven't exactly given all that much thought to the Kurds.
  3. The word "delightful" is thrown around so much that it often means nothing. Movies that truly have the capacity to delight - that amuse and lift the spirits and create a warm feeling - are rare. Romantics Anonymous is one of those rare delights.
  4. What is astonishing about this movie is how all the elements are so deftly mixed - the technology of real sets and people interwoven with the cartoon world, and yet Zemeckis hardly sacrifices a beat in laying out a curlicuing '40s-style thriller. [22 June 1988]
    • San Francisco Chronicle
    • 88 Metascore
    • 100 Critic Score
    And there lies the greatest flaw with Citzenfour and Snowden himself. Despite the film’s virtues, we’re no closer to understanding Snowden than we were a year ago when this saga began.
  5. The script and direction are virtually flawless.
  6. Gets it right. It's a wonderful movie. Watching it, one can't help but get the impression that everyone involved was steeped in Tolkien's work, loved the book, treasured it and took care not to break a cherished thing in it.
  7. If In the Cut falls short of the masterpiece Campion intended, it's unquestionably the most ambitious and important film to come along in months.
  8. Cause for celebration. It's not only a cracking good film, but it is the first by Taiwanese master Hou Hsiao-hsien to gain a national (though limited) release.
    • 97 Metascore
    • 100 Critic Score
    He has very shrewdly interwoven crime, sex and suspense, blended the real and the unreal in fascinating proportions and punctuated his film with several quick, grisly and unnerving surprises.
  9. The pacing is superb, quick and agile without being frenzied, and the special effects are jaw-dropping.
    • 82 Metascore
    • 100 Critic Score
    Some things really are as good as the hype makes them out to be, and The Endless Summer is one of them. [28 Jun 2020, p.K14]
    • San Francisco Chronicle
  10. Anyone not romantically inclined going into Shakespeare in Love surely will be by the end.
  11. An extraordinary entertainment that personalizes the world of insects and other invertebrates and leaves audiences with an itching conviction of the poetry of nature.
  12. This wise and warm man, who died in 2002, is captured in all his glory by the remarkable documentary.
  13. Across the veil of years, we have seen tall Churchills, obese Churchills, sloppy Churchills, gross Churchills and scowling bull dog Churchills, and yet not one movie or TV Churchill has come close to giving us the man in full, both in look and spirit, until Gary Oldman in Darkest Hour.
  14. Baker is concerned with people who are broke and on the outside (“The Florida Project,” “Red Rocket”), and while there are aspects of “Anora” that make us aware of the distance between people born with everything and those born with nothing, he doesn’t let politics or economics dwarf his characters.
  15. Delightfully comic - and the funniest moments are rich in meaning - A Man of No Importance is laced with memorable scenes.
  16. In scene after scene -- the long wedding sequence, John Marley's bloody discovery in his bed, Pacino nervously smoothing down his hair before a restaurant massacre, the godfather's collapse in a garden -- Coppola crafted an enduring, undisputed masterpiece. [21 Mar 1997, Daily Datebook, p.C3]
  17. The all-time great talking-pig movie, a lovely, intelligent gem of G-rated entertainment that is also rib-tickling funny.
  18. An engrossing tale of class differences that reveals tiny details of one man’s descent into hell.
  19. De Sica has to be considered one of the great directors of children, and the film, which won the first Academy Award for best foreign film and has been championed by Orson Welles and Martin Scorsese, is as valuable for its location shooting as its storytelling. [03 Jul 2011, p.P22]
    • San Francisco Chronicle
  20. Don't be too quick to jump on Hurt with complaints of old-fashioned gay stereotyping. Only with a development well into the movie will the audience realize the layers he brought to Molina's role-playing.
  21. It’s a rousing, feel-good story about overcoming barriers, even when the challenges — poverty, lack of medical access — are inherently bleak.
  22. In Darkness is an extraordinary movie, and somehow good art creates its own uplift.
  23. Bride Flight gives a panoramic sweep of lives as they're lived, as there is a lot of beauty in it.
  24. Mothering Sunday is most likely a one-of-a-kind hybrid, a brilliant one-off.
    • 69 Metascore
    • 100 Critic Score
    You can almost hear a Universal Studio executive coming up with the idea: "Let's take our two top comedians (Bud Abbott and Lou Costello) and throw in our top money-making creatures - Frankenstein's monster, the Wolf Man and Dracula. The fans'll love it!" They sure did.
  25. Excellent.

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