San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,303 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9303 movie reviews
  1. Anvil lives somewhere in that thoroughly entertaining gray area between self-parody and the triumph of human spirit.
  2. It’s an inward-looking film that seems to be saying something about life. Whatever it’s saying — and it’s not clear that it’s saying anything specific — it connects. It’s not just another good movie. Somehow, it all adds up as something more important.
  3. Ultimately, Ford v Ferrari is about art versus commerce, devotion versus cynicism, and inspiration versus deadness. It’s one of the year’s great films, and of all the great films so far, the most accessible.
  4. This is an intense and complicated story, and the film doesn't rush it. It lets it unfold and build, methodically.
  5. Sure to be an instant animated classic as it expertly balances emotion, humor and social politics amid a backdrop of surreal, eye-popping visual beauty.
  6. The Details has a light tone, but it's anything but light in purpose. It's committed and passionate, one of the most perceptive and morally persuasive movies of 2012.
  7. Jeffrey Wolf’s exceptional documentary Bill Traylor: Chasing Ghosts seeks to tells its subject’s story in a deeply personal way, while also pulling back when needed to contextualize his work.
  8. An intense, powerful film.
  9. Grievous, loving, organic and mysterious. What a celebration.
  10. Riveting from its first moments.
  11. The issues of aging and familial relationships and the appealing nature of this family would make “Our Time Machine” worthy of a look in any case, but what puts it over the top is Maleonn’s fascinating visual inventions.
  12. There's a lot to process when watching The War Tapes, and that's probably why the documentary gets even better a few days later.
  13. A hard, funny and realistic movie about the future.
  14. Director Jesse Moss was basically a one-man production crew, which explains how he was able to film such intimate, painful conversations. His work is haunting — one of the best documentaries of the year.
  15. “Popstar” has more going for it than outrageousness, though it certainly has that. It has genuine outrage, a good-humored but clear-eyed take on today’s pop culture as a morass of corruption, idiocy and relentless self-promotion.
  16. It’s one of the best war films ever made, distinct in its look, in its approach and in the effect it has on viewers. There are movies — they are rare — that lift you out of your present circumstances and immerse you so fully in another experience that you watch in a state of jaw-dropped awe. Dunkirk is that kind of movie.
  17. An engrossing new drama from France.
  18. All the actors are good, but it's Farnsworth's brilliantly simple performance that brings The Straight Story so close to greatness.
  19. One of the great movies -- a triumph of storytelling and character development, and a whole new ballgame for computer animation. Pixar Animation Studios has raised the genre to an astonishing new level.
  20. There are moments of genuine pathos, genuine humor, genuine surprise. As much as the film adheres to the strictures of the standard comic-book movie, it also pops with a knowing, loving, Whedon-world jokiness that keeps everything barreling along.
  21. If you're the type who doesn't go to art-house films , Murderball should be your exception. It's hard to imagine anyone could walk away from this movie disappointed.
  22. This Alfred Hitchcock film on his familiar theme of the wrongly accused man is outstanding in every respect. [19 Sep 1999, p.52]
    • San Francisco Chronicle
  23. Documentary reaches an exalted level of filmmaking. It explains the very fabric of American society.
  24. The silence captured in this documentary -- a meditative look at life in the Carthusian monastery of the Grande Chartreuse in the French Alps -- may be the most eloquent you'll ever hear.
  25. Riveting.
  26. The Visitor, is, if anything, more imaginative and touching than his first.
  27. Screenwriters Bridget O'Connor and Peter Straughan have clarified a few things that needed clarifying, camouflaged a few things that needed camouflaging - and gently tugged some passive flashbacks into the active present. It's a cagey adaptation.
  28. The movie rarely, if ever, feels mechanical. Instead, you may find yourself marveling at the fertility of an imagination that could allow itself to toss so many vivid characters and stories—enough to supply four or five movies — into one generous package.
  29. A heartrending film, Lee's Poetry is indeed a work of art.
  30. A visual poem.

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